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Movie Review

Dwayne Johnson's Rampage gives monster movies a bad name

Alex Bentley
Apr 12, 2018 | 3:54 pm
Dwayne Johnson's Rampage gives monster movies a bad name
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Dwayne Johnson has become a big enough movie star that it’s more than fair to start questioning his choices. With 10 out of his last 14 movies earning over $100 million, and many of them making well above that mark, he can get approval for almost any movie he wants to make.

So why, apart from the obvious answer of money, does he continue to attach his name to such dreadful material? His latest awful outing is Rampage, which is very loosely based on the popular ‘80s video game. Johnson plays Davis Okoye, a primatologist at the San Diego Wildlife Park who works well with one of the park’s gorillas, George.

When a weaponized version of the gene-editing serum called CRISPR (which is a real thing) gets plunked down at several spots in the U.S. after a space station accident, George, a wolf, and an alligator all inadvertently get transformed into gigantic, aggressive versions of themselves. They proceed to create havoc, and it’s up to Davis and rogue scientist Dr. Kate Caldwell (Naomie Harris) to find a way to stop them.

The result is one of the most inane, uninspired, and lazy movies I have ever seen. And I’m not even talking about the story; it’s almost a given that this type of movie will have plot holes a mile wide. But the fact that director Brad Peyton and the quartet of writers (who include Lost’s Carlton Cuse) consistently go for the easy and dumb ways of trying to entertain the audience should be insulting to any moviegoer, discerning or not.

They give us villains (Malin Akerman and Jake Lacy) who are evil for no apparent reason and whose motives appear to stem from the presence of the original Rampage video game in their offices. The wolf and alligator acquire wild side effects from the serum, but George only becomes bigger so that he doesn’t appear too monstrous. And, like Pacific Rim Uprising and other destructive movies, they expect us to get excited over the demolition of many buildings and vehicles, even if that means that we’re seeing hundreds or thousands of innocent people die in the process.

Johnson puts on his usual charm offensive, but it’s in support of such a generic and uninteresting story that it takes him down. They pay lip service to Harris’ character being smart and capable on her own, but she never gets a chance to show it. The only truly entertaining actor is Jeffrey Dean Morgan, who chews the scenery as a government official with zeal, showing he’s the only one who understands what the movie should have been.

Johnson has shown glimpses through the years of using his powers for the good of moviegoers, but Rampage indicates that he’s still much more interested in making money than making good movies. It’s possible he can change, but I wouldn’t bet on it anytime soon.

Naomie Harris and Dwayne Johnson in Rampage.

Naomie Harris and Dwayne Johnson in Rampage
Photo by Frank Masi
Naomie Harris and Dwayne Johnson in Rampage.
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Rivers wild

Ethan Hawke narrates new documentary that deep-dives into Texas rivers

Brianna Caleri
Aug 7, 2026 | 12:08 pm
Cropped still from Deep in the Heart 2: Texas Rivers
Cropped still from Deep in the Heart 2: Texas Rivers
The Rio Grande is one of the stunning subjects of Deep in the Heart 2: Texas Rivers.

One Texas film icon passes the torch to another for a deep dive on Texas' river ecosystems in the upcoming documentary Deep in the Heart 2: Texas Rivers. Matthew McConaughey narrated the original 2022 film, Deep in the Heart: A Texas Wildlife Story. Now Ethan Hawke narrates the follow-up, which will be in theaters September 25.

Deep in the Heart 2 is directed by Ben Masters, a nature-obsessed Texan who was born and raised in Amarillo and has followed wildlife around the state and beyond. Working with his crew at Fin & Fur Films, Masters explores the Rio Grande, the Sabine River, and the Neches River, a press release says, coming across otters, turkeys, alligator snapping turtles, and more.

Still from Deep in the Heart 2: Texas Rivers This underwater shot was taken in San Marcos.Still from Deep in the Heart 2: Texas Rivers

The original Deep in the Heart took a broad view of Texas — both its landscapes and their inhabitants — while the "sequel," as the release calls it, specifically highlights water. Conservation is an important angle, and viewers will get a chance to consider how they could connect with and protect the ecosystems on their screens.

"Most of my favorite memories are on Texas Rivers," said Masters in the release. "I grew up on the Canadian, fell in love on the Brazos, got married on the Guadalupe, found adventure on the Rio Grande, and am raising my kids on the Colorado."

The filmmaker says that spending three years filming his natural subjects gave him "a newfound appreciation" for rivers and how distinct they are from one another.

Deep in the Heart 2: Texas Rivers Amazing cinematography was a hallmark of the original film, and the sequel offers more beautiful shots.Still from Deep in the Heart 2: Texas Rivers

"We spent months filming mountain lions on the Pecos, snapping turtles on the Neches, otters on the Sabine, fatmuckets on the Llano, and whooping cranes in the Guadalupe's Estuary," Masters said. "Editing the majesty of Texas Rivers into 80 minutes was a huge challenge, and I'm just incredibly grateful to work with such a talented team of cinematographers, editors, producers, and musicians."

Hawke, born in Austin and raised in Fort Worth, is known for acting in the Dead Poets Society, Gattaca, the Richard Linklater films Boyhood and Blue Moon, and more. He has taken up causes in environmental advocacy for years and appeared in other ecology-focused films, including the intense fictional First Reformed (2018) and a goofy anti-littering PSA with TxDOT (2023).

Deep in the Heart 2: Texas Rivers Some unexpected guests in the Rio Grande.Still from Deep in the Heart 2: Texas Rivers

The film was made in association with H-E-B, a regular supporter of ecological documentaries and initiatives, and conservation organization Texan by Nature. Other collaborators include producer Josh Winkler, editor Sam Klatt, assistant editor Chet Stefan, and composer Noah Sorota. The musical score is performed by Dallas Chamber Symphony.

animals documentaries ecology ethan hawke film matthew mcconaughey movies nature texas wildlife
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