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    Movie Review

    Dual roles for Halle Berry in Bruised do her no favors

    Alex Bentley
    Nov 26, 2021 | 4:00 pm
    Dual roles for Halle Berry in Bruised do her no favors
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    Sports movies are often among the most predictable films out there. The formula — a person or a team that few people believe in rises above expectations to achieve success or at least respect — is one that has been repeated ad nauseam. The best sports movies find a way to rise above or mitigate their clichés, making viewers forget they already know what’s going to happen.

    That, unfortunately, is not the case with Bruised, in which Halle Berry stars and makes her directorial debut. Berry plays Jackie Justice, a former MMA fighter who’s down on her luck, cleaning houses for a living and doing her best to hide her alcoholism. When her loser of a manager/boyfriend, Desi (Adan Canto), brings her to an underground fight, an impromptu bout leads to Jackie catching the eye of Immaculate (Shamier Anderson), who fronts a local training facility.

    There, with the help of trainer Buddhakan (Sheila Atim), Jackie starts getting the urge to fight again. But at almost the same time, she finds herself having to take custody of her son Manny (Danny Boyd, Jr.), whom she left with his father soon after he was born. The triple burden of getting back into fighting shape, reconnecting with her son (who won’t speak for unknown reasons), and avoiding the wrath of Desi threatens to derail her quest before it even begins.

    The film, written by Michelle Rosenfarb, holds very few surprises, aside from the addition of the long-lost son. But that’s not its biggest problem. Instead, Berry and Rosenfarb somehow find a way to make the inspirational sports story as unappealing as possible. That’s not because Jackie herself is unlikable; the obstacles she has to overcome are such that it’s difficult not to root for her. But the filmmakers are just missing that certain something to take her from merely being the protagonist to being the story’s hero.

    Of course, Jackie is a complicated figure, especially since she all but abandoned her own child. But plenty of other lead characters in sports movies have been equally complex and won over audience’s hearts in spite of their faults. Jackie’s journey is never fleshed out to the degree that she earns the respect of either the viewers or the other characters in the film.

    Much of this has to do with Jackie’s confusing background. Berry herself is 54, but it’s unclear if Jackie is supposed to be that age, too. At one point, they say that Jackie has been out of the sport for four years, and with Manny being only 6 years old, it feels like Jackie is supposed to be younger, at least in her early forties. But the lack of clarity only adds to the frustrating nature of the story.

    It might have been a bit much for Berry to star in her directorial debut. As the director, she doesn’t seem to know how to rein in the more outlandish impulses she has as an actor, a lack of nuance that hurts her performance. Other actors fare better, especially Atim, who exudes a real calm in her role, and Boyd, who relies almost exclusively on his cuteness in the wordless part.

    In Bruised, the filmmakers know exactly what points to hit, but they don’t have a good feel as to how to make them impactful. Berry is a great actress, but this film does her no favors on or off the screen.

    ---

    Bruised is now streaming on Netflix.

    Halle Berry in Bruised.

    Halle Berry in Bruised
    Photo by John Baer/Netflix
    Halle Berry in Bruised.
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    Movie Review

    Podcaster lets creepy noises get under her skin in Undertone

    Alex Bentley
    Mar 13, 2026 | 10:30 am
    Nina Kiri in Undertone
    Photo courtsy of A24
    Nina Kiri in Undertone.

    While the horror genre is still capable of producing some innovative filmmaking, most of the output tends to fall back on jump scares and other tropes to deliver their terror. So when a film like the new Undertone tries something different, it should be applauded for the effort, even if it’s not as successful in its execution.

    Evy (Nina Kiri) is a podcaster who co-hosts a show called Undertone, which focuses on paranormal videos and sounds they find on the internet. Her co-host, Justin (Adam DiMarco), lives in London, so - for kind of contrived reasons - in order to make the time difference between them work, Evy records at around 3 am her time. Evy - who lives at home with her bedridden, dying mother - is the skeptic of the two, consistently debunking clips that Justin presents to her.

    Her doubts are tested when Justin brings in a series of 10 audio clips that purport to be about a boyfriend recording his girlfriend as she talks in her sleep. The audio begins in a lighthearted manner and quickly turns creepy and then sinister as unexplained things start happening. Evy senses that what she’s hearing is bleeding into her own world, especially when inexplicable actions take place in her mother’s bedroom.

    Written and directed by first-time feature filmmaker Ian Tuason, the film is effective early on when it introduces the story concept. Making great use of sound design, Tuason essentially puts the audience inside Evy’s head, where every little sound is heightened. Setting the podcast sessions in the middle of the night ups the anxiety level for both her and the audience.

    However, as the film goes along it gets a little tedious watching Evy listen to the audio, even as Tuason attempts to keep the film dynamic by moving the camera around her. The premise of the story - progressively going through 10 clips - and Tuason’s framing of shots that focus as much on the background as they do on Evy seem to promise more interesting results than actually transpire.

    What ultimately holds the film down more than anything is its lack of different viewpoints. The only other person who’s actually seen is Evy’s mother, who is unable to speak. Evy speaks to Justin, another friend, and a doctor over the course of the story, and while each broadens our understanding of Evy somewhat, none of them make her a truly three-dimensional person. Getting a little more information about her history might have helped the story work better.

    Kiri does her level best to vary her acting in the various podcast scenes, and even when they start to get repetitive, she remains compelling and watchable. It’s difficult to judge the other actors based on audio alone, but knowing that DiMarco also starred in season 2 of The White Lotus helps to visualize him and his acting style.

    Undertone does well in creating a spine-chilling mood, but it needed something beyond that to become a truly great horror movie. Tuason shows some promise as a filmmaker, especially in the way he uses the camera to create tension, but a more complete story will serve him better the next time around.

    ---

    Undertone is now playing in theaters,

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