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    Friday Night Lights

    Aurora 2015: 13 must-see moments at transformative Dallas Arts District experience

    Kendall Morgan
    Oct 14, 2015 | 12:00 pm

    Growing in leaps and bounds since its 2010 iteration in Old City Park, Aurora has become a significant reason why Dallas is acknowledged as a world-class arts center.

    This year's main event (beginning Friday at 7 pm) is notable not just for its theme — "All Together Now" — but also for its expansion beyond a single spectacular night. An "arts week" of artist and curator talks, major media sponsors, a partnership with AT&T Performing Arts Center, and a chill wave VIP after-party with DJs Tycho and Com Truise have all helped to evolve the interactive site-specific Aurora into a free experience that truly has something for everyone.

    And that's just the way co-founders Joshua King, Shane Pennington, and Veletta Forsythe Lill like it. Along with director of programming Monica Salazar and press agent Anna Russ, the trio has rounded up a total of 76 talents this year with the assistance of guest curators Carson Chan, Julia Kaganskiy, Tim Goossens, and Aja Martin, plus the students and faculty of Booker T. Washington High School for the Visual and Performing Arts.

    Explains Pennington, "Guest curators obviously breathe fresh life into the event. It’s important to have other viewpoints, so that’s the next evolution for Aurora."

    Also new this year is two off-site experiences that are harbingers for the eventual expansion of Aurora all over the city. "Aurora is all about exploring unseen places, and this is our first little baby steps to going outside the Arts District," Pennington says. "I'd love to see the next one expand to Oak Cliff, filter into downtown, and come back to the Cedars."

    Here are Pennington's lucky 13 installations that will make their mark on the 2015 edition of Aurora:

    1. Frances Bagley, Witness
    One of the first works to venture outside the Arts District, this video installation takes over the Cityplace/Uptown DART station with its commentary on public surveillance and the question of "who is watching whom?" For riders on the DART system, it's a way to slowly immerse yourself in the Aurora experience before continuing on the train or taking the trolley into the heart of the art.

    2. St. Elsewhere presented by Cafe Momentum and House of Plates
    St. Elsewhere transforms the Thanks-Giving Square Chapel with a "synesthetic union of sound, taste, color, and visual mysticism," according to an artist’s statement. Says Pennington, "You’ll have taste, you’ll have sound, and I’m really excited about that. The chapel feels really magical, and I love the idea of people who have never been there, this will give you a reason to go in."

    3. Memo Akten, Simple Harmonic Motion
    A non-literal interpretation of the cultural diversity of Istanbul, Simple Harmonic Motion is the London-based Akten's exploration of complex behavior through the interaction of simple rhythms. To Pennington, the light-based work in One Arts Plaza "sounds like electronic synthesized guitar strings. It almost looks like popcorn exploding in the sky."

    4. Joao Beira, Luxate
    A visual artist from Portugal currently studying at the University of Texas in Austin, Beira has brought a dance performance exploring the perception of light and space into the Wyly Theatre. Fog machines and digital light patterns promise a mesmerizing dialogue between performer and audience.

    5. Jeremy Shaw, Introduction to the Memory Personality
    A hypnotic work with roots in the films of David Cronenberg, this Berlin-based artist's production at the Dallas City Performance Hall utilizes quotes inspired by pop religious cults that take the viewer on "this insane journey." Says Pennington, "It's hypnotic; it's a 12-minute video about traveling through life. I really identify with this piece — I love the idea of traveling and getting into your head."

    6. 3_Search, Sense/Coalescence
    The collaborative group 3_Search's takeover of the outside of the Wyly was a huge hit last year, and for their follow-up, curator Leo Kuelbs is teaming up with composer Joris Blanckaert, opera singer Elise Caluwaerts, and DJ Alex Hamadey to explore the phenomenon of "synesthesia," a neurological condition where one sense leads to a second sense's pathway. It's sure to be the crowd-pleaser of 2015.

    7. Andreas Greiner, Toccata for Pyrocystic Fusiformis
    If you've ever wondered what it's like to see plankton in action (and — let's face it — who hasn't?), then Toccata at the Meyerson will fulfill all your dreams with the help of a piano. Transparent canisters filled with seawater and algae will perch on the instrument, all the better to let these bioluminescent creatures do their thing to the music.

    8. James Clar, Pixelated Serenity
    "Walk toward the light" takes on a new meaning in this work, presciently placed in the Cathedral Shrine of the Virgin de Guadalupe. Meant to be taken in gradually, the piece is a pause in the media-saturated landscape we all inhabit.

    9. Nomi Ruiz & Martin(e) Gutierrez, Origen
    Best known as a singer with Hercules & Love Affair, Ruiz will team with performance artist Gutierrez on a rotating bed on Flora Street. Commenting on seduction and selfie culture, this work might be one to steer the kids past quickly on the way to more family-friendly performances.

    10. Bettina Pousttchi, Double Monument for Flavin and Tatlin X
    This is the first time the Nasher Sculpture Center has unveiled artwork solely for Aurora, and Pennington hopes this neon and metal sculpture will be a harbinger of even more participation from the area’s museums. "I want the DMA and the Nasher and the Crow to star doing some heavy programming in the future," he says.

    11. James Geurts, Periphery
    An expansive public light sculpture in Klyde Warren Park, this work of yellow beams suspended in a scaffolding structure will illuminate the night for anyone driving down Pearl Street on their way to the park.

