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    Theater Critic Picks

    These are the 14 can't-miss shows in Dallas-Fort Worth theater for October

    Lindsey Wilson
    Oct 3, 2019 | 9:32 am

    I know, I know, we were all hoping for a scary 13 this month. But each one of these shows looks so good, I couldn't bear to leave any of them out. It's spooky season onstage, with creepy takes on the classics and frighteningly good new works.

    Here are the 14 shows to see in order by start date:

    The Seagull
    Eccentric Bear Theater Co., October 3-6
    Tensions are running high at a sleepy country estate as esteemed actress Irina Arkadina introduces her son to an unexpected new lover in Anton Chekhov's classic play about jealousy, unrequited love, and large birds.

    Macbeth
    Shakespeare Dallas, October 3-13
    While keeping true to Shakespeare's original bloody script, this classic tale of power, ambition, and tragic downfall moves to an alternative near-future Silicon Valley, where tech companies bid for ultimate control in a dynamic and changing industry. Following a prophecy from three witches that he will be king, Macbeth — at the urging of his wife — plots King Duncan's murder to secure the throne.

    Two By Beckett: Footfalls and Not I
    WingSpan Theatre Co., October 3-19
    These hauntingly beautiful plays investigate the "undiscovered country" that Samuel Beckett and his characters yearn for and how we all must go on. Jennifer Kuenzer stars in Footfalls and Susan Sargeant in Not I — Sargeant also directs.

    A Love Offering
    Kitchen Dog Theatre, October 3-27
    Jonathan Norton's newest play follows T'Wana Jepson and Miss Georgia, two nurse's aides who care for patients with Alzheimer's and dementia. It's not a glamorous job, but the women find support in each other — until T'Wana is attacked by the patient in E 204.

    Dracula
    Theatre Three, October 3-November 3
    Vampires, but make it feminist. This fresh adaptation of the Bram Stoker Gothic horror novel takes a deeper look into the Romanian folklore with an update on the undead. You've long heard the story of Dracula, everyone's favorite blood-sucking Transylvanian; but what stories might we learn through the eyes of his mysterious mistress Mina?

    Disturbance
    Sweet Tooth Hotel and Arts Mission Oak Cliff, October 4-26

    Each Friday and Saturday night in October, you can party like it's 1999 at a Y2K New Year countdown with the permanent residents of Sweet Tooth Hotel. This immersive theater experience (that means you're part of the show, too) challenges you to alter the show's ending or become trapped in a never-ending enigma while you solve different pieces of the puzzle.

    Villa
    Teatro Dallas, October 11-November 2
    In this slyly surprising and gripping play, Guillermo Calderon puts the audience in the room with three women charged with deciding the future of the Villa Grimaldi, an infamous detention camp of Chile’s Pinochet government.

    Ann
    Dallas Theater Center, October 15-November 10
    Written by Emmy Award winner Holland Taylor and starring Friday Night Lights' Libby Villari, Ann is a no-holds-barred portrait of Ann Richards, the legendary governor of Texas.

    Bright Colors and Bold Patterns and Cooties
    Uptown Players, October 18-27
    For Gay History Month, Uptown Players is presenting two special shows. The first, Bright Colors and Bold Patterns by Drew Droege, is a solo play starring Paul J. Williams as Gerry. It’s the eve of Josh and Brennan's picture-perfect Palm Springs wedding, and their old friend Gerry arrives car-cranky and a few beers in, furious that the invitation demands that he "refrain from wearing bright colors or bold patterns." The second, Cooties by Alexandrew Recore, is a fast-paced-sitcom-romcom variety show about truly ugly love, examining all the things we'd rather not talk about when it comes to sex, love, and happiness.

    She-Wolf
    Amphibian Stage Productions, October 18-November 10
    Despite being taken prisoner of war, then ransomed off by her father to the feckless king of a foreign country, Margaret of Anjou went on to command armies. Shakespeare was so entranced with her that he included her in four of his plays. Stephan Wolfert used Shakespeare as his inspiration for this play.

    Side Show
    The Firehouse Theatre, October 24-November 10
    Based on the true story of conjoined twins Violet and Daisy Hilton, who became stars during the Depression, Side Show is a moving portrait of two women joined at the hip whose extraordinary bondage brings them fame but denies them love. Told almost entirely in song, the show follows their progression from England to America, around the vaudeville circuit and to Hollywood on the eve of their appearance in the 1932 movie Freaks.

