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    Strange Love

    Refreshingly original The One I Love takes romance to new dimension

    Alex Bentley
    Aug 22, 2014 | 9:42 am
    Refreshingly original The One I Love takes romance to new dimension
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    Movies about romantic relationships have tried all sorts of tricks to try and distinguish themselves from others in the overcrowded genre. The One I Love is the latest to try something special, utilizing a bit of science fiction to mix things up.

    The couple at the center of the film is Ethan (Mark Duplass) and Sophie (Elisabeth Moss), who’ve run into a bit of a rough patch in their marriage. At the advice of their therapist (Ted Danson), they go to a house in the country to try and revitalize their relationship, hoping the time away from their normal life will do them good.

    The interesting thing about the film is how normal it makes the abnormal appear.

    What they find at the house is definitely unusual, but what exactly that is should remain a secret until you’ve had a chance to see the film. Their discovery sparks a series of events that has them reexamining what they want out of marriage and if they can actually get that with each other.

    The interesting thing about the film, directed by Charlie McDowell and written by Justin Lader, is how normal it makes the abnormal appear. Unless you’re suffering from a mental illness, you’ve likely never encountered anything like Ethan and Sophie go through, but the film frames it in such a way as to make it almost seem matter-of-fact.

    It’s not until the final act that the film gets truly strange, and even then it’s somewhat mild. The film’s biggest accomplishment is keeping the focus on the ups and downs in Ethan and Sophie’s relationship, not any weirdness that they see. McDowell and Lader play upon notions of nostalgia and unrealistic expectations to explore a relationship in a way you’ve never seen one explored before.

    Duplass and Moss are two relatively well-known actors who turn the independent film into their own small play. They interact with each other nicely, delivering moment after moment that feel true, especially for anyone who’s been married or in a long-term relationship.

    The One I Love is a nice departure from the same old romances studios usually dole out — and proof that there is still some originality in the filmmaking world.

    Elisabeth Moss in The One I Love.

    Elisabeth Moss in The One I Love
    Photo courtesy of Radius-TWC
    Elisabeth Moss in The One I Love.
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    Movie Review

    Marty Supreme cements Timothée Chalamet as his generation's movie star

    Alex Bentley
    Dec 23, 2025 | 11:23 am
    Timothée Chalamet
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    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also got nominated for an Oscar for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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