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    DIFF Insight

    Mud director reveals why he chose Matthew McConaughey for leading role

    Dallas International Film Festival
    Apr 4, 2013 | 1:15 pm
    Dallas International Film Festival, Mudplay icon
    Mud is one of the few films playing only once during the Dallas International Film Festival, on April 5 at Angelika Film Center Dallas.
    Photo courtesy of Dallas International Film Festival

    Set on the banks of the Mississippi River, Mud (playing at Angelika Film Center Dallas on Friday, April 5) tells the story of Ellis and Neckbone, two best friends on the cusp of adolescence who come across a charismatic outlaw who needs their help. Known simply as “Mud,” the mysterious man (played by a well-cast Matthew McConaughey) recruits the boys in his plan to be reunited with his true love, Juniper (Reese Witherspoon).

    While Neckbone remains skeptical, Ellis is quickly drawn in by Mud’s story, and the boys agree to help them run away together. But when a team of bounty hunters descends upon the town, the boys start to find themselves in too deep.

    Below, director Jeff Nichols explains how he knew Austin's McConaughey was ideal for the role, how the film is a realistic look at the power and consequences of love, and what is in the name “Mud.”

    DIFF: How do you feel McConaughey was able to capture the essence of a down-and-out, lovelorn fugitive? Had you always imagined him playing Mud?

    Jeff Nichols: Yes, I wrote this part for Matthew, even though I didn’t know him at the time I was writing it. I could just picture him on an island saying these lines. He brought things to the role that made it even better. Mud is a very determined man that has invented a personal philosophy for himself. Matthew is really similar in this regard; he seems to always be refining his place in the world.

    “I wrote this part for Matthew, even though I didn’t know him at the time I was writing it,” says director Jeff Nichols.

    An essential part of Mud’s character is that his many speeches to the boys, about his past and about Juniper, sound like dreams and not just memories. Early on, Matthew recognized this crucial difference, and I think it helped make his character so captivating.

    DIFF: Did Mud choose this name for himself? What does the name “Mud” say about him?

    JN: I was listening to a lot of Townes Van Zandt when I was conceiving of this story, and the song “Mr. Mudd and Mr. Gold” was definitely playing in my head. There’s also the “your name is Mudd” connotation as well. But the name really just felt right given the location.

    Mississippi mud is a very real substance. We were caked in it during the entire shoot, so there is that. Also, for a film about the murky subjects of love and adolescence, “Mud” just seemed like an appropriate word to anchor the film to.

    DIFF: Could you describe the connection that Ellis forms with Mud? What is it in Ellis that he wants to believe Mud’s story so quickly while Neckbone doesn’t?

    JN: Simply put, Ellis needs to find an example of love that works, and he believes he’s found that example in Mud. Ellis needs this for two reasons. First, he’s becoming a young man, starting to have strong feelings for girls, and so he is beginning to explore the idea of love for himself.

    Second, if love is possible, then it’s possible that Ellis’ parents, who are on the verge of splitting up, could stay together. Neckbone represents the rational, arguably adult side of ourselves. He’s the one that calls “bullshit.” Reality is always just behind us, telling us how complicated life and love really are.

    DIFF: Love and its loss is a recurring theme throughout the film. How does love guide the characters in Mud, for better or for worse?

    JN: This whole film is about love. I chose to consider the subject through a male point of view. A lot of times stories look at love, especially romantic love, through the eyes of women. I wanted to flip that.

    This is a male film about romantic love. As far as what it says about love, ultimately I’ll leave that up to the audience. For me, and this applies to all of my films, love and pain are forever interconnected. You can’t love without risking the possibility of real pain. Some might see this as a downer, but I actually think it’s kind of a beautiful thought. I certainly subscribe to it.

    DIFF: Teenage actors Tye Sheridan and Jacob Lofland give outstanding and authentic performances as Ellis and Neckbone. What would you say they brought to the roles?

    JN: The most important thing to note about Jacob and Tye is that they gave actual performances in this film. What I mean is, a lot of films remove dialogue from kids in order to capture more honest, truthful moments. I actually can agree with this approach and like to see it executed well. However, our film required these boys to not only learn lines, but ingest them and deliver them in a way that felt honest and truthful to this part of America and this stage in adolescence.

    I think Tye and Jacob accomplished this, which is a feat adult actors have trouble pulling off, and they took what was on the page and brought it to life. A big part of this is because they seem so close in real life to these characters. I knew going in I had young men that were truly from this area, so I never had to worry about accent or even teaching them how to ride a dirt bike or run a boat. I think they’re both stars.

    Mud is one of the few films playing only once during the Dallas International Film Festival, on April 5 at Angelika Film Center Dallas.

    Dallas International Film Festival, Mud
    Photo courtesy of Dallas International Film Festival
    Mud is one of the few films playing only once during the Dallas International Film Festival, on April 5 at Angelika Film Center Dallas.
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    Movie Review

    Podcaster lets creepy noises get under her skin in Undertone

    Alex Bentley
    Mar 13, 2026 | 10:30 am
    Nina Kiri in Undertone
    Photo courtsy of A24
    Nina Kiri in Undertone.

    While the horror genre is still capable of producing some innovative filmmaking, most of the output tends to fall back on jump scares and other tropes to deliver their terror. So when a film like the new Undertone tries something different, it should be applauded for the effort, even if it’s not as successful in its execution.

    Evy (Nina Kiri) is a podcaster who co-hosts a show called Undertone, which focuses on paranormal videos and sounds they find on the internet. Her co-host, Justin (Adam DiMarco), lives in London, so - for kind of contrived reasons - in order to make the time difference between them work, Evy records at around 3 am her time. Evy - who lives at home with her bedridden, dying mother - is the skeptic of the two, consistently debunking clips that Justin presents to her.

    Her doubts are tested when Justin brings in a series of 10 audio clips that purport to be about a boyfriend recording his girlfriend as she talks in her sleep. The audio begins in a lighthearted manner and quickly turns creepy and then sinister as unexplained things start happening. Evy senses that what she’s hearing is bleeding into her own world, especially when inexplicable actions take place in her mother’s bedroom.

    Written and directed by first-time feature filmmaker Ian Tuason, the film is effective early on when it introduces the story concept. Making great use of sound design, Tuason essentially puts the audience inside Evy’s head, where every little sound is heightened. Setting the podcast sessions in the middle of the night ups the anxiety level for both her and the audience.

    However, as the film goes along it gets a little tedious watching Evy listen to the audio, even as Tuason attempts to keep the film dynamic by moving the camera around her. The premise of the story - progressively going through 10 clips - and Tuason’s framing of shots that focus as much on the background as they do on Evy seem to promise more interesting results than actually transpire.

    What ultimately holds the film down more than anything is its lack of different viewpoints. The only other person who’s actually seen is Evy’s mother, who is unable to speak. Evy speaks to Justin, another friend, and a doctor over the course of the story, and while each broadens our understanding of Evy somewhat, none of them make her a truly three-dimensional person. Getting a little more information about her history might have helped the story work better.

    Kiri does her level best to vary her acting in the various podcast scenes, and even when they start to get repetitive, she remains compelling and watchable. It’s difficult to judge the other actors based on audio alone, but knowing that DiMarco also starred in season 2 of The White Lotus helps to visualize him and his acting style.

    Undertone does well in creating a spine-chilling mood, but it needed something beyond that to become a truly great horror movie. Tuason shows some promise as a filmmaker, especially in the way he uses the camera to create tension, but a more complete story will serve him better the next time around.

    ---

    Undertone is now playing in theaters,

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