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    Spring Fashion Preview

    Nicole Miller goes for runway rebellion with revolutionary spring 2014 collection

    Clifford Pugh
    Nov 9, 2013 | 3:16 pm

    Nicole Miller may be a rebel with a cause, but she always manages to be subversive in a delightful way. The veteran designer describes her spring 2014 collection, which she debuted in a small, packed venue at the Lincoln Center tents during Mercedes-Benz Fashion Week in September, as revolutionary.

    A trip to Versailles got her thinking about peasants racing around the manicured gardens, storming the palace, tipping over furniture and shattering china into shards of glass. Miller, the queen of prints, took that idea and created colorful fabrics mixing flowers in riotous colors with jagged shard patterns of broken glass or bold black-and-white stripes.

    Her first look, a draped dress, combines five different patterns but still manages to look put-together in a hip, yet ladylike way. Slashed skinny jeans and beaded moto jackets elicit a more rebellious attitude, but the collection also appeals to the urban woman who doesn't care about being so cutting-edge.

    Before the show began I was feeling a little subversive myself, and I slipped into a front-row seat next to an A-list fashion friend and Miller's business partner, Bud Konheim. But just as the lights went down to start the show, I got busted when a latecomer retrieved the seat. I had to watch from the top row, wedged in between a bunch of fashion newbies with their cellphone cameras aimed at the runway throughout the show.

    Nicole Miller ivory sundress with black embroidery.

    Fashion Week spring summer 2013 Nicole Miller Look 19
      
    Photo by © Dan and Corina Lecca
    Nicole Miller ivory sundress with black embroidery.
    unspecified
    news/fashion

    Mall Art News

    Hammering Men return to NorthPark Center Dallas after 4-year nap

    Teresa Gubbins
    Feb 28, 2025 | 4:42 pm
    Hammering Men, 1982 at NorthPark Center
    NorthPark Center
    Hammering Men, 1982

    A signature sculpture at Dallas' NorthPark Center has returned to its stomping grounds: Five Hammering Men, 1982, a series by American artist Jonathan Borofsky, has returned to the mall following a four-year absence, which they describe as "a period of rest" to conribute to its longevity and lifespan, according to a release.

    Borofsky began his Hammering Men series in 1979; it became one of his best-known bodies of work with installations in Basel, Frankfurt, Los Angeles, Seattle, Seoul, and Dallas.

    The piece can now be found in its original location in SouthCourt, located on Level One between Neiman Marcus and Dillard’s, their motorized arms slowly moving in a hammer-like gesture.

    “My original concept was to have many Hammering Men, all hammering at different locations around the world – all at the same time – sort of a worldwide installation connecting us all together,” said Borofsky in his artist statement on the series.

    When he was 25, Borofsky started counting for three hours a day, meticulously writing numbers in his sketchbook, convinced that this meditative process would reveal an underlying truth about the human spirit. He eventually began signing his works with numbers instead of his name — which can be found on the feet of the Five Hammering Men.

    The installation was removed in 2021 for this period of rest and restoration, the details of which — who did it, where they were stored — NorthPark Center does not reveal. However, NorthPark did post a video of the re-installation on Instagram.

    For its 20th anniversary in 1985, NorthPark corralled “A Celebration of Contemporary Art” — an exhibition of 33 works by 24 artists — many never seen in Dallas before, and the first time Five Hammering Men was shown in the U.S.

    NorthPark Center developer Raymond D. Nasher said in a statement at the time that it was their goal to give NorthPark an artistic dimension, confirming it as more than a commercial entity and abetting Dallas' dream to become an international place.

    That 1985 exhibition included these other works of art, still on view at NorthPark:

    • Barry Flanagan’s Large Leaping Hare, 1982
    • Antony Gormley’s Three Places, 1983
    • Roy Lichtenstein’s Double Glass, 1976,
    • Henry Moore’s Reclining Figure: Angles, 1979.

    Additional works by Borofsky have been displayed at NorthPark throughout the years, and a larger, singular Hammering Man, 1984-85, from the Nasher Sculpture Center, is currently on view outside of Neiman Marcus off Boedeker Street.

    NorthPark will celebrate its 60th anniversary this year, and this installation — which is from the Nancy A. Nasher and David J. Haemisegger Collection — the first of several exciting additions to celebrate this milestone.

    "Five Hammering Men has been a favorite landmark at NorthPark Center for 40 years, catching the imagination of shoppers of all ages throughout the decades," NorthPark Development Company president Nancy A. Nasher says in a satement. "Bringing this iconic series by Jonathan Borofsky back to NorthPark is aligned with our mission to make museum-quality art accessible to the public and a wonderful way to celebrate our 60th anniversary."

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