    Sister Act
    WaterTower Theatre, October 24-November 10
    After witnessing a murder, disco diva Deloris Van Cartier is put in protective custody in the one place the cops are sure she won't be found: a convent. Finding herself at odds with a rigid lifestyle and the uptight Mother Superior, Deloris uses her unique flair and singing talent to inspire the choir, breathing new life into the church and community. In doing so, however, she blows her cover and soon her gangster boyfriend and his cronies are giving chase.

    The Bippy Bobby Boo Show
    Theatre Too and Danielle Georgiou Dance Group, October 25-November 2
    Dazzling with glitz and glamour of a 1960s musical variety show, this new work is a two-week haunting of Theatre Too, the delightful downstairs space at Theatre Three. Bippy Bobby, the crooning, cocktail-toting ne'er-do-well, hosts this late-night limited engagement featuring performances by the six ghosts living in the belly of the Uptown basement. Inspired by the plays they saw performed by Norma Young, Esther Ragland, Robert Dracup, and Jac Alder, the ghosts of Theatre Too bring the works of Pirandello, Pinter, Albee, and Beckett into their acts.

    Razz
    Ochre House Theatre, October 26-November 16
    Hot on the heels of Fosse/Verdon's big Emmy win, this season opener follows the life of Bob Fosse, who finds himself fighting for life after his third heart attack. Wrapped in song, dance, vaudeville, and spectacle, Razz explores how artists survive in a fickle world.

    Kitchen Dog Theater is premiering Jonathan Norton's A Love Offering.

    Kitchen Dog Theater presents a love offering
      
    Photo by Jordan Fraker
    Kitchen Dog Theater is premiering Jonathan Norton's A Love Offering.
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    Season Announcement

    Dallas Theater Center finds rhythm and rhyme in 2025-26 season

    Lindsey Wilson
    Apr 2, 2025 | 5:31 pm
    Ragtime at City Center Encores
    Photo by Joan Marcus
    "Ragtime" was recently staged in New York by City Center Encores.

    The 2025-26 season for Dallas Theater Center is a mix of classic and new, large and small, and it even raises the curtain on more collaborations with the Tony Award-winning regional theater.

    This season includes the launch of a three-year partnership between Dallas Theater Center and Stage West Theatre in Fort Worth, as well as a multi-year partnership with SMU’s Meadows School of the Arts and the Sexton Institute for Musical Theatre. An ongoing collaboration continues with TheatreSquared in Fayetteville, Arkansas, and DTC will newly partner with Fort Worth Symphony Orchestra on a concert to be performed at Bass Performance Hall featuring FWSO, conducted by Robert Spano, and actors from DTC’s Brierley Resident Acting Company, directed by DTC's executive director Kevin Moriarty.

    “Collaboration is at the heart of DTC’s mission,” Moriarty says. “It’s wonderful to join with TheaterSquared to support Jonathan Norton’s brilliant playwriting and introduce his work to a national audience. Further, by partnering with Stage West Theatre, SMU’s Meadows School of the Arts and the Sexton Institute for Musical Theatre, and the Fort Worth Symphony Orchestra, we are able to expand opportunities for artists, introduce new audience members to the arts, and enrich our artistry. I’m grateful to be surrounded by so many talented, visionary artists and arts leaders here in North Texas and honored to be partnering with them this season.”

    “In curating Dallas Theater Center’s 2025-26 season, I chose to follow my mission as a playwright, which is to break down barriers through the shared joy of great storytelling,” says interim artistic director Jonathan Norton. “And the five shows in our upcoming season will do just that."

    First up is the classic slapstick farce Noises Off by Michael Frayn, directed by Ashley H. White.

    This play-within-a-play plunges you into the chaotic world of Nothing’s On, a fictional touring production tormented by backstage romances and onstage blunders. From flubbed lines to slamming doors, witness the hilarious unraveling of a troupe of eccentric actors. It runs October 3-26, 2025, at the Kalita Humphreys Theater.

    Next is the Pulitzer Prize-winning Fat Ham by James Ijames, a co-production with Stage West that's directed by vickie washington.

    In this Dallas premiere of the hit Broadway comedy, Juicy’s got a lot on his plate — his mom just married his uncle. All he wants is to make his own way as a queer Black man in a Southern family. But here’s the rub: his father’s ghost just turned up at a backyard barbecue demanding vengeance. In this delicious and sizzling reinvention of Shakespeare’s masterpiece, a young man vows to break the cycles of violence in service of his own liberation and joy. It runs January 30-February 8, 2026, at the Kalita Humphreys Theater

    The regional premiere of Donnetta Lavinia Grays' Where We Stand, another co-pro with Stage West, follows.

