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    Movie Review

    Wonder Park stifles imagination with misguided emotional story

    Alex Bentley
    Mar 14, 2019 | 4:00 pm
    Wonder Park stifles imagination with misguided emotional story
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    When making movies aimed at children, there are generally two lanes you can take. Either you keep the film light and fun throughout, or you layer on some parental/family drama to give the story some emotional stakes. Disney is the king of the latter category, with other studios either ceding that lane to the Mouse House or struggling to replicate their successes.

    The latest to try its hand at that side, to its detriment, is Nickelodeon/Paramount's Wonder Park, a film that should’ve been all about a child’s imagination and nothing else. June (Brianna Denski) and her mom (Jennifer Garner) have spent years creating the splendiferous rides and attractions of Wonderland in their home, with crafty creations taking up much of the house. But when Mom gets sick, June soon loses her desire to keep playing in that world.

    Desperate to keep her mind off her mom’s illness, June’s dad (Matthew Broderick) ships her off to math camp for the summer. Halfway there, June makes a break for it and winds up in the forest, where she magically discovers a real-life but rundown version of Wonderland, complete with animal mascots Peanut (Norbert Leo Butz), Greta (Mila Kunis), Steve (John Oliver), Boomer (Ken Hudson Campbell), Gus (Kenan Thompson), and Cooper (Ken Jeong).

    Written by Josh Applebaum and Andre Nemec (with, strangely, no credited director), the film eschews subtlety as the animals and June deal with a dark cloud hanging over the amusement park, trying to find a way to get rid of it. While the animals can help, only June will be able to come up with the ultimate solution and find the light in the darkness.

    Done in a more thoughtful manner, the whole sick mom/sad kid aspect could work. But in a film that supposedly is all about the unlimited boundaries of a child’s imagination, adding on a heavy element that stifles creativity is unnecessary and burdensome. Instead of figuring out a story that would showcase June’s wildest rides made real, Applebaum and Nemec ruin any potential fun with their misguided attempt at emotionality.

    Another quibble is relatively small, but also speaks to the lack of direction on the film as a whole. Why would you name the amusement park in the film Wonderland, but then name the film Wonder Park? The former obviously brings to mind Alice in Wonderland, so there might have been copyright issues there, but then naming the park Wonder Park makes the most sense. It’s a confusing part that could have been cleared up with a bit more thought.

    The lack of overall clarity is a shame, because the animal characters are legitimately fun in the few moments where levity shines through. It’s easy to see kids clamoring for their own Peanut the chimpanzee, Greta the warthog, or even Steve the porcupine, especially since their traits are unique and each of the actors have distinctive voices.

    Wonder Park doesn’t come close to holding a candle to the better animated fare of recent years, and with Disney’s 2019 onslaught soon to start with the live-action version of Dumbo, it’ll be a wonder if anyone remembers this movie at all.

    Peanut (Norbert Leo Butz) and June (Brianna Denski) in Wonder Park.

    Peanut (Norbert Leo Butz) and June (Brianna Denski) in Wonder Park
    Photo courtesy of Paramount Pictures
    Peanut (Norbert Leo Butz) and June (Brianna Denski) in Wonder Park.
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    Movie Review

    Hugh Jackman channels Neil Diamond in biopic Song Sung Blue

    Alex Bentley
    Dec 24, 2025 | 1:05 pm
    Hugh Jackman and Kate Hudson in Song Sung Blue
    Photo courtesy of Focus Features
    Hugh Jackman and Kate Hudson in Song Sung Blue.

    Neil Diamond - a member of both the Songwriters and Rock and Roll Halls of Fame with 10 No. 1 songs and over 56 million albums sold - is such a music legend that it would be easy to do a straight-up biopic of him. Instead, the new Song Sung Blue - named after Diamond’s 1972 hit song - serves as a shadow Diamond biopic, with his songs showcased through a real-life husband-and-wife tribute act known as Lightning & Thunder.

    Based on the 2008 documentary of the same name, the film focuses on Mike Sardina (Hugh Jackman), who comes up with the idea for a Diamond-centric act when he meets Claire (Kate Hudson). The duo soon grows in popularity locally in Milwaukee, headlining not just restaurants and bars but also some larger venues. As their legend spreads, they even start to get the attention of the media and bigger names outside of Wisconsin.

    Of course, it wouldn’t be a good biopic without a little turbulence, and — without spoiling things — Mike and Claire learn that good times never seemed so good when they face more than their fair share of troubles. The couple endures their ups and downs with the help of their combined family, including children Rachel (Ella Anderson) Angelina (King Princess), and Dana (Hudson Henley), as well as a community of fellow tribute acts.

    Written and directed by Craig Brewer (Dolemite is My Name), the film’s appeal lies mainly in the irrepressible enthusiasm of Mike, a man born to entertain if ever there was one. Neither his long-dormant alcoholism nor health problems nor location in the Upper Midwest can stop Mike from demonstrating his showmanship skills. Of course, it helps that he’s portrayed by Jackman, who - despite getting a little long in the tooth - gives every performance his all.

    What the story can never quite answer, though, is why this particular couple is worth an entire feature film. Sure, they have a somewhat interesting arc, especially when it coincides with a certain early ‘90s grunge band, but otherwise there’s little that separates them from other tribute acts toiling around the country. Brewer struggles to define them outside of their singing lives, and when things get really bad for them, the emotional connection is at a minimum.

    Then there’s the aspect of incorporating Diamond’s music, some of which has endured across the decades more than others. Naturally, “Sweet Caroline” gets a notable showcase, but whither “America” or “Heartlight?” The title song is featured the most often, as Mike uses it to celebrate his yearly “sober birthday,” but it’s not a barnburner. Mike also has an obsession with the relatively obscure "Soolaimón," an odd choice both for him and for the movie to include so much.

    Jackman and Hudson have good chemistry together, and when the film puts them together in singing scenes, their bond becomes infectious. Each of them has naturally melodic voices as well, lending an extra boost to that part of the film. Supporting actors like Anderson, King Princess, Michael Imperioli, and Fisher Stevens complement them well, but Jim Belushi, playing their promoter, gives a hammy performance that seems to be in a completely different movie.

    While it’s unclear who the audience for Song Sung Blue might be other than hardcore Diamond fans, it has just enough crowd-pleasing moments to make for a solid watch. The entertainment factor of the film comes and goes, but Jackman using every ounce of his abilities mostly makes up for any deficiencies.

    ---

    Song Sung Blue opens in theaters on December 25.

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