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    Theater Preview

    These are the 13 can't-miss shows in Dallas-Fort Worth theater for April

    Lindsey Wilson
    Apr 7, 2016 | 11:59 am

    Just like 2016 brought you an extra day we're giving you an extra show this month, a baker's dozen of plays and musicals you should really just buy your tickets to already. They run the gamut from dark and existential to goofy and easy to sing along to, but these shows all personify the variety of theater available in Dallas.

    Here's are the 13 shows in order by start date:

    Temple Spirit
    Echo Theatre, March 31-April 16

    A world premiere recently developed in Chicago, this ghost story involves demons and Japanese folk legends. It continues Echo's mission to produce plays written by women (Susan Felder, in this case) and also travels to a new venue: The Creative Arts building at Fair Park, a place that's normally only used during the fair.

    End of the Rainbow
    Uptown Players, April 1-17

    Janelle Lutz practically stole the show two summers ago in Uptown's The Boy From Oz with her cameo as Judy Garland. Now audiences can have more than two hours of Lutz as Judy in this dark yet hilarious play with music about the legendary entertainer near the end of her troubled life. And Lutz doesn't just channel Garland's signature singing style — she improves upon it, making the big numbers even more exciting.

    Ghost Quartet
    Off-Broadway on Flora, April 7-9

    Dave Malloy's Natasha, Pierre & the Great Comet of 1812 may be prepping for its Broadway debut this fall with Josh Groban, but Dallasites can hear the composer's offbeat music in this chamber musical about death and drinking. It's not as depressing as it sounds, but definitely don't go in to the immersive show looking for a rollicking good time.

    Topdog/Underdog
    Soul Rep Theatre Company, April 7-17

    Suzan-Lori Parks scored the Pulitzer Prize for drama nearly 15 years ago with this work, which examines for two brothers what it's like to be male and African American.

    Jonah
    Undermain Theatre, April 13-May 7

    Len Jenkin returns to his beloved Undermain, which has produced five of his previous world premieres. This time we're following the titular character as he skips across the world, meeting fascinating characters along the way.

    [title of show]
    The Firehouse Theatre, April 15-May 1

    Talk about meta. The four-person show-that-could began as a joke, when the writers were trying to meet the deadline for a musical theater festival. The resulting work about the road to creation, which is littered with ego, crippling self-doubt, and friendship, ended up playing Broadway and now it lives again in Carrollton with a stellar cast.

    Show Boat
    Dallas Opera, April 15, 17, 20, 23, 29 and May 1

    This is the musical that changed musicals, making them the plot-driven experience we know today. Dallas Opera's version promises to be big and lush, bringing in talent from all over the world to sing iconic songs such as "Old Man River" and "Why Do I Love You."

    The Big Meal
    WaterTower Theatre, April 15-May 8

    Family stories usually happen around the dinner table, and playwright Dan LeFranc uses that conceit as the setting for his play. We see two people meet as a suburban restaurant, fall in love, build a family, and say goodbye, all throughout one meal.

    The Great God Pan
    Second Thought Theatre, April 20-May 14

    After giving us the haunting Belleville last season, Second Thought revisits Amy Herzog and her penchant for seemingly happy yuppies who are really anything but. Drew Wall returns here, joined by STT artistic director Alex Organ and Natalie Young.

    Wicked
    Dallas Summer Musicals, April 20-May 22

    You can't defy this one — the blockbuster musical flies back into Dallas again, bringing with it the powerhouse score by Stephen Schwartz and more than a few flying monkeys. The backstory to Glinda the Good and Elphaba, the Wicked Witch of the West, is still just as captivating as it was when the show premiered on Broadway more than a decade ago.

    Animal vs. Machine
    PrismCo., April 23

    The dancers and movers over at PrismCo. are always looking for a new way to wordlessly tell a story, and this time that involves MMA fighting. Two female mixed martial artists will duke it out over three rounds for dominance in the ring, all without speaking.

