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    Chick Flick Gone Awry

    The Other Woman goes off the rails with unlikely revenge plot

    Alex Bentley
    Apr 25, 2014 | 12:00 am
    The Other Woman goes off the rails with unlikely revenge plot
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    New film The Other Woman, starring Cameron Diaz and Leslie Mann, deserves credit for being somewhat original. It combines a story about a cheating spouse with one about female friendship in a way that has rarely, if ever, been done before.

    Cameron Diaz plays Carly, who goes on for weeks in a relationship with Mark (Nikolaj Coster-Waldau) before discovering that he’s actually married to Kate (Leslie Mann). Kate, understandably devastated by the revelation, turns to Carly, the only person who understands the situation, for support.

    The idea that a cuckolded wife would be friends with her husband’s mistress seems like a stretch, but it actually has a whiff of believability.

    Before long, the unlikely duo is scheming ways to get back at Mark, especially when they find out that he’s not only been cheating on Kate with Carly, but on both of them with Amber (Kate Upton). With Amber on board as well, Mark learns what hell three women scorned can unleash.

    The idea that a cuckolded wife would become any kind of friend with her husband’s mistress seems like a stretch, but the way it’s initially played by director Nick Cassavetes and writer Melissa Stack, it actually has a whiff of believability. Carly’s steeliness joined with Kate’s unhinged demeanor makes for an appealing combination.

    It also helps that Diaz and Mann are almost exactly the same age, putting them on equal footing despite their characters’ having completely different life experiences. If anything, those differences only make their interactions more convincing.

    Unfortunately, the movie can’t leave well enough alone, going off the rails a bit when it comes time for them to exact their revenge. Those sections feel like a completely different movie, and that back-and-forth prevents the movie from being as successful as it could be.

    Diaz is the bold name in the cast, but Mann is truly the star. Aside from the awful This is 40, this is Mann’s first opportunity to shine, and she makes the most of it. Kate is always on the edge of flipping out, and it’s a glorious thing to watch.

    Her chemistry with Diaz is great, and this is a role Diaz has needed for a while as well. Carly is far from your typical mistress, and Diaz uses her strengths to deliver a well-rounded character.

    The supporting actors, like Game of Thrones’ Coster-Waldau, Upton, Nicki Minaj, Don Johnson and Taylor Kinney, range from so-so to downright awful, so it’s just as well that Mann and Diaz carry most of the load.

    The Other Woman is a pleasant surprise in some ways, putting a strong, if unorthodox, female relationship at the forefront. But in the end it caves in too much to mainstream demands, leaving it as just a slightly above-average effort.

    Cameron Diaz plays the unwitting mistress of Nikolaj Coster-Waldau in The Other Woman.

    Cameron Diaz and Nikolaj Coster-Waldau in The Other Woman
    Photo courtesy of 20th Century Fox
    Cameron Diaz plays the unwitting mistress of Nikolaj Coster-Waldau in The Other Woman.
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    Movie Review

    Billie Eilish brings fans closer in immersive new 3D tour film

    Alex Bentley
    May 7, 2026 | 11:15 am
    Billie Eilish in Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D
    Photo by Henry Hwu/courtesy of Paramount Pictures
    Billie Eilish in Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D.

    In 2021, at the tender age of 19, singer Billie Eilish was already the subject of a documentary, The World’s a Little Blurry. At that point, she had only released one album, so the film threatened to feel too early for such treatment. The ensuing five years have only made her a bigger star, though, so in many ways that movie now feels prescient for the person on display in the new concert documentary with the unwieldy title of Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D.

    Directed by Eilish and blockbuster filmmaker James Cameron, the film takes viewers inside Eilish’s 2024-2025 tour in support of her latest album, 2023’s Hit Me Hard and Soft. Filmed mostly at her series of shows in Manchester, England, the movie is a showcase for Eilish’s music, but it also serves as a smaller exploration of the type of person she is, as well as the impact she has had on her legion of fans.

    The draw of the film is the use of Cameron’s beloved 3D technology, which he has employed in each of the three Avatar films. Unlike in those films, where the 3D has the odd effect of making the visuals too realistic for their own good, the technique brings an intimacy to the large-scale show that underscores the unique bond the singer has with her supporters.

    Eilish and Cameron go back and forth between performances at the concert to behind-the-scenes sequences, detailing the enormous effort it takes to put on a show like that and how Eilish spends her time getting ready for it. As in The World’s a Little Blurry, this film continues to portray the singer as down-to-Earth, someone who yearns to maintain the connection to her fans that she’s had since she released her first single, “Ocean Eyes,” 10 years ago.

    And as the many emotional songs in Eilish’s concert playlist prove, the feeling from the crowd is mutual. While Eilish has multiple bangers like “Bad Guy,” “Therefore I Am,” and the Charli XCX collaboration “Guess,” it’s the sad songs like “Everything I Wanted,” “Happier Than Ever,” and the Oscar-winning Barbie anthem, “What Was I Made For?” that hit the hardest. The depth of feeling emanating from her many sobbing fans singing along to crushing songs cannot be understated.

    For audiences of the film, though, it’s the breadth of camera angles and shot choices that make it truly dynamic. There are cameras everywhere, including in the crowd, inside a cube at the center of the stage that rises and descends, following Eilish as she traipses every inch of the long, rectangular stage, and even a small one Eilish uses to bring an extra personal touch to the in-arena screen. Combined, they capture the complete energy of the concert, something that is not always the case in a film of this type.

    Eilish has almost as many movies - two - as she does albums - three - which borders on overkill for a singer of her age. But both her music and the movies show her to be a person who knows the responsibility of being a celebrity, someone who understands that her fans are the reason she’s famous at all. Her career may go up or down from here, but it’s clear she’s already made a huge impact on those who love her most.

    ---

    Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D opens in theaters on May 8.

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