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    Theater Preview

    These are the 13 can't-miss shows in Dallas-Fort Worth theater for April

    Lindsey Wilson
    Apr 7, 2016 | 11:59 am

    Just like 2016 brought you an extra day we're giving you an extra show this month, a baker's dozen of plays and musicals you should really just buy your tickets to already. They run the gamut from dark and existential to goofy and easy to sing along to, but these shows all personify the variety of theater available in Dallas.

    Here's are the 13 shows in order by start date:

    Temple Spirit
    Echo Theatre, March 31-April 16

    A world premiere recently developed in Chicago, this ghost story involves demons and Japanese folk legends. It continues Echo's mission to produce plays written by women (Susan Felder, in this case) and also travels to a new venue: The Creative Arts building at Fair Park, a place that's normally only used during the fair.

    End of the Rainbow
    Uptown Players, April 1-17

    Janelle Lutz practically stole the show two summers ago in Uptown's The Boy From Oz with her cameo as Judy Garland. Now audiences can have more than two hours of Lutz as Judy in this dark yet hilarious play with music about the legendary entertainer near the end of her troubled life. And Lutz doesn't just channel Garland's signature singing style — she improves upon it, making the big numbers even more exciting.

    Ghost Quartet
    Off-Broadway on Flora, April 7-9

    Dave Malloy's Natasha, Pierre & the Great Comet of 1812 may be prepping for its Broadway debut this fall with Josh Groban, but Dallasites can hear the composer's offbeat music in this chamber musical about death and drinking. It's not as depressing as it sounds, but definitely don't go in to the immersive show looking for a rollicking good time.

    Topdog/Underdog
    Soul Rep Theatre Company, April 7-17

    Suzan-Lori Parks scored the Pulitzer Prize for drama nearly 15 years ago with this work, which examines for two brothers what it's like to be male and African American.

    Jonah
    Undermain Theatre, April 13-May 7

    Len Jenkin returns to his beloved Undermain, which has produced five of his previous world premieres. This time we're following the titular character as he skips across the world, meeting fascinating characters along the way.

    [title of show]
    The Firehouse Theatre, April 15-May 1

    Talk about meta. The four-person show-that-could began as a joke, when the writers were trying to meet the deadline for a musical theater festival. The resulting work about the road to creation, which is littered with ego, crippling self-doubt, and friendship, ended up playing Broadway and now it lives again in Carrollton with a stellar cast.

    Show Boat
    Dallas Opera, April 15, 17, 20, 23, 29 and May 1

    This is the musical that changed musicals, making them the plot-driven experience we know today. Dallas Opera's version promises to be big and lush, bringing in talent from all over the world to sing iconic songs such as "Old Man River" and "Why Do I Love You."

    The Big Meal
    WaterTower Theatre, April 15-May 8

    Family stories usually happen around the dinner table, and playwright Dan LeFranc uses that conceit as the setting for his play. We see two people meet as a suburban restaurant, fall in love, build a family, and say goodbye, all throughout one meal.

    The Great God Pan
    Second Thought Theatre, April 20-May 14

    After giving us the haunting Belleville last season, Second Thought revisits Amy Herzog and her penchant for seemingly happy yuppies who are really anything but. Drew Wall returns here, joined by STT artistic director Alex Organ and Natalie Young.

    Wicked
    Dallas Summer Musicals, April 20-May 22

    You can't defy this one — the blockbuster musical flies back into Dallas again, bringing with it the powerhouse score by Stephen Schwartz and more than a few flying monkeys. The backstory to Glinda the Good and Elphaba, the Wicked Witch of the West, is still just as captivating as it was when the show premiered on Broadway more than a decade ago.

    Animal vs. Machine
    PrismCo., April 23

    The dancers and movers over at PrismCo. are always looking for a new way to wordlessly tell a story, and this time that involves MMA fighting. Two female mixed martial artists will duke it out over three rounds for dominance in the ring, all without speaking.

    Deferred Action
    Dallas Theater Center/Cara Mia Theatre Co., April 29-May 14

    It was big news when Cara Mia announced its collaboration with Dallas Theater Center on the next installment of the "Dreamers" series. These powerful plays are shedding light on the reception immigrants receive when entering and living in America, focusing here on one man's experience as he grows up undocumented. Resident actors from both companies populate the cast list, with Ivan Jasso starring.

    Morphing
    Ochre House, April 30-May 21

    If you missed it five years ago, get yourself to Deep Ellum this time for Matthew Posey's unique take on Long Day's Journey Into Night. As with everything Ochre House does, it's weird and wonderful, and something you definitely can't see anywhere else.

