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    Proud of Your Boys

    Dallas-Fort Worth natives return to star in national tour of Aladdin

    Lindsey Wilson
    Jun 6, 2019 | 9:28 am

    The Disney musical Aladdin has been good to Texas actors. Not only has Dallas native Brian Gonzales been appearing in the Broadway production since 2014 as Babkak, one of Aladdin's sidekicks, but in 2015 the Fort Worth-raised Major Attaway was called up as stand-by for the role of Genie, under Tony winner James Monroe Iglehart.

    In 2017, the production's first national tour was readying to hit the road with another Dallas actor in the cast: Clinton Greenspan was playing a member of the ensemble and understudying Aladdin. Then, in 2018, something magical happened: Both Attaway and Greenspan assumed their starring roles full-time.

    The real magic, at least for the DFW family, friends, teachers, and fans, will happen June 6-23, when Aladdin comes to the Music Hall at Fair Park via Dallas Summer Musicals. Greenspan is appearing as Aladdin, and Attaway has taken a leave of absence from Broadway this year (from February to September) to join the tour cast as Genie. Flower Mound native Annie Wallace is also in the ensemble and understudies Jasmine.

    "It's a dream," says Greenspan. "The fact that my grandmother would take me to shows at the Music Hall all the time when I was growing up and to come back now touring in a show there ... it's hard to believe still. I've had a few moments recently where I'm doing the show and scenes occur, and I start tearing up because I'm thinking about the fact that I'm about to perform on that stage. There's going to be a kid out there in the audience that was me at one time!

    "Major and I have had a lot of conversations about what this really means to us right now. It's something that we've dreamt of. The fact that we can come back and perform something like this for our family and friends and hometown — it leaves me speechless."

    Though Attaway and Greenspan each worked regularly on local DFW stages, they only ever appeared in one show together: The Hot Mikado at Theatre Three in 2015. Greenspan was in the ensemble, and Attaway appeared near the end of the musical as the Mikado himself.

    "The Mikado is such a small part of the show that we hardly talked and didn't have many rehearsals together," says Attaway. "With that show, I knew everyone but didn't really get to know them. But now it's great to have a connection outside the energy of the show, to have someone you can easily relate to. Being from the exact same area adds to the trust onstage in a way that's automatic; there's an instinct about how each other navigates the show."

    Based on the Academy Award-winning animated film, the stage version of Aladdin is a dazzling display of athletic dancing, sparkly costumes, and plenty of Disney magic (yes, there's still a flying carpet).

    Expect to hear all the memorable songs from composers Alan Menken, Howard Ashman, and Tim Rice, including "Friend Like Me," "Arabian Nights," and "A Whole New World," along with some new songs written for the stage and others that had previously been cut from the film.

    One of those songs is "Proud of Your Boy," where Aladdin expresses his guilt over thieving after promising his now-deceased mother he'd stop.

    "'Proud of Your Boy' will always be a special part of the show for me, because I'm a mama's boy," says Greenspan. "I was an only child raised by a single parent, so we had a very close connection, and she helped me through so much. So to sing that song is very special to me. There are still moments where I get emotional about it, but I always dedicate it to her."

    Since he's been playing the Genie for more than three years, Attaway finds it hard to pick a favorite moment. The iconic role was first made famous by Robin Williams and later awarded prestige by Iglehart, but Attaway has enjoyed putting his own spin on the character — including adding the high kicks he was famous for on DFW stages.

    "Everything this character is required to do onstage is in my wheelhouse, from flexibility to improv," he says. "It's wild that there was a role that feels like it was written for my archetype, but then they also let me enhance it. Nobody else who's played the Genie does the high kick, and probably no one else will."

    The show offers plenty of dazzling effecs and Disney magic.

    Aladdin national tour Arabian Nights
    Photo by Deen van Meer
    The show offers plenty of dazzling effecs and Disney magic.
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    Theater News

    Dallas' Theatre Three gets provocative with 2026-2027 season productions

    Alex Bentley
    Apr 21, 2026 | 12:45 pm
    Theatre Three staff
    Photo by Jeffrey Schmidt/courtesy of Theatre Three
    The 2026-2027 season from Theatre Three will feature seven bold productions.

    The 2026-2027 season for Dallas' Theatre Three will feature a lineup of seven productions, musicals, comedies, and solo performances that collectively explore identity, resilience, love, and the chaos of being human.

    Taking place in both the main Norma Young Arena Stage and Theatre Too spaces, the season blends iconic titles with daring new works, inviting audiences into stories that are as entertaining as they are thought-provoking, says a release.

    Opening the season on the Norma Young Arena Stage will be the groundbreaking rock musical Spring Awakening, featuring music by Duncan Sheik and book and lyrics by Steven Sater.

    Based on Frank Wedekind’s controversial play, the production (running September 10-27, 2026) follows teenagers pushing against the constraints of a repressive society as they navigate desire, identity, and the consequences of silence.

    The Theatre Too season will kick off with Doug Wright’s Pulitzer Prize-winning play I Am My Own Wife, running October 15-November 1, 2026.

    Performed as a solo piece, it tells the true story of Charlotte von Mahlsdorf, chronicling survival, identity, and self-invention in the face of Nazi and Stasi oppression.

    The holiday season brings mischief and mayhem with GREMLINS! (mostly), a brand-new commission by local playwright Matt Lyle inspired by the beloved 1984 cult classic movie.

    Running December 3-20, 2026 on the Norma Young Arena Stage, the play is packed with dark humor and chaotic fun, promising a wildly entertaining theatrical experience where one small mistake leads to unforgettable consequences.

    Dear Jack, Dear Louise by Ken Ludwig, starts the 2027 portion of the Theatre Too season, running February 4-21.

    The play offers a heartfelt and humorous love story inspired by the playwright’s own parents. Through letters exchanged during World War II, two strangers discover connection, resilience, and romance across distance and uncertainty.

    In the spring, laughter takes center stage on the Norma Young Arena Stage with Neil Simon’s fast-paced farce, Rumors.

    Running March 11-28, 2027, the production features a glamorous anniversary party spiraling into confusion as gossip flies and lies multiply in a hilarious race to keep up appearances.

    Closing the Theatre Too season will be Miss Margarida’s Way by Roberto Athayde, running April 29-May 16, 2027.

    As Miss Margarida’s lesson unfolds, audiences find themselves implicated in a provocative exploration of authority, control, and complicity. The sharp, darkly comic satire transforms a classroom into a battleground.

    The season culminates in a major event: the regional premiere of Teeth, the bold and genre-defying musical by Michael R. Jackson and Anna K. Jacobs.

    Running June 3-20, 2027, the production is equal parts hilarious, provocative, and empowering. It is a coming-of-age story with a bite; exploring power, fear, sexuality, and self-determination in a way that is as unforgettable as it is unflinching.

    Committed to providing accessible theatre to the community next season, Theatre Three will continue to offer $10 T3Rush tickets for Thursday night performances.

    Students can also purchase $10 tickets to any performance with a valid student ID, or take advantage of $5 student rush tickets.

    Subscriptions are available for renewal now at Theatre3Dallas.com. New subscriptions will be available on June 15. Single tickets and Flex Passes will be available August 3.

    For more information, call 214-871-3300 x1 or e-mail at BoxOffice@t3dallas.org.

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