    Directed by Akin Babatunde, Broadway actor and Dallas legend Liz Mikel plays a lone storyteller who weaves a world through music and magic — part fable, part call-and-response. Your town stands at a crossroads. A neighbor — desperate and out of options — has struck a dangerous bargain. Now, their fate lies in your hands. In this interactive play presented as a town hall gathering, the audience must choose: mercy or justice? The future of the town — and the fate of a soul — hang in the balance. This isn’t a game. It’s your choice. It runs February 27-March 22, 2026, at Bryant Hall on the Kalita Humphreys Theater campus.

    The grand, sweeping musical Ragtime will be produced in partnership with SMU and AT&T Performing Arts Center, with direction and choreography by Sexton Institute for Musical Theatre director Joel Ferrell.

    Based on the novel by E.L. Doctorow, with music by Stephen Flaherty, lyrics by Lynn Ahrens, and book by Terrence McNally, the musical tells the intertwined stories of three families from different walks of life, all chasing the American Dream in 1902 New York. It runs March 27-April 19, 2026, at the Wyly Theatre.

    The world premiere of Jonathan Norton's Malcolm X and Redd Foxx Washing Dishes at Jimmy’s Chicken Shack in Harlem closes out the regular season.

    A commission by and co-production with TheatreSquared, which previously supported the development of Norton’s I AM DELIVERED’T, the play will be directed by Dexter J. Singleton. In the sweltering summer of 1943, two young men — Little & Foxy — forge an unlikely bond over leftover fried chicken and dirty dishwasher. But as the world outside erupts in chaos, their friendship is tested by betrayal, ambition, and the call of history. Inspired by a true story. It runs May 8-June 7, 2026, at the Wyly's Studio Theater.

    "There is nothing like the rejuvenating sensation of rollicking laughter spreading through packed houses at Noises Off and Fat Ham," says Norton. "Where We Stand will inspire rich conversations about forgiveness and redemption. Ragtime will send audiences home lifted by the stirring music and feeling ever more hopeful in these changing times. And Malcolm X and Redd Foxx Washing Dishes At Jimmy’s Chicken Shack in Harlem will leave you empowered with the knowledge that true friendship can change the world. I can’t wait for October, when I get to welcome audiences at the start of our new season. We will throw open our doors and become Dallas’ town hall — a place for the community to gather for conversation, celebration, and ultimately, connection.”

    There are also two add-on productions, beginning with the company's annual presentation of A Christmas Carol.

    Based on the novel by Charles Dickens, adapted by Kevin Moriarty, and directed by Alex Organ, with musical direction by Cody Dry, and choreography by Joel Ferrell, DTC's production takes audiences on a magical Christmas Eve adventure with Ebenezer Scrooge, as three otherworldly spirits whisk him away on a breathtaking journey of hope and redemption. From the nostalgic warmth of Christmases past to the stark truths of the present and the ominous shadows of the future, Scrooge's journey is a spectacle of wonder. It runs November 28-December 28, 2025, at the Wyly Theatre.

    Under the direction of Robert Spano and Kevin Moriarty, the Fort Worth Symphony Orchestra and Dallas Theater Center collaborate to bring musical drama and theatrical intrigue center stage in the FWSO's newest "Theater of a Concert" concept: Shakespeare at the Symphony.

    Featuring Mendelssohn's Selections from A Midsummer Night's Dream and Prokofiev's Selections from Romeo and Juliet, interspersed with scenes from Shakespeare, the multi-discipline production brings The Bard to life. It runs February 27-March 1, 2026, at Bass Performance Hall in Fort Worth.

    DTC’s Diane and Hal Brierley Resident Acting Company members will be featured throughout the 2025-26 season. Company members include Christina Austin Lopez, Tiana Kaye Blair, Blake Hackler, Bob Hess, Liz Mikel, Alex Organ, Molly Searcy, Tiffany Solano, Sally Nysteun Vahle, Esteban Vilchez, and Zachary J. Willis.

    “The talent and collaborative spirit of my colleagues in the Brierley Resident Acting Company constantly inspires me,” Norton says. “And later this spring I look forward to announcing a new company member who will further enrich our artistry.”

    Subscriptions are available now and can be purchased at DallasTheaterCenter.org and by phone at 214-522-8499. Single tickets are not yet available.

    dallas theater centernoises offfat hamragtimesmusexton institute for musical theatrea christmas carolfort worth symphonytheater
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