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    Movie Review

    Action and emotions carry Those Who Wish Me Dead through the fire

    Alex Bentley
    May 13, 2021 | 3:38 pm
    Action and emotions carry Those Who Wish Me Dead through the fire
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    Even the most complicated action movies tend to have a singular focus. If you’re making a crime thriller, the action is about the crime. If you’re making a movie about firefighters, the action is about the danger of the fire. The new film Those Who Wish Me Dead divides its focus, trying to fit a bit about both of those worlds into its running time, and barely succeeding at making a coherent whole.

    Angelina Jolie stars as Hannah, a wildland firefighter who’s been consigned to a fire tower watchpoint as she recovers from a traumatic recent experience. She and her group of firefighters are a close-knit bunch who are also tight with the local rural community, including Ethan (Jon Bernthal), a sheriff’s deputy who runs a wilderness survival school with his wife Allison (Medina Senghore).

    Their isolated world soon collides with the criminal underground when Owen (Jake Weber) and his son Connor (Finn Little) come to town, hoping to find refuge with Ethan, Owen’s brother-in-law. They’re on the run from Jack (Aiden Gillen) and Patrick (Nicholas Hoult), two killers who are trying to prevent Owen from releasing damaging information about the people for whom they work.

    Directed by Taylor Sheridan and written by Sheridan, Michael Koryta (who wrote the book on which the film is based), and Charles Leavitt, the film is a mixed bag of storytelling. Where the filmmakers succeed the most is establishing the bonds of the various relationships in the film.

    In relatively short periods of time, the connection between Owen & Connor and Ethan & Allison become meaningful parts of the story. Hannah is shown to be an extremely empathetic character, something that helps her greatly as the film progresses. Heck, even the killer duo of Jack and Patrick have an unspoken link that is unusual in a world where people tend to only look out for themselves.

    But the disparate parts of the story ultimately become a bit much for the film to handle. The crime part of the story never really makes sense, as they never say exactly what information Owen has or who employs Jack and Patrick. There’s a lot of innuendo and intrigue, including a random meeting with Arthur (Tyler Perry) that hints at a larger story that got edited out of the movie if only because having Perry show up for one scene doesn’t compute.

    However, you don’t have to understand the story to get into the suspense of the third act of the film, which includes not just the killers menacing everybody in sight, but also a raging forest fire. Sheridan and his team stage almost all of these scenes well, even if the computer-generated fire fails to inspire the awe that it should.

    The acting in the film is uniformly good, probably too good for the type of film it is. Jolie, despite a few over-the-top moments, remains a commanding screen presence. Bernthal and especially Senghore do a lot with relatively small roles. Little is likely to get a lot more work thanks to his nuanced performance. Gillen and Hoult are way overqualified for their respective roles, but the fact that they are elevates their characters to more than they might have been.

    Those Who Wish Me Dead is not a film that will stand the test of time, but it’s a solidly entertaining action film with a number of compelling performances, much more than can be said about other recent films.

    ---

    Those Who Wish Me Dead opens in theaters and on HBO Max on May 14.

    Aiden Gillen and Nicholas Hoult in Those Who Wish Me Dead.

    Aiden Gillen and Nicholas Hoult in Those Who Wish Me Dead
    Photo by Emerson Miller
    Aiden Gillen and Nicholas Hoult in Those Who Wish Me Dead.
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    news/entertainment

    In the spotlight

    Dallas stars as one of the 10 best cities for filmmakers in 2026

    Amber Heckler
    Feb 25, 2026 | 11:24 am
    Filmmaking, best places to live and work as a moviemaker
    Photo by Anastase Maragos on Unsplash
    Dallas has made its debut in the top 10 best cities for filmmakers.

    Dallas has just snapped up new recognition as the No. 7 best place to live and work as a filmmaker in North America.

    Dallas made its top-10 debut on MovieMaker Magazine's annual report, "The Best Places to Live and Work as a Moviemaker in 2026."

    The city was snubbed entirely in the magazine's 2025 list, but previously ranked as the 25th best place to live and work as a filmmaker in 2024 and 20th in 2023.

    The annual list ranks the best cities in the U.S. and Canada for individuals to live while working in the film industry, based on production spending, tax incentives, cost of living, the prevalence of "local film scenes," and additional factors. The list is divided into two categories: 25 big cities and 10 smaller cities or towns.

    The final list of highlighted cities are the places where the publication believes filmmakers "have the best chance of both succeeding in the famously difficult entertainment industry, and making [their] own art."

    Dallas' eye-catching skyline, public art displays, and its "vast green spaces" are just a few of the attributes that make it an appealing place for filmmakers to thrive, but MovieMaker also noted that Dallas' film scene has "always been about commerce as much as art."

    "In addition to hosting many of the same Taylor Sheridan productions as nearby Fort Worth, including Landman and The Madison, it also does brisk business with commercials for a bevy of major brands," the report said. "The state’s grant rebate of up to 31 percent is a major boon, as is Dallas’ deep crew base: Seasoned crew members go back to the days of Walker, Texas Ranger and the soapy classic Dallas."

    The report gave a special shout-out to The Dallas Film Commission and its free production assistant bootcamp, which first launched in July 2025 in partnership with Pegasus Media Project. The commission also supports and collaborates with film schools, unions, local organizations, and festivals like the Dallas International Film Festival, Oak Cliff Film Festival, and more.

    Dallas edged out neighboring Fort Worth, which ranked as the 12th best place to live and work as a moviemaker in 2026, up seven spots from its 2025 ranking. MovieMaker said Yellowstone director and honorary Fort Worth resident Taylor Sheridan is to thank for Cowtown's jump in the report. Sheridan has shot many of his TV shows in North Texas, such as Landman; Special Ops: Lioness; 1883; and a new anticipated Yellowstone spinoff called The Madison, which will premiere on March 14, 2026.

    "SGS Studios, which Sheridan founded, recently partnered on a new 450,000-square foot production campus at Fort Worth’s 27,000-acre AllianceTexas development," the report said.

    Elsewhere in Texas, Austin was named the No. 5 best place to live and work as a filmmaker in North America, Houston ranked 10th, San Antonio appeared as No. 14, and El Paso landed at No. 25 on the list.

    filmmakingdallasmoviemaker magazinerankingscity lifeentertainment
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