    12. Picaroon, Global Sounds
    Highlighting the cultural diversity immigrants help to create, Picaroon's installation of seven pyramids with their own unique sound in Klyde Warren Park begs to be explored and, most important, touched. Says Pennington, "It's something the kids will love. We take everything well-rounded [into the programming]. We want the kids to have a good time too, and all ages can enjoy this piece."

    For families looking for a deeper immersion in the work, volunteers from the University of Texas's PhD ATEC program will move through the district passing out a Spanish and English "scavenger hunt" to-do lists designed to inspire the next generation of art fans.

    13. Sahra Montalebi, Ibex (Diagrams for An Empty Stage)
    A vocal-only operetta with a video component staged in the First United Methodist Church, this work is one of four set in spiritual centers throughout the district. As one could argue art is its own religion, the transcendence the viewer will feel when observing these works seems well-placed within the context of a church. Not every piece may be sacred, but they are all surely divine.

    2015 Auora curators Carson Chan, Julia Kaganskiy,Tim Goossens, Aja Martin.

    Carson Chan, Julia Kaganskiy, Tim Goossens, Aja Martin
    Photo courtesy of Aurora
    2015 Auora curators Carson Chan, Julia Kaganskiy,Tim Goossens, Aja Martin.
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    Dance News

    Dallas Black Dance Theatre makes interim artistic director permanent

    Lindsey Wilson
    Nov 4, 2025 | 11:41 am
    Richard A. Freeman, Jr.
    Photo by Aleah Pilot
    Richard A. Freeman Jr. became the new artistic director October 24, 2025.

    Dallas Black Dance Theatre (DBDT) has officially named Richard A. Freeman, Jr. as its new artistic director, ushering in a new era of leadership for the dance company as it approaches its 50th anniversary season.

    Freeman, a longtime member of the DBDT family, has served as interim artistic director through the company’s recently completed 48th and current 49th seasons. His appointment, effective October 24, 2025, marks a natural progression for the former lead dancer, resident choreographer, and artistic project coordinator, whose career within DBDT spans more than a decade of creative and organizational leadership.

    “Richard has been an integral part of Dallas Black Dance Theatre's artistic fabric for years, and his extraordinary leadership during his time as interim artistic director made this decision clear,” says Heidi K. Murray, a member of DBDT’s board of directors, in a release. “His dedication to artistic excellence, his deep understanding of our mission, and his vision for the future of contemporary modern dance make him the ideal person to lead DBDT into this exciting new chapter.”

    DBDT founder Ann M. Williams echoed the sentiment, calling Freeman’s appointment a full-circle moment for both artist and company. “Richard embodies everything Dallas Black Dance Theatre stands for: artistry, excellence, and a deep commitment to uplifting our community through dance,” she says in the release. “I have had the privilege of watching him grow from a gifted dancer into an inspiring leader and visionary artist. His dedication to preserving our legacy while boldly charting new artistic territory gives me tremendous confidence in DBDT’s future.”

    During his tenure as interim artistic director, Freeman guided DBDT through seasons marked by artistic innovation and expanded community engagement, but also staff shake-ups and legal issues.

    In October 2024, accusations of retaliation surfaced after 10 DBDT dancers, its entire main company, were fired following their decision to unionize in May and demand better working conditions. This led to an unprecedented "Do Not Work" order by the American Guild of Musical Artists.

    Dallas City Council ultimately voted to withhold $248,000 in city funding due to labor violations, and DBDT later settled for $560,000 with the National Labor Relations Board.

    In response, DBDT formed a 17-member advisory stakeholder task force co-chaired by Jennifer Scripps, president and CEO of Downtown Dallas, Inc., and Shawn Williams, vice president of public affairs at Allyn. The group has been working with DBDT leadership to review the organization’s policies and practices, propose changes that foster an accountable environment, and put in place safeguards to prevent future concerns related to talent.

    In September 2025, executive director Zenetta Drew announced her retirement after nearly four decades with the company. A national search for her replacement will start in early 2026. Williams retired in 2014.

    As artistic director, Freeman will oversee all aspects of DBDT’s artistic operations, from performances to educational initiatives, and continue to expand its reach throughout Dallas and beyond.

    “I am deeply honored to accept this role and to continue building on the incredible foundation established by the vision of Ann Williams,” Freeman says. “This company has a unique power to move, inspire, and unite communities through dance. I look forward to working with our talented dancers, staff, and board to create unforgettable artistic experiences and to nurture the next generation of dance artists.”

    A native of Washington, D.C., Freeman began his training with the District of Columbia Youth Ensemble and the Washington Ballet before graduating from the Duke Ellington School of the Arts and Virginia Commonwealth University. His performance credits span acclaimed companies and productions, including Elisa Monte Dance, Houston Grand Opera, Porgy and Bess, and The Wiz.

    Freeman’s choreographic works have been featured by leading institutions such as Texas Ballet Theater School, Texas Christian University, and Booker T. Washington High School for the Performing and Visual Arts. He has also shared his expertise through master classes and workshops nationwide, reinforcing his commitment to DBDT’s educational mission.

    Founded in 1976, Dallas Black Dance Theatre is the oldest and largest professional dance company in Dallas and one of the most acclaimed Black dance institutions in the U.S.

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