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    Theater Critic Picks

    These are the 10 can't-miss shows in Dallas-Fort Worth theater for May

    Lindsey Wilson
    May 5, 2017 | 3:36 pm

    By May, most theater seasons are winding down and it's the company's chance to give their audiences one last jolt before heading in the fresh direction of a new season. Right now, that means timely topics that speak to our nation's current state, along with a little escapism.

    Here are the 10 shows to see, in order by start date:

    Trevor
    Kitchen Dog Theater, May 4-14
    With the area premiere of Nick Jones' play, KDT is on the move once again (the company is hoping to move into its new permanent home in 2018). This time, the Dogs are performing on the ninth floor of the Wyly Theatre, and it may be the first time that venue has had a "chimpanzee" in residence. Max Hartman plays the title character, a former child-star chimp, with Lisa Hassler as his owner, who swears he would never do anyone harm on purpose. An impressive cast rounds out the production, which is directed by Tina Parker.

    The Aliens
    Stage West, May 4-June 4
    Annie Baker's Obie-winning play had a wave of popularity in Dallas in 2013, but it'll be nice to see Joey Folsom return to the guitar-strumming role of Jasper four years later here in Fort Worth. Even nicer will be seeing how he handles the role of slacker KJ — beginning the second weekend of the run, Folsom and Jake Buchanan will trade off roles. Parker Gray will continue to play the straight-laced coffee shop employee Evan.

    Holy Bone
    Dead White Zombies, May 4-27
    After eight months of development, DWZ is ready to present its "multi-venue performance initiation." You might recall that in fall 2016, characters and situations written by Thomas Riccio began popping up at more than 40 public spaces across Dallas (think NorthPark Center, Trader Joe's, Starbucks, and the like). Now, with each Holy Bone performance, 56 people — six departing from Tacos Mariachi every 10 minutes — will experience the culmination of this immersive and ever-changing artistic experiment, guided and "mis-guided" by Holy Bone operatives along the streets.

    Titanic
    Uptown Players, May 5-7
    Each year, Uptown Players partners with the Turtle Creek Chorale for a musical in concert, and this year it's Maury Yeston and Peter Stone's take on the infamous tragedy of the Titanic. The massive cast of singers performs at Dallas City Performance Hall for one weekend only, so if this show is your jam, you'd better get your tickets.

    A Man of No Importance
    Brick Road Theatre, May 5-13
    B.J. Cleveland stars as bus driver Alfie Byrne, who, in 1964 Dublin, attempts to find an artistic and emotional outlet for the secrets he's been keeping by staging a production of Oscar Wilde's Salome in the local church hall. With a score by Stephen Flaherty and Lynn Ahrens, and a script by Terrence McNally, this under-the-radar musical is bolstered by a cast of local luminaries.

    Into The Woods
    AT&T Performing Arts Center, May 16-28
    Fiasco Theater wowed New York with its stripped-down version of Stephen Sondheim and James Lapine's musical, which puts familiar fairytale figures together on a dark journey. The cast uses basic props and costume pieces to assume their roles, and the labyrinthine woods are represented by a forest of ropes that appear to be exploding out of an onstage piano.

    Inherit the Wind
    Dallas Theater Center, May 16-June 18
    DTC and director Kevin Moriarty put a further timely twist on this play about the "Scopes Monkey Trial" by utilizing gender-neutral casting and modern dress. For example, Akin Babatunde plays the role of Mrs. Sarah Brady, while Liz Mikel is Matthew Harrison Brady. Though it premiered in the 1950s, the play and its exploration about what happens when facts and beliefs collide feels as if it could have been written yesterday.

    Circus 1903 — The Golden Age of Circus
    Dallas Summer Musicals, May 23-June 4
    The Ringling Bros. and Barnum & Bailey Circus announced it would shut down for good in May, but this theatrical event humanely fills the circus void. Puppetry brings elephants back into the ring (or in this case, Music Hall at Fair Park), along with a huge cast from all around the world performing traditional circus acts: strong men, contortionists, acrobats, musicians, high wire, and more.

