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    Actor Spotlight

    History-making Dallas actress lays out her other dream roles

    Lindsey Wilson
    Nov 30, 2016 | 5:10 pm

    Though A Christmas Carol has been a longstanding Dallas Theater Center tradition, the company is always on the lookout for ways to shake up the holiday classic. Last year it was with the show's first female director, DTC Brierley Resident Acting Company member Christie Vela, and this year it's with the first female Scrooge, played by Sally Nystuen Vahle.

    Vahle, also a member of the Brierley Resident Acting Company, takes on Charles Dickens' miserly, selfish, and cold-hearted main character from November 30-December 28 at the Wyly Theatre.

    This year directed by Steven Michael Walters, the production once again features Beowulf Boritt's industrial set and Jeremy Allen Dumont's choreography. A cast of DTC regulars, SMU students, and adorable youths use artistic director Kevin Moriarty's adapted and speedy — the show is only about 90 minutes — script.

    Before Vahle slips on Scrooge's famous nightcap and journeys to Christmases past, present, and future, she took the time to fill out our survey of serious, fun, and sometimes ridiculous questions.

    Name: Sally Nystuen Vahle

    Role in A Christmas Carol: Scrooge

    Previous work in the DFW area: Co-founder of Kitchen Dog Theater, member of the Brierley Resident Acting Company at Dallas Theater Center. Most recent previous role: Medea in Medea at Dallas Theater Center.

    Hometown: Menomonie, Wisconsin

    Where you currently reside: Junius Heights, East Dallas

    First theater role: Ngana, the little girl in the musical South Pacific

    First stage show you ever saw: The first professional show was Foxfire at the Guthrie Theatre.

    Moment you decided to pursue a career in theater: Officially, my freshman year in college, when I decided to change my major from broadcast journalism to theater.

    Most challenging role you’ve played: This is a tough one. Each role is challenging in its own way, but it's probably a toss-up between Macbeth in A Macbeth or Medea.

    Special skills: Audio prompting and whitewater canoeing.

    Something you’re REALLY bad at: Saying “no” and learning choreography. It takes me 10 times as long as everyone else!

    Current pop culture obsession: The Walking Dead

    Last book you read: Head Hunters of the Amazon by Up De Graff (1925). It's a book I found at an estate sale that turned out to be a wild read.

    Favorite movie(s): Cool Hand Luke, Terms of Endearment, Where to Invade Next, Captain Fantastic

    Favorite musician(s): The Fray, Tupac, Frank Ocean, Prince, Drake, Dan Fogelberg

    Favorite song: "Annie's Song" by John Denver

    Dream role(s): Winnie in Happy Days by Beckett; Amanda in The Glass Menagerie by Tennessee Williams; Masha in Chekhov’s The Three Sisters; Martha in Albee’s Who’s Afraid of Virginia Woolf; King Lear in Shakespeare’s King Lear; Violet in Lett’s August: Osage County.

    Favorite play(s): Angels in America, Parts 1 & 2 by Tony Kushner and Clybourne Park by Bruce Norris

    Favorite musical(s): Cabaret, Chicago, Guys and Dolls, Hamilton

    Favorite actors/actresses: Meryl Streep, Sean Penn, Johnny Depp, Albert Finney, Cherry Jones, Jessica Tandy, Violet Davis, Chamblee Ferguson

    Favorite food: Pizza

    Must-see TV show(s): The Walking Dead

    Something most people don’t know about you: I would be very content to live off the grid.

    Place in the world you’d most like to visit: India

    Pre-show warm-up: Lots of stretching and focus work

    Favorite part about your current role: Getting to create and embody a character that I never imagined playing.

    Most challenging part about your current project: Scrooge spends lots of time listening, observing, and processing information — so, staying present and fully engaged in her journey of discovery as if it’s the “first time” is a fantastic challenge and exercise.

    Most embarrassing onstage mishap: When I was in third grade, I was in a class play called Terry and the Tooth-Fairy. I played Terry, a girl who was 16 who didn’t use fluoride and had to go back to being 8-years-old to learn how to take better care of her teeth.

    When I took off the costume of the 16-year-old Terry to reveal the clothes of the 8-year-old Terry, my shirt stuck to the dress and came off with it. I was in front of the whole school without my shirt on. I ran and hid under the teacher's desk.

