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    Theater Critic Picks

    These are the 13 can't-miss shows in Dallas-Fort Worth theater for October

    Lindsey Wilson
    Oct 3, 2018 | 9:27 am

    It's almost too perfect: a spooky 13 shows to see during the spooky month of October. You want creepy Victorian sisters? You got 'em. Murderous Shakespearean villains? Right here for you. A possible deal with the devil? Buy your ticket now.

    Here are the 13 shows to see, in order by start date:

    Artist Descending a Staircase
    Amphibian Stage Productions, October 3-28
    In its first Tom Stoppard play, Amphibian is going big — and a little small. The big is getting Jonathan Fielding, who's taking a hiatus from his role on Broadway in The Play That Goes Wrong, to co-direct with award-winning actor, playwright, and director Brenda Withers, who was singled out as a "person to watch" in 2018 by American Theatre magazine. Withers' name might sound familiar because she was a co-writer of Cyrano, which was a recent triumph for Amphibian. The directors are returning this production to Stoppard's original intention when he wrote it in 1972 by staging it as a radio play, complete with complex foley sounds created by an ensemble cast of four.

    Othello
    Shakespeare Dallas, October 4-14
    The Bard's classic drama about a noble general whose life and marriage are sabotaged by theater's most infamous villain stars Jamal Sterling and Caitlin Glass. Shakespeare Dallas' rendition, which moves this month from Samuell Grand Amphitheatre to Addison Circle Park, is set amid war and palace intrigue in the early 20th-century Mediterranean region.

    On The Verge or The Geography of Yearning
    WingSpan Theatre Company, October 4-20
    Playwright Eric Overmyer takes audiences on a mirthful journey through space, time, history, geography, feminism, and fashion, as three Victorian lady travelers take it upon themselves to explore "the mystery of things" and set out for "Terra Incognita," only to discover the future. WingSpan's artistic director, Susan Sargeant, directs, with Marisa Diotalevi, Jennifer Kuenzer, Barrett Nash, and Jeff Burleson comprising the cast.

    Radiant Vermin
    Kitchen Dog Theater, October 4-28
    In this fast-paced, pitch-black comedy by Philip Ridley, a young couple is offered an ideal house by a mysterious stranger. But the satire asks "how far would any of us go to get our dream home?"

    Robert's Eternal Goldfish
    Brad McEntire, October 5 & 12
    After touring North America with his one-man play for the past few months, Dallas native and founding artistic director of Audacity Theatre Lab is bringing the show back home to Dallas. The story follows Mr. Robert J. Roberts, a man brimming with hate for "so many things" who becomes the unlikely custodian of a magical goldfish and finds his misanthropic views suddenly. It's playing a limited engagement at Stomping Ground Comedy Theater.

    Gay History Play Festival
    Uptown Players, October 12-21
    Joining Angels in America: Perestroika, which technically opened last month, Uptown Players is also presenting two plays with gay history themes: Straight and The Absolute Brightness of Leonard Pelkey. The first, by Drew Fornarola and Scott Elmegreen, follows 26-year-old investment banker Ben, who is comfortable in his long-term relationship with Emily — until Chris, a college student who's also coming to terms with his sexuality, enters the picture. The second stars Terry Martin, who portrays a dozen roles to tell the story of the disappearance of a teenager and what it means for his small New Jersey town.

    The Champion
    Bishop Arts Theatre Center, October 11-28
    BATC is opening its 25th season with this regional premiere by Amy Evans. It's based on extensive research, including personal interviews with Nina Simone's bandmates, friends, and family members, and offers a rare look into the heart and mind of an artist known as much for her indictment of American racism as her artistic brilliance.

    A Doll's House
    WaterTower Theatre, October 12-November 4
    Artistic director Joanie Schultz has adapted Henrik Ibsen's 1879 play about domestic secrecy into a 90-minute thriller, with Kate Paulsen and Sam Henderson in the starring roles. Nora and Torvald Helmer are the perfect couple living a storybook life, but for years Nora has been paying off a secret debt, obtained through forging a signature, which saved her husband's life. Shame and blackmail follow, with Nora having the revelation that their lives are not their own.

    Men On Boats
    Circle Theatre, October 18-November 17
    A one-armed captain and a loyal crew (the cast is entirely female, by the way) are the focus of the true(ish) story of the 1869 Grand Canyon expedition in Jaclyn Backhaus' off-the-wall comedy and Circle's season closer.

    The Moors
    Theatre Three, October 25-November 18
    Two Victorian-era sisters (Agatha and Huldey) and their languid mastiff live out their lives in a manor house on the bleak English moors in Jen Silverman's play with music. Like any apt Gothic tale, they dream of forbidden love, power, and notoriety. The arrival of a hapless governess, the pointed schemes of a scullery maid, and the musings of a moorhen set this odd assembly on a strange and dangerous path.

