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    Big Oil, Bigger Greed

    Big Men is a Brad Pitt-backed true story with a Texas twist

    Cynthia Neely
    Aug 24, 2014 | 10:31 am

    Rachel Boynton is the definition of a fearless independent filmmaker. She directed and produced the fascinating true tale of oil and greed called Big Men: Everyone Wants To Be Big, which makes its national broadcast premiere on Monday, August 25, on PBS's Point of View documentary series.

    Big Men is about Dallas-based Kosmos Energy, a start-up Texas oil company that took an insane risk to discover massive oil reserves in one of the poorest places on earth, the West African Republic of Ghana. The film asks us to consider the struggles, corruption and complexities of a small fragment of the oil industry and the difficulties U.S. oil companies face after their explorations result in discovering black gold outside of America.

    The documentary took six years to make. In the process, Boynton faced masked armed militants and suspiciously cooperative foreign government officials. The project so impressed Brad Pitt that he became an executive producer.

    Accompanied only by her cinematographer, Rachel Boynton faced situations in Ghana and Nigeria in which most of us would have cut and run.

    It began as a “crazy idea,” Boynton says. “I kept hearing these stories that we [America] were running out of oil, and then I heard about an unbelievable situation in Nigeria where militants were blowing up pipelines and causing world oil prices to skyrocket.” Boynton was fascinated by “the conflict between big oil money and small town rebels with machine guns.”

    The quest took her around the world and into places never seen — the private dealings of an American oil company and the camps of foreign armed rebels who stole oil to survive. It’s a stunner of investigative journalism.

    Making this kind of movie takes guts, patience and a truck load of persistence. Her film “crew” was only Boynton and a cinematographer. She was allowed unprecedented access to Kosmos Energy’s private conversations, and when they discovered a whopping oil reserve off the coast of Ghana, Boynton told them, “There's a movie in here with you guys.”

    It was 2007 and Kosmos Energy’s was the first major discovery in Ghana. Boynton says the company’s CEO, Jim Musselman, believed the Ghanaian discovery was “worth somewhere between $4 billion and 5 billion” at that time.

    She followed Musselman as he traveled to Ghana and neighboring Nigeria to meet with kings and government officials to assure that what Kosmos pumped off-shore was rightfully accounted for and distributed.

    Accompanied only by her cinematographer, Boynton faced situations in Ghana and Nigeria in which most of us would have cut and run, like when she was met with a group of masked Nigerian militants, who call themselves the Deadly Underdogs and wear automatic weapons like jewelry. They never allow women into their camps, for strong religious reasons. They point with AK-47s to make their point.

    Boynton, however, must be other-worldly at persuasion. Not only did the rebels invite her inside their camp, but they actually wanted to be in her movie, to have their side of the story told.

    Since 2005, these rebel groups have been sabotaging oil pipelines in Nigeria, shutting down massive amounts of oil production because they are demanding more profits for their people. They see fat cat politicians reaping the benefits of oil, while their own people must live in the dark ages.

    They take matters into their own hands.

    There is one scene in Big Men where a Nigerian government official oh-so-politely and slyly answers Boynton’s questions — all the while looking as if he could chew her up and spit her out.

    Was she ever frightened? “I was much more frightened by the Nigerian government [than the militant rebels],” she said. But her biggest fear? “Being kicked out of the country with only half a film!”

    ---

    Following its August 25 television premiere, Big Men will stream on POV’s website from August 26-September 24.

    Brad Pitt and Rachel Boynton of Big Men.

    Zeleb.es
    Brad Pitt and Rachel Boynton of Big Men.
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    Movie review

    Nick Jonas steals song from Paul Rudd in music-heavy Power Ballad

    Alex Bentley
    Jun 5, 2026 | 1:30 pm
    Nick Jonas and Paul Rudd in Power Ballad
    Photo by David Cleary for Lionsgate
    Nick Jonas and Paul Rudd in Power Ballad.

    Writer/director John Carney is one of the great purveyors of movies featuring music (as opposed to musicals) in the 21st century. Starting with Once in 2007 (which was turned into a Broadway musical several years later), he has made music-themed stories like Begin Again, Sing Street, Flora and Son, and now Power Ballad.

    Rick Power (Paul Rudd) is a former wannabe rock star who is now the lead singer of “Ireland’s #1 Wedding Band,” The Bride & Grooves. While they mostly play smaller weddings, a gig at a country estate leads to an encounter with Danny Wilson (Nick Jonas), a former boy band member struggling to make it as a solo artist. Rick and Danny wind up bonding in a booze- and pot-filled jam session, sharing various song ideas.

    After returning to Los Angeles and desperate for a hit, Danny steals one of Rick’s songs, which miraculously turns into the No. 1 “How to Write a Song (Without You).” Rick, initially overjoyed that something he wrote has become big, is crushed when he finds out Danny didn’t give him credit. His quest to find a way to prove his worth sends him into a spiral, upending the ordinary life he had built.

    Co-written by Peter McDonald, the film is a nice exploration of two men trying to hold on to their music dreams. Their individual circumstances could not be more different, but each of them knows the ups and downs of the business as well as the other, as well as the ineffable magic of creating that one great song. While the music scenes are hit-and-miss because of a reliance on lip synching, the scene featuring Rick and Danny trading ideas is electric with creativity.

    Oddly, though, the film could have used a bit less music and more of a focus on the two men’s personal lives. Rick wound up living in Ireland after falling in love with his future wife, Rachel (Marcella Plunkett), while on tour with his former American band. He spends a decent amount of time with her and his daughter, Aja (Beth Fallon), but his story needed a few more family scenes to drive the point home. Danny’s personal life is all but nonexistent, giving his arc less impact than it could have had.

    Instead of loved ones, Carney and McDonald try to give Rick and Danny more depth through friends and business associates. Rick’s bandmate Sandy (McDonald) is a ride-or-die kind of guy for him, but his presence is only good for a few humorous distractions. Danny’s manager Mac (Jack Reynor) is difficult to parse, as he goes to bat for Danny on multiple occasions, but also seems to keep him at arm’s length.

    It’s long been joked that Rudd never ages, and that youthfulness serves him well in this role, in which his character is supposed to be much younger than his actual age of 57. His energy and enthusiasm make his character appealing throughout, even when Rick starts to go off the deep end. Jonas is decent in his role, selling the music side well, but there might be a reason his character doesn’t have many scenes requiring him to show emotions.

    While Power Ballad has all the hallmarks of another great Carney music movie, it’s missing a few pieces that could have put it over the top. It’s still a fun film with an insanely catchy song at its center, but it’s not quite as memorable as most of the filmmaker’s previous efforts.

    ---

    Power Ballad is now playing in theaters.

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