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    What To Watch Onstage

    Stay cool with these sizzling hot Dallas theater picks

    Lindsey Wilson
    Aug 7, 2013 | 2:10 pm

    Here’s a lovely fact about theaters: more often than not, they come equipped with air conditioning. Heck, Trinity Shakespeare Festival in Fort Worth even includes this fact in its marketing!

    As the summer begins to wind down, this cool coincidence becomes even more attractive to overheated Texans who want to seek shelter from the 100-plus-degree temps with some icy entertainment.

    Below is a list of upcoming productions that look like they will include — in addition to sweet, sweet AC — some pretty incredible performances.

    The Aliens
    Upstart Productions, August 8-31

    Upstart Productions was poised to become the new “it” group on the Dallas theater scene when it debuted five years ago — and then it disappeared. Now the company is back and producing Annie Baker’s hit Off-Broadway play about two directionless slackers who make a pet of a young coffee shop employee who’s desperate for inclusion.

    Another new company, PlaySites, recently presented a well-reviewed production of the show and performed it in an actual back alley. This one is at the Magnolia Lounge in Fair Park, the same venue that launched local mega-hit On the Eve.

    So Help Me God!
    Theatre Three, August 8-September 1

    Fresh off the national tour of Memphis, Dallas treasure Julie Johnson returns home in a backstage satire penned by the woman who introduced the world to merry murderess Roxie Hart (the character that would later inspire the musical Chicago).

    Maurine Dallas Watkins’ 1929 comedy has all the ingredients for a biting, old-fashioned romp through the world of show business: ditzy divas, greedy commercialism and backstage back-stabbing.

    In a Forest, Dark and Deep
    Second Thought Theatre, August 9-31

    Neil LaBute is famously provocative, both onstage and off. Besides writing a trilogy known as The Beauty Plays that includes a play titled Fat Pig, he’s also engaged in some pretty petty online sparring with critics who have panned his shows.

    But Second Thought is one of Dallas’ best theater companies, and the group has been known to impress: Playwright Rajiv Joseph was a huge fan of Second Thought’s staging of his Gruesome Playground Injuries a few months ago.

    In this psychological thriller, adult siblings confront long-hidden secrets and past bad choices. Regan Adair, whose handling of Red Light Winter in 2011 was masterful, returns from New York City to direct.

    The Book of Mormon
    Lexus Broadway Series, August 20-September 1

    It’s here. IT’S FINALLY HERE. Broadway’s hottest ticket since The Producers arrives in Dallas for 16 performances only, and although a lot of the tickets were scooped up immediately when they first went on sale in June, there might still be time to call in a few favors.

    Trey Parker and Matt Stone, they of South Park fame, wrote a deliciously un-PC musical about straight-laced Mormon missionaries trying to introduce African “heathens” to their religion. Expect crass language, vulgar jokes, and some surprisingly beautiful melodies in this definitely not-for-kids show.

    Miss Saigon
    Casa Mañana, August 10-18

    Broadway’s Jennifer Paz and Fort Worth native Daniel Rowan (who’s taking a hiatus from his role in Off-Broadway’s The Fantasticks) headline as star-crossed lovers Kim and Chris in Casa Mañana’s ambitious mounting of the Vietnam War-era musical.

    Will the famous helicopter make an appearance? Director Tim Bennett is being coy, but he does promise that this version will pour just as much energy into the story as it does into the special effects.

    The Zoo Story
    Fun House Theatre & Film, September 4-7

    They wowed with Hamlet and shocked with Daffodil Girls: Inspired by David Mamet’s Glengarry Glen Ross. Now Bren Rapp and Jeff Swearingen are back with a pint-sized version of Edward Albee’s The Zoo Story.

    Young Chris Rodenbaugh and Doak Campbell Rapp are taking the bond they formed by playing Hamlet and Claudius and using it to interpret the two men in Albee’s 1959 play, who famously meet on a bench in Central Park and hurtle toward a brutal climax.

    Jailbait
    Dallas Actors Lab, August 22-31

    In only its second production, Dallas Actors Lab is presenting the Texas and DFW premiere of Jailbait, written by Deirdre O’Connor. Undermain Theatre associate director Dylan Key directs this look into what it really means to be a grown-up, as the audience follows two teenagers during a night out clubbing.

    Katherine Bourne, last seen as the overachieving little sister in WaterTower Theatre’s Black Tie, and Mikaela Krantz, of WaterTower’s The Grapes of Wrath, star.

    Profanity
    Undermain Theatre, September 12-October 12

    We revealed a tiny preview of this play while discussing Undermain’s challenging upcoming season, but now it’s time to dive deeper. Starring Undermain artistic director Bruce DuBose, Alex Organ, Michael Federico, Shannon Kearns-Simmons and Katy Tye, Sylvan Oswald’s world-premiere dark comedy explores corruption and the unraveling of one family’s foundation.

    Family secrets of course play a part, as they always must in drama. But this time there’s squabbling brothers and a nosy secretary to help things along.

    Matt & Ben
    Echo Theatre, September 12-28

    Before she was Kelly Kapoor on The Office and Dr. Mindy Lahiri on The Mindy Project, Mindy Kaling was writing and starring in this two-woman show about Matt Damon and Ben Affleck. That’s right: the wicked-smaht bros who wrote Good Will Hunting and went on to become two of Hollywood’s hottest commodities.