    A Doll's House, Part 2
    Stage West, October 25-November 25
    Lucas Hnath, the most produced playwright in America right now, looked at Ibsen's A Doll's House and thought, "this needs a sequel." Now Stage West is the presenting the regional premiere of that follow-up which begins 15 years after the original ended. In 1879, Nora Helmer walked out the door, leaving her husband and children and societal constraints behind her. Now there is a knock at that same door, as Nora returns with a favor to ask.

    Blood Brothers
    Imprint Theatreworks, October 26-November 10
    Did you hear the story of the Johnstone twins? As like each other as two new pins. Willy Russell's hit musical tracks how one mother's desperate decision spirals out to impact not only the woman who went along with it, but two families that can never be the same.

    Elwood
    Ochre House, October 27-November 17
    Artistic director Matthew Posey has once again been busy, readying a new work with all-new music by composer Justin Locklear and the show's band. This time we're in the piney woods just outside Canton, Georgia, where a recluse named Elwood lives. As Elwood tries to protect a baby from nefarious folks who want him for themselves, he views his unpredictable future in a new light.

    WingSpan Theatre Company presents On The Verge or The Geography of Yearning.

    Wingspan Theatre Company presents On The Verge or The Geography of Yearning
      
    Photo by Lowell Sargeant
    WingSpan Theatre Company presents On The Verge or The Geography of Yearning.
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    Elon News

    Dallas bookstore and publisher gets federal arts funding axed

    Luciana Gomez
    May 7, 2025 | 12:17 pm
    Deep Vellum stack of books
    Deep Vellum
    Stack of books at Deep Vellum

    A Dallas arts organization got its budget chopped by the federal government: Deep Vellum, the bookstore and publisher at 3000 Commerce St., lost a National Endowment for the Arts (NEA) grant due to federal government budget cuts.

    According to owner Will Evans, the award, which is granted annually, has been terminated as of May 31. The bookstore had received $20,000 for the past six years.

    Deep Ellum started as a publisher in 2013 and opened their bookstore in Deep Ellum in 2015. Since then, they have become a center for literature lovers. Evans is a translator whose mission has been to translate the world’s best novels into English for American audiences.

    Evans was notified on May 2 via an email that was reportedly sent to grant recipients nationwide. The note read:

    "The NEA is updating its grantmaking policy priorities to focus funding on projects that reflect the nation's rich artistic heritage and creativity as prioritized by the President. Consequently, we are terminating awards that fall outside these new priorities."

    The new priorities included projects that elevate the Nation's HBCUs and Hispanic Serving Institutions, celebrate the 250th anniversary of American independence, foster AI competency, empower houses of worship to serve communities, assist with disaster recovery, foster skilled trade jobs, make America healthy again, support military and veterans, support Tribal communities, make the District of Columbia safe and beautiful, and support the economic development of Asian American communities.

    The Grants and Public Affairs departments at NEA did not respond to a request for comment. On Monday May 5, the Literary Staff was laid off, and the agency is facing possible elimination entirely, as part of the 2026 Discretionary Budget Request presented to Congress on May 2.

    This year's grant to Deep Vellum was earmarked to fund the translation, publishing, and marketing costs of four books:

    • Carapace Dancer by Natalia Toledo, translated from Zapotec, published trilingually with Spanish and English translations alongside the original, translated by Clare Sullivan
    • Juvenilia by Hera Lindsay Bird of New Zealand, making her US debut, illustrated by Dallas artist Gino Dal Cin
    • Schattenfroh by Michael Lentz, translated from the German by Max Lawton, a 1001-page masterpiece and English-language debut
    • The Ruins by Ye Hui, translated from Chinese by Dong Li, the English-language debut from one of China's most distinguished and independent poets

    The National Endowment for the Arts is an independent federal agency established by Congress in 1965 as a funder of the arts and arts education in communities nationwide anxd a catalyst of public and private support for the arts with the goal of advancing opportunities for arts participation and practice, according to their website.

    In their last stats document updated in November 2024, their FY’24 budget was outlined as $207M (representing 0.03 percent of the total federal budget), with 80 percent of their budget supporting grants and awards to organizations and individuals across the country. They typically offer over 2,000 grants each year.

    "It’s been a strange few days for us, and for countless other nonprofit publishers, magazines, and arts organizations," Evans said.

    Despite the cut, Deep Vellum plans to continue to promote literacy through unique books translated to the English language.

    “This is not going to imperil our future but it’s something we need to consider as we move forward. These books are extraordinary, and they add so much for readers and culture. We just need to find additional revenue to fund them," Evans said.

    Evans was first to reveal the funding cut but a number of organizations across Dallas and Texas have seen similar cuts including Ballet North Texas, Flamenco Fever, Dallas Theater Center, and Bishop Arts Theatre Center, as well as a number of groups in Austin.

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