    I grew up in a small town and the people I was in third grade with I graduated from high school with, so at least once a year from third grade on, someone would remind me of that stellar moment. Somehow, even after that experience, I still decided to be an actor. Go figure.

    Career you’d have if you weren’t in theater: Psychologist

    Favorite post-show spot: Lakewood Landing

    Favorite thing about Dallas-Forth Worth: The incredible people that make up the Metroplex and the growing cultural landscape.

    Most memorable theater moment: Dallas Theater Center produced Kushner’s Angels in America in 1996. Many people found the play to be controversial. On opening night there were protests outside the Kalita Humphreys Theater, and Dallas Police officers stood at the back of the theater during the entire show in case it needed to be stopped due to “indecency and inappropriate content.”

    It was thrilling to have been part of that play and that experience — the not knowing whether or not we’d get to finish the play as we were performing it was an experience unlike any other I have ever had as an actress. The show wasn’t stopped and turned out to be a blockbuster for DTC.

    ---

    Dallas Theater Center's production of A Christmas Carol runs November 30-December 28 at the Wyly Theatre.

    Vahle in her critically lauded performance as Medea.

    Sally Nystuen Vahle and Christie Vela in Dallas Theater Center's Medea
    Photo by Karen Almond
    Vahle in her critically lauded performance as Medea.
    qainterviewtheater
    news/arts

    Stepping Down

    Dallas Arts District director Lily Cabatu Weiss to retire after 9 years

    Lindsey Wilson
    Oct 30, 2025 | 1:14 pm
    Lily Cabatu Weiss
    Photo by Brian Guilliaux
    Lily Cabatu Weiss

    Veteran arts executive Lily Cabatu Weiss, who has led the Dallas Arts District since 2016, announced she will step down from her role as executive director on January 30, 2026, marking the end of a nearly decade-long tenure that transformed the nation’s largest urban cultural district.

    In a statement, Weiss — a former dancer, educator, and arts advocate — says that leading the district has been a career highlight.

    “To be able to spend so much time supporting and promoting our city’s artists, this district, its premier arts and cultural institutions, parks, commercial and retail interests, historic churches, residents, an award-winning high school, and all of the neighborhood stakeholders — being this community’s champion has been a blessing and an honor,” Weiss says.

    During her nine years at the helm, Weiss guided the Dallas Arts District through major milestones and challenges. She helped elevate it as a premier tourism destination, was a contributor to the 2018 Dallas Cultural Plan, and oversaw creation of the Connect Master Plan — the district’s first comprehensive plan in nearly 40 years — which included infrastructure improvements such as currently ongoing sidewalk replacements and public art installations.

    She also enhanced the district’s branding and created the popular Signature Block Party Series, a set of free, family-friendly events featuring regional and international artists that now draw more than 50,000 visitors.

    Weiss led the community through the financial difficulties of the COVID-19 pandemic and celebrated national recognition when USA Today readers ranked the Dallas Arts District the No. 1 arts district in the United States in both 2024 and 2025.

    “Lily Weiss has led the Dallas Arts District through transformational change over the past nine years,” says Jill Magnuson, Dallas Arts District board chair. “By rolling up her sleeves and deeply engaging the neighborhood’s many diverse interests, we’ve been able to weather crises, enjoy dynamic growth and position the district for success in the future.”

    Beyond her local leadership, Weiss has been an active advocate for the arts at city, state, and national levels.

    She serves on the steering committee for the Dallas Area Cultural Advocacy Coalition, helping secure and expand City of Dallas funding for the arts and arts bond programs. At the state level, she serves on the board of Texans for the Arts, where she has pushed for increased funding for the Texas Commission on the Arts, including Cultural District Grants that benefit smaller resident organizations.

    Weiss has represented the Dallas Arts District globally through the Global Cultural District Network, of which Dallas is a founding member.

    Her career in the district began in 1978, when she joined the faculty of Booker T. Washington High School for the Performing and Visual Arts, eventually becoming chair of its dance department and artistic director. She retired from teaching in 2016 to lead the Dallas Arts District organization.

    Looking ahead, Magnuson will step in as interim executive director on January 30, 2026, after concluding her term as board chair. AT&T Performing Arts Center president and CEO Warren Tranquada will become the new board chair on November 1 and will oversee the search for Weiss’s permanent successor early next year.

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