    Here, two ladies embody the playful rivalry between the best buds, shown mostly as flashbacks before they hit it big. Charming, funny, delightfully self-aware — and with not a J-Lo in sight.

    A Raisin in the Sun and Clybourne Park
    Dallas Theater Center, September 13-October 27
    and October 4-27
    Written in 2010 by Bruce Norris in response to Lorraine Hansberry’s 1959 drama about a dream deferred, the Pulitzer Prize-winning Clybourne Park picks up where A Raisin in the Sun left off. Dallas Theater Center presents the two plays almost in repertory, clearly spotlighting the ties shared by the two works and illustrating how well they play off each other.

    Tre Garrett and Joel Farrell each direct, and some of the same cast members appear in both shows.

    Peter and the Starcatcher
    Lexus Broadway Series, September 17-29

    Fly may have presented the Boy Who Wouldn’t Grow Up in a new, more tribal light, but this inventive take on the Peter Pan myth focuses instead on how Peter ended up in Neverland in the first place.

    Using unassuming props and a cast of 12, Peter and the Starcatcher creates a world that relies heavily on the audience’s imaginations yet spins a magical, fantastic origin story that’s as captivating as it is infectious.

    Bonus: Pride Performing Arts Festival
    Uptown Players, September 5-14

    Now in its third year, Uptown’s theatrical Pride Fest invites local companies and visiting performers to present works that express the gay experience. Staged readings, plays and cabaret performances abound during the nine-day festival, with offerings by Second Thought Theatre (Cock), Theatre New West (The Timekeepers), and Uptown itself (Dishing it Out, Made in Heaven, Good Boys and True and Five Lesbians Eating a Quiche).

    A performance by Chicago-based cabaret duo Amy and Freddy opens the festival.

    Julie Johnson returns to Dallas in Theatre Three's So Help Me God!

    So Help Me God, Julie Johnson at Theatre Three in Dallas
    Photo by Jeffrey Schmidt
    Julie Johnson returns to Dallas in Theatre Three's So Help Me God!
    unspecified
    news/arts

    Lawsuit news

    Artist sues FIFA for $25 million over painted-over Dallas whale mural

    Associated Press
    Jun 3, 2026 | 11:54 am
    Wyland Whaling Wall
    Facebook/Wyland
    Artist Wyland's Whaling Wall mural being painted over for a FIFA World Cup-related mural in Dallas.

    The artist who painted a giant mural on a building in downtown Dallas of life-sized swimming whales has filed a $25 million lawsuit against soccer's international governing body and others, saying they illegally painted over his work to promote the city's upcoming World Cup matches.

    The artist Wyland says he hand-painted the sprawling mural that covered roughly 17,000 square feet (1,580 square meters) across two of the building's walls.

    The mural stood for nearly three decades before workers began painting over it last month, causing an uproar among residents who admired the mural's grand scale and message of ocean conservation.

    The area’s World Cup organizing committee said in a statement that, in place of Wyland's mural, new artwork is planned "that captures this current historical moment and reflects the energy, unity, and global spirit surrounding the World Cup 2026.” It said a portion of Wyland's mural would be preserved.

    Wyland filed suit Monday, June 1 in U.S District Court in Dallas saying that World Cup organizers, along with the building's owner and management company, painted over his mural without his consent or even notifying him. He says their actions violated a 1990 federal law passed to protect visual artists from destruction of publicly displayed works.

    Wyland is seeking at least $25 million in damages. His lawsuit says world soccer's governing body, FIFA, and other defendants “hastily and irrevocably destroyed a civic landmark” to promote the World Cup.

    “Though FIFA claims they were working to develop art for the host city, in truth, they defaced an historic fixture of the host city,” the artist's lawsuit says.

    A FIFA spokesperson said Tuesday the federation “has no involvement in this whatsoever” and referred a reporter to the tournament's local organizing committee.

    A spokesperson for the North Texas FWC Organizing Committee declined to comment. The committee isn't named as a defendant in the lawsuit.

    A spokesperson for Slate Asset Management, which manages the building where the mural was painted over, said in a statement that local World Cup organizers asked Slate in March to donate the mural space for “a new public art installation.”

    “Slate is not being compensated in any way for the use of the wall space and was told by the local groups that Mr. Wyland had been notified,” the management company's spokesperson said in an email.

    Dallas is hosting more World Cup matches than any of the other sites in the event co-hosted by the U.S., Canada and Mexico, with nine matches set to be played at AT&T Stadium in suburban Arlington, home of the Dallas Cowboys.

    Wyland's Dallas mural, titled “Whaling Wall 82,” was finished in 1999 and is among more than 100 similar murals known as Whaling Walls the artist painted around the world to promote the conservation of ocean life.

    An online petition protesting the mural's destruction and calling for protecting of public artwork in Dallas has received more than 2,600 signatures.

    Wyland's lawsuit alleges violations of the Visual Artists Rights Act, a 1990 federal law that protects artwork of “recognized stature” even if someone else owns the physical artwork.

    A judge cited that law in 2018 when he ordered a property owner to pay a group of New York graffiti artists $6.7 million for whitewashing dozens of their spray-painted murals on buildings that once housed a factory in Queens. The ruling was upheld on appeal.

    fifa world cupfifa world cup 2026lawsuitwylandwhaling muralmuralsdowntown dallas
    news/arts

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