    Deferred Action
    Dallas Theater Center/Cara Mia Theatre Co., April 29-May 14

    It was big news when Cara Mia announced its collaboration with Dallas Theater Center on the next installment of the "Dreamers" series. These powerful plays are shedding light on the reception immigrants receive when entering and living in America, focusing here on one man's experience as he grows up undocumented. Resident actors from both companies populate the cast list, with Ivan Jasso starring.

    Morphing
    Ochre House, April 30-May 21

    If you missed it five years ago, get yourself to Deep Ellum this time for Matthew Posey's unique take on Long Day's Journey Into Night. As with everything Ochre House does, it's weird and wonderful, and something you definitely can't see anywhere else.

    Janelle Lutz in End of the Rainbow at Uptown Players.

    End of the Rainbow at Uptown Players
    Photo by Mike Morgan
    Janelle Lutz in End of the Rainbow at Uptown Players.
    theater
    news/arts

    All Eyes on Them

    Dallas alt hip-hop group wins prestigious Tiny Desk Contest by NPR

    Brianna Caleri
    May 13, 2026 | 3:00 pm
    Cure for Paranoia
    Cure for Paranoia/Facebook
    As winners of the Tiny Desk Contest, Cure for Paranoia will record their own Tiny Desk concert and go on tour.

    Few live recording studios or musical web series have the cultural sway of NPR's Tiny Desk, and a Dallas band is poised to make an impactful debut: Cure For Paranoia, an alternative hip-hop project by rapper Cameron McCloud and producers Tomahawk Jonez and Jay Analo, has won the high-stakes annual Tiny Desk Contest for 2026.

    They'll record their official Tiny Desk show "soon," the announcement by NPR says.

    Winning the concert also means Cure for Paranoia is going on tour. The only Texas stop will be at Emo's Austin on June 24.

    Tiny Desk is known for platforming both niche and majorly successful artists — NPR posted a new Foo Fighters set on YouTube on May 13 — for stripped-down sets that are literally played behind former All Things Considered director Bob Boilen's old desk. (Fun fact for Texans: Tiny Desk was created because folk artist Laura Gibson was disappointed with the sound at her South by Southwest show in Austin in 2008, and she wanted a redo.)

    Most artists who appear on Tiny Desk more than 15 years later are already well-known, at least in their specific circles. But the Tiny Desk Contest, which launched in 2015, helps a growing group of newer, unsigned artists get their foot in the door. Contestants record one video of them performing a single song behind a desk, and a jury of radio staff and musicians chooses their favorite.

    In their audition video, Cure for Paranoia gathered 11 musicians around a truly tiny desk and in front of downtown Dallas' iconic gigantic eyeball sculpture. They played the song "No Brainer," a frenetic track that starts with clever boasts and becomes a criticism of racism in the United States.

    McCloud, a pre-school teacher, is known independently of Cure for Paranoia for rapping to his social media following about politics and current events. Some of those lyrics made it into "No Brainer." He says he started the group because he found that music was more helpful than medication for coping with bipolar depression and paranoid schizophrenia.

    Alex Marrero, host of the Austin-based KUTX show Horizontes, was one of the judges this year. He was impressed with the visuals in Cure for Paranoia's audition.

    “When this popped up, I immediately felt something different," he wrote in a blurb for the announcement. "It just jumped out. The visuals were super cool and creative, BUT I could still totally envision them bringing the heat behind the Desk.”

    Madison McFerrin, jazz vocalist and daughter of the famous singer Bobby McFerrin, was one of the musical judges.

    "Cure For Paranoia’s energy is infectious, fresh and distinctly theirs — exactly what you want in a Contest winner!" she wrote.

    McCloud's post on Instagram announcing the group's win has only been up for three hours at the time of this article's publication, and it already has more than 8,000 likes. The YouTube audition has garnered 74,000 views.

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