    The Birds
    Theatre Three, May 25-June 18
    The last show of Theatre Too's season is Conor McPherson's adaptation of Daphne du Maurier's short story about two people trapped in an isolated house while masses of birds relentlessly attack the outside. You're probably more familiar with Alfred Hitchcock's film version, but the tiny underground space of Theatre Too is sure to bring the story's claustrophobia and fear to life.

    The Submission
    Proper Hijinx Productions, May 25-June 4
    Jeff Talbott's play deals with cultural division, race perceptions, and affirmative action — again, timely. But there's a twist here: A young, white, male playwright submits his work to a festival under the pen name of an African American woman, then hires a black actress to pose as his alter ego during the festival. This regional premiere will be performed in the studio space at Addison Theatre Center.

    Uptown Players teams with the Turtle Creek Chorale for a concert version of Titanic.

    Uptown Players presents Titanic
    Photo by Mike Morgan
    Uptown Players teams with the Turtle Creek Chorale for a concert version of Titanic.
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    RIP Albert

    Colorful and iconoclastic Dallas artist Albert Scherbarth dies at 70

    Teresa Gubbins
    Feb 19, 2026 | 11:44 am
    Albert Scherbarth
    Courtesy
    Dallas artist Albert Scherbarth

    Dallas artist Albert Scherbarth, known for his jubilant creativity which he displayed in a wide range of media, died on February 18; he was 70 years old. According to friends, he suffered a heart attack.

    Scherbarth's myriad "canvases" ranged from printmaking to furniture to steel and metal working. He was a colorful presence in the Dallas art scene with a shock of thick hair that stood tall, definitive horn-rimmed glasses, and an unfiltered, no-nonsense personal style.

    He was also a key figure in The Cedars district: an urban pioneer who settled in the area directly south of downtown Dallas in the early '80s when the neighborhood was a mostly-deserted collection of abandoned warehouses, before it became a major art nexus.

    A post by Lee Harvey's, the Cedars District bar, said that "Some people don’t just live in a neighborhood — they leave their mark on it. Albert did exactly that. Through his art, his presence, and his time at our bar, he became part of the story here. We’ll miss him more than we can say. Rest easy Bert."

    He was a real character, as well — a stocky physical presence (he played football in high school) who'd fix his stare upon you as if you were a critter to be studied.

    One friend said, "I always feel that Albert is going to spring some meta shit on me every time i see him and he rarely disappoints. What a cool cat."

    A native of Nebraska, Scherbarth moved to Dallas in 1979 to earn a master's in fine arts at the University of Dallas, Irving. After graduating in 1981, he began teaching in the community college district, including Brookhaven College, Northlake College, University of Texas at Dallas, and the Creative Art Center, as well as at Dallas' Arts Magnet.

    Albert Scherbarth Sculpture by Albert Scherbarth which appeared at the State Fair of Texas in 2018.Laura Walters/Facebook

    After graduating from art school, he felt the need to do "real" work like his father, and took jobs in construction and woodwork, which helped shape the very physical nature of his art.

    He was one of the early and many artists who resided in the Continental Gin Building, where he worked on his designs and commissions, fabricated other artists’ ideas, and helped galleries with installations, crating, and shipping.

    Through the years he made furniture, got into fused and cast glass, poured concrete countertops, and painted, including a successful era of doing giant flower paintings. In his latter years, he acquired a welding machine and worked with builders, designers, and architects constructing screens, fences, furniture, and sculptures.

    His works around town include a giant wine tree for Fleming Steakhouse in Frisco, and a sculpture named, "Cecil, age 12" up on Henderson Avenue at Capital Street which was was a finalists for the Henderson Art Prize. He also worked on the famed Bowler Hat sculpture in the Cedars.

    In an interview with Voyage Dallas, he said, "I’m constantly looking for more meaning and more permanence in the work that I’m doing," and acknowledged that "I’ve been very, very fortunate to get a lot of really great commissions over the years. I’ve sold a lot of work and fallen into great studio situations – large spaces, cheap rent and wonderful landlords. Today, I think my ignorance of all the pitfalls ahead allowed me to storm through life and I have a certain stubbornness, a dogged determination to succeed."

    "My grandfathers died before I came of age, my father died, my favorite uncle died so there was not much in the way of male guidance or perspective on how to be a man, so I’ve just kind of made it up on my own, stumbling through, winging it and I’m still alive, amazingly enough."

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