    Drew Wall, Alex Organ, and Natalie Young in The Great God Pan at Second Thought Theatre.

    Second Thought Theatre presents The Great God Pan
    Photo courtesy of Second Thought Theatre
    Drew Wall, Alex Organ, and Natalie Young in The Great God Pan at Second Thought Theatre.
    theater
    news/arts

    Dance News

    Dallas Black Dance Theatre makes interim artistic director permanent

    Lindsey Wilson
    Nov 4, 2025 | 11:41 am
    Richard A. Freeman, Jr.
    Photo by Aleah Pilot
    Richard A. Freeman Jr. became the new artistic director October 24, 2025.

    Dallas Black Dance Theatre (DBDT) has officially named Richard A. Freeman, Jr. as its new artistic director, ushering in a new era of leadership for the dance company as it approaches its 50th anniversary season.

    Freeman, a longtime member of the DBDT family, has served as interim artistic director through the company’s recently completed 48th and current 49th seasons. His appointment, effective October 24, 2025, marks a natural progression for the former lead dancer, resident choreographer, and artistic project coordinator, whose career within DBDT spans more than a decade of creative and organizational leadership.

    “Richard has been an integral part of Dallas Black Dance Theatre's artistic fabric for years, and his extraordinary leadership during his time as interim artistic director made this decision clear,” says Heidi K. Murray, a member of DBDT’s board of directors, in a release. “His dedication to artistic excellence, his deep understanding of our mission, and his vision for the future of contemporary modern dance make him the ideal person to lead DBDT into this exciting new chapter.”

    DBDT founder Ann M. Williams echoed the sentiment, calling Freeman’s appointment a full-circle moment for both artist and company. “Richard embodies everything Dallas Black Dance Theatre stands for: artistry, excellence, and a deep commitment to uplifting our community through dance,” she says in the release. “I have had the privilege of watching him grow from a gifted dancer into an inspiring leader and visionary artist. His dedication to preserving our legacy while boldly charting new artistic territory gives me tremendous confidence in DBDT’s future.”

    During his tenure as interim artistic director, Freeman guided DBDT through seasons marked by artistic innovation and expanded community engagement, but also staff shake-ups and legal issues.

    In October 2024, accusations of retaliation surfaced after 10 DBDT dancers, its entire main company, were fired following their decision to unionize in May and demand better working conditions. This led to an unprecedented "Do Not Work" order by the American Guild of Musical Artists.

    Dallas City Council ultimately voted to withhold $248,000 in city funding due to labor violations, and DBDT later settled for $560,000 with the National Labor Relations Board.

    In response, DBDT formed a 17-member advisory stakeholder task force co-chaired by Jennifer Scripps, president and CEO of Downtown Dallas, Inc., and Shawn Williams, vice president of public affairs at Allyn. The group has been working with DBDT leadership to review the organization’s policies and practices, propose changes that foster an accountable environment, and put in place safeguards to prevent future concerns related to talent.

    In September 2025, executive director Zenetta Drew announced her retirement after nearly four decades with the company. A national search for her replacement will start in early 2026. Williams retired in 2014.

    As artistic director, Freeman will oversee all aspects of DBDT’s artistic operations, from performances to educational initiatives, and continue to expand its reach throughout Dallas and beyond.

    “I am deeply honored to accept this role and to continue building on the incredible foundation established by the vision of Ann Williams,” Freeman says. “This company has a unique power to move, inspire, and unite communities through dance. I look forward to working with our talented dancers, staff, and board to create unforgettable artistic experiences and to nurture the next generation of dance artists.”

    A native of Washington, D.C., Freeman began his training with the District of Columbia Youth Ensemble and the Washington Ballet before graduating from the Duke Ellington School of the Arts and Virginia Commonwealth University. His performance credits span acclaimed companies and productions, including Elisa Monte Dance, Houston Grand Opera, Porgy and Bess, and The Wiz.

    Freeman’s choreographic works have been featured by leading institutions such as Texas Ballet Theater School, Texas Christian University, and Booker T. Washington High School for the Performing and Visual Arts. He has also shared his expertise through master classes and workshops nationwide, reinforcing his commitment to DBDT’s educational mission.

    Founded in 1976, Dallas Black Dance Theatre is the oldest and largest professional dance company in Dallas and one of the most acclaimed Black dance institutions in the U.S.

    dallas black dance theatredance
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