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    Movie Review

    The Lobster may be the weirdest movie you see this year — so don’t miss it

    Alex Bentley
    May 30, 2016 | 9:04 am
    The Lobster may be the weirdest movie you see this year — so don’t miss it
    play icon

    When it comes to movies that defy easy descriptions, writer/director Charlie Kaufman is usually at the top of the list. His absurdist films — Being John Malkovich, Adaptation, Eternal Sunshine of the Spotless Mind — go places most other filmmakers would never dream of, much less actually put on film.

     

    However, if The Lobster is any indication, Kaufman may now have competition in that subgenre, in the form of Greek writer/director Yorgos Lanthimos. Set in a world where being in a relationship is not just the ideal but the mandate, The Lobster centers on David (Colin Farrell), who checks into a type of relationship rehab facility following the death of his wife.

     

    But the men and women who check in can’t stay indefinitely; if they fail to find a suitable partner within 45 days, they will be turned into an animal. They can earn more days by hunting in a nearby forest for “loners,” single people who choose to live in the wild rather than live by the rules of the society.

     

    There’s much more to the film than that, but you really have to see it to understand its peculiar rhythm and style. One of the film’s defining traits — virtually every character speaks in an emotionless, matter-of-fact monotone — sounds awful on paper, but is often hilarious, especially when someone nonchalantly says something like, “I was masturbating behind the tree over there.”

     

    There are many equally funny lines throughout the film, as well as a number of heartbreaking ones. The allegorical way in which Lanthimos puts a focus on society’s expectations is fascinating, even if the methods he uses lead to a multitude of WTF moments.

     

    Farrell commits fully to the role, eschewing his normal movie-star good looks by putting on a good 20 to 30 pounds and sporting an ordinary mustache and haircut. The look enhances the odd delivery of dialogue, making it a fully realized performance even if you can’t relate to him at all.

     

    Also great in supporting roles are Rachel Weisz, Ben Whishaw, John C. Reilly, Lea Seydoux, and others. One would imagine that the experience of making the movie would be almost as strange as watching it, but everybody involved seems to have given themselves over to the wonder of the work.

     

    You may not see a weirder movie than The Lobster all year long, but if you go in with the right mindset, it has as many rewards as any straightforward mainstream film.

    John C. Reilly, Ben Whishaw, and Colin Farrell in The Lobster.

    John C. Reilly, Ben Whishaw, and Colin Farrell in The Lobster
      
    Photo courtesy of A24
    John C. Reilly, Ben Whishaw, and Colin Farrell in The Lobster.
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    Movie Review

    New Superman film honors the past while forging into the future

    Alex Bentley
    Jul 11, 2025 | 1:26 pm
    David Corenswet in Superman
    Photo by Jessica Miglio
    David Corenswet in Superman.

    When the character of Superman was invented in 1938, it was perhaps easier to see the world in good and bad terms. Fascism was already on the rise in Germany under Adolf Hitler, and the idea of an all-powerful superhero who stood up for people in need was a welcome one. In the nearly 90 years since, though, the world and the character have undergone multiple evolutions, and the thought of someone who is purely good is often met with cynicism or worse.

    The new Superman, written and directed by James Gunn, puts the superhero (or metahuman, as the film calls him and similar creatures) squarely in the midst of the modern world, with geopolitical conflicts, mega-corporations, and social media all combining to make the altruism of Superman/Clark Kent (David Corenswet) questionable. That skepticism even extends to his coworker/girlfriend Lois Lane (Rachel Brosnahan), whose knowledge of his exploits puts her in a tricky position personally and professionally.

    Lex Luthor (Nicholas Hoult) is out to dominate the world and take down Superman, with his eponymous corporation and vast group of underlings dedicated to doing both. Superman is generally a one-man fighting crew, but he’s occasionally aided by a group calling themselves the Justice Gang, comprised of heroes many have never heard of like Guy Gardner (Nathan Fillion), a version of Green Lantern; Hawkgirl (Isabela Merced), a flying metahuman; and Mr. Terrific (Edi Gathegi), who knows all kinds of technology.

    One of the best things about this new version of Superman is that it mostly dispenses with introductions, putting the audience in a world where Superman is already a well-known quantity who’s adored by many and hated by some. Gunn has used his new position as co-CEO of DC Studios to honor the past of the hero and take him into the future. With the 1978 John Williams theme song echoing throughout and Corenswet giving off Christopher Reeve vibes, it’s clear Gunn wants audiences to feel nostalgia while still getting something new.

    He also appears to want viewers to fight against the negativity that the modern world can bring. The plot involves manipulation of the public, usually at the hands of Luthor, through bombastic talk shows, political theater, and social media, the latter of which - in a great joke - comes to involve hundreds of typing monkeys. The film could be read as a rebuttal of many real-world ills as, despite Luthor’s machinations, many choose to continue to believe in the goodness of Superman.

    There is a lot going on in the film, but somehow it never comes off as overly complicated. Superman’s relationship with Lois Lane and Luthor’s attempts at taking him down are given the most prominence, with everything else supporting those two main things. The Justice Gang is a fun addition, with Mr. Terrific becoming the breakout hero of the group. The addition of the (CGI) dog Krypto provides levity, poignant moments, and unexpectedly great action scenes. The only part that gets somewhat short shrift is the crew of The Daily Planet, with everyone besides Lois and Jimmy Olsen (Skyler Gisondo) getting little more than face time.

    Being the new Superman is a lot to live up to, but Corenswet is completely up to the job. He, like Reeve, plays the character as someone who is earnest but not naive, a quality that comes through even when he’s in the middle of fight scenes. Brosnahan is also fantastic, providing a nice balance to the relationship while also proving the character’s own worth. Hoult makes for a great new version of Luthor, and Gathegi nearly makes the case that Mr. Terrific should get a starring film of his own.

    Just as he did with the Guardians of the Galaxy trilogy, Gunn has shown that success can be found through making characters people want to see. Not everyone in this Superman will be familiar to viewers, but in the end a group of people working together toward a goal that serves the common good is one worth watching and cheering for.

    ---

    Superman is now playing in theaters.

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