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    Theater News

    Dallas Summer Musicals lands impressive new president after nationwide search

    Lindsey Wilson
    Apr 24, 2017 | 9:15 am

    Don't let his name fool you: Kenneth T. Novice sounds extremely qualified to be the next president of Dallas Summer Musicals. The arts organization, which unexpectedly fired longtime leader Michael Jenkins in May 2016, announced the hiring of Novice following a 10-month nationwide search.

    Novice was previously based in California, where he had served as the managing director of both the Geffen Playhouse and Pasadena Playhouse. He's also worked at the Tony Award-winning Old Globe in San Diego and Circle Repertory Theatre in New York. For California State University Long Beach's Theatre Management MFA/MBA program, Novice served as Head of Theatre Management, designing curriculum and teaching courses.

    "Ken has an engaging personality, as well as a broad vision of where we can and should go as an organization," says Ted Munselle, DSM board chair, in a release. "His ability to think outside of the box will help keep DSM relevant and exciting for future generations of arts patrons. We sincerely believe that Ken is the best person to take us forward into our next 77 years, continuing and expanding DSM’s great legacy, while ensuring DSM’s financial and artistic success in the future."

    Novice will assume the position on May 1 and continue the work that DSM interim managing director David Hyslop started last year on "instilling stability and sustainability for the organization," according to the release.

    That's good, because the plan has already proven impressive. After several lackluster seasons, Dallas Summer Musicals revealed a hot lineup of current Broadway hits, including Waitress, The Color Purple, On Your Feet!, and School of Rock. Longtime favorites Les Miserables, Irving Berlin's White Christmas, and Disney's The Lion King are also on the schedule, along with Love Never Dies, the sequel to The Phantom of the Opera.

    But the real clincher was the two shows announced for the 2018-19 season: Disney's Aladdin and the unstoppable smash Hamilton. In order to guarantee tickets to these coveted musicals, patrons are required to become season subscribers this year. Smart, smart, smart.

    "Dallas Summer Musicals has been the crown jewel of the Dallas arts community for decades; the opportunity to lead this venerable company into the future with new partner Broadway Across America and the dedicated board and staff is an honor," says Novice. "I look forward to engaging deeply with the Dallas community, building community and business partnerships, and deepening the positive impact that the best of Broadway can have on young people through education and outreach initiatives."

    Dallas Summer Musicals will bring Hamilton to town with the 2018-19 season.

    Hamilton: An American Musical
    Photo by Joan Marcus
    Dallas Summer Musicals will bring Hamilton to town with the 2018-19 season.
    theater
    news/arts

    Dance News

    Dallas Black Dance Theatre makes interim artistic director permanent

    Lindsey Wilson
    Nov 4, 2025 | 11:41 am
    Richard A. Freeman, Jr.
    Photo by Aleah Pilot
    Richard A. Freeman Jr. became the new artistic director October 24, 2025.

    Dallas Black Dance Theatre (DBDT) has officially named Richard A. Freeman, Jr. as its new artistic director, ushering in a new era of leadership for the dance company as it approaches its 50th anniversary season.

    Freeman, a longtime member of the DBDT family, has served as interim artistic director through the company’s recently completed 48th and current 49th seasons. His appointment, effective October 24, 2025, marks a natural progression for the former lead dancer, resident choreographer, and artistic project coordinator, whose career within DBDT spans more than a decade of creative and organizational leadership.

    “Richard has been an integral part of Dallas Black Dance Theatre's artistic fabric for years, and his extraordinary leadership during his time as interim artistic director made this decision clear,” says Heidi K. Murray, a member of DBDT’s board of directors, in a release. “His dedication to artistic excellence, his deep understanding of our mission, and his vision for the future of contemporary modern dance make him the ideal person to lead DBDT into this exciting new chapter.”

    DBDT founder Ann M. Williams echoed the sentiment, calling Freeman’s appointment a full-circle moment for both artist and company. “Richard embodies everything Dallas Black Dance Theatre stands for: artistry, excellence, and a deep commitment to uplifting our community through dance,” she says in the release. “I have had the privilege of watching him grow from a gifted dancer into an inspiring leader and visionary artist. His dedication to preserving our legacy while boldly charting new artistic territory gives me tremendous confidence in DBDT’s future.”

    During his tenure as interim artistic director, Freeman guided DBDT through seasons marked by artistic innovation and expanded community engagement, but also staff shake-ups and legal issues.

    In October 2024, accusations of retaliation surfaced after 10 DBDT dancers, its entire main company, were fired following their decision to unionize in May and demand better working conditions. This led to an unprecedented "Do Not Work" order by the American Guild of Musical Artists.

    Dallas City Council ultimately voted to withhold $248,000 in city funding due to labor violations, and DBDT later settled for $560,000 with the National Labor Relations Board.

    In response, DBDT formed a 17-member advisory stakeholder task force co-chaired by Jennifer Scripps, president and CEO of Downtown Dallas, Inc., and Shawn Williams, vice president of public affairs at Allyn. The group has been working with DBDT leadership to review the organization’s policies and practices, propose changes that foster an accountable environment, and put in place safeguards to prevent future concerns related to talent.

    In September 2025, executive director Zenetta Drew announced her retirement after nearly four decades with the company. A national search for her replacement will start in early 2026. Williams retired in 2014.

    As artistic director, Freeman will oversee all aspects of DBDT’s artistic operations, from performances to educational initiatives, and continue to expand its reach throughout Dallas and beyond.

    “I am deeply honored to accept this role and to continue building on the incredible foundation established by the vision of Ann Williams,” Freeman says. “This company has a unique power to move, inspire, and unite communities through dance. I look forward to working with our talented dancers, staff, and board to create unforgettable artistic experiences and to nurture the next generation of dance artists.”

    A native of Washington, D.C., Freeman began his training with the District of Columbia Youth Ensemble and the Washington Ballet before graduating from the Duke Ellington School of the Arts and Virginia Commonwealth University. His performance credits span acclaimed companies and productions, including Elisa Monte Dance, Houston Grand Opera, Porgy and Bess, and The Wiz.

    Freeman’s choreographic works have been featured by leading institutions such as Texas Ballet Theater School, Texas Christian University, and Booker T. Washington High School for the Performing and Visual Arts. He has also shared his expertise through master classes and workshops nationwide, reinforcing his commitment to DBDT’s educational mission.

    Founded in 1976, Dallas Black Dance Theatre is the oldest and largest professional dance company in Dallas and one of the most acclaimed Black dance institutions in the U.S.

    dallas black dance theatredance
    news/arts

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