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    Zombie talk

    Warm Bodies stars Nicholas Hoult and Teresa Palmer dish on their zombie love story

    Alex Bentley
    Jan 30, 2013 | 9:20 am

    When you hear the words "zombie movie," it's unlikely your first thoughts — or second or third — will go to romance. But that's exactly what the new film Warm Bodies (opening February 1) aims to bring you, as it tells the story of R (Nicholas Hoult), a zombie who starts feeling very un-zombie-like feelings when he encounters Julie (Teresa Palmer).

    Hoult and Palmer made a recent stop at the Ritz-Carlton in Dallas to promote the film, where they cheerfully told a packed press conference about their experience working on the film, choices they made for the roles and what they would do if they actually were zombies.

    Spoiler alert: Some of their answers delve into the movie's twists and turns, so consider yourself warned if you want to go into the film pure.

    Q: What about the script made you gravitate toward the movie?

    Palmer: Exactly that — it was such a breath of fresh air. It was original and unique and daring. I love that it’s a mash-up of all these different genres. It’s comedic, it’s a romantic film, it’s action and, of course, it’s the zombie genre, which is fantastic.

    Hoult: I really like the take that it was told from my character’s perspective, which I don’t think we’d really seen before in a film, to get into the zombie mindset. With Jonathan Levine directing, he’s got a really soft touch about being able to balance making a film funny and not taking itself too seriously, and then also keeping a lot of heart and keeping it grounded in reality even with the concept that maybe seems slightly ridiculous.

    Q: Nicholas, how hard did you find it to get across emotions because your character hardly speaks at all?

    Hoult: It was a new challenge. Luckily, there’s some great voiceover, which gives you an insight into my character’s thoughts and kind of witty, self-deprecating outlook on the situation he’s found himself in. But then it was all about just focusing on the fact that this is a character who’s trying his best to emote and connect even though he’s struggling with it. And I think a lot of guys …

    Palmer: Struggle with that.

    Hoult: [laughs] … can relate to that. Put them in a room with a girl they like, and suddenly it’s panic, nothing to say. And fortunately for me, I was surrounded by very talented actors, with a strong script and a director who was very supportive and encouraging. So I could just sit there and watch them perform and enjoy what they were doing, and then try and react in a zombie manner … with emotions.

    Q: What do you think attracted your [Palmer’s] character to R?

    Palmer: His sensibility …

    Hoult: His dashing good looks.

    Palmer: [laughs] Yes, his dashing, somewhat pale looks. Look, his way — his beautiful way about him. His light spirit, the way he’s so sensitive and he just wants to look after her and take care of her.

    He wears his heart on his sleeve, and she knows he’s a good guy and he’s trying so hard and she sees that he’s actually making the best of this horrible situation he’s in. And I think she sees that in her own self, too; she can relate to that. She’s been thrust into this world, this horrible dark world ... and she’s this bright light amongst this dismal community. I think R is the same way.

    Q: Was there one scene or sequence that stands out as being the most fun to shoot?

    Palmer: I think we both think that sequence where me and my friends — we’ve gone out to get the medical supplies and we’re in there — it’s the first time the zombies come and stampede in. It’s the first moment you lay eyes on my character, and it’s obviously a pivotal moment in the film.

    Hoult: Yeah, so much happens in that short period of time where we attack, I get shot, it’s going crazy. It’s a real action sequence.

    Palmer: Whilst I’m like shooting a shotgun, sliding on my knees and killing zombies.

    Hoult: Yeah, it’s the first time we [their characters] interact and there’s just a lot going on. It was a fun sequence to shoot. ... And any scene with Rob Corddry, I think, because the guy’s a load. He made me laugh.

    Q: Well, the communication was just beautiful between you two [Hoult and Corddry's characters].

    Hoult: Yeah, it was a very male communication anyway. Most of the time guys don’t have the best talk. It was like sitting at a bar and then watching sports and [grunts and groans]. We were improvising groans; Rob had one particular groan that would get me every time. We’d be doing short groans back and forth and then he would just let out a really slow, monotonous, long groan …

    Palmer: For as long as he could hold it. He just kept going [laughs].

    Hoult: And I’d be looking at him, and in my head I’m just going, “Please stop doing that. I’m going to laugh.”

    Palmer: He would bite his cheeks to stop from laughing.

    Hoult: There’s a lot of good outtakes from this film.

    Q: What was the most challenging physical thing you had to do?

    Palmer: That whole end sequence was pretty difficult, the sprinting.

    Hoult: Yeah, zombie run is difficult. Zombie shuffle, okay …

    Palmer: Because I was really going for it.

    Hoult: Yeah, Teresa’s quick. I had been practicing on the treadmill, in the gym and running around the carpark and all this sort of stuff. But then — it’s weird and uncoordinated, because [sarcastically] I’m obviously quite the athlete. To not run 100 meters in under 9.3 seconds is tricky.

    Palmer: It was maybe like three weeks at the end, where pretty much we’re running all day. And they would mount the camera on the back of a golf cart and they would drive in front of us and someone would be on the back filming. But we have to keep a specific distance, and they’re the ones that set the speed. So we actually have to keep up with the golf cart.

    And so you can’t get tired. You just have to keep on running, and you really feel like you’re running for your life. It’s quite interesting.

    Q: Nicholas, with this film and your upcoming slate of films, it seems like you’re about to really become a star. What do you think about that change?

    Hoult: I don’t think that’s the case.

    Palmer: He is! He’s so humble. He’s obviously going to be a huge movie star, and he deserves it.

    Hoult: It’s a thing where I’ve been very fortunate recently to have a good run and to work with talented directors and play characters I really like in films that seem to be really well-received. I’d just like to keep on working.

    Palmer: And he’s a breath of fresh air as well because he’s so humble and down-to-earth and normal, and that’s really sweet. I know that everyone who’s worked with him wants to continue working with him. He’s got a really good reputation.

    Q: If you could eat the brains and get the memories of anyone in the world, who would it be?

    Hoult: I’ve said a few different answers to this. I started off with Henry VIII, then I went Tina Turner — I’ve kind of been all over the place. I’d like to ingest the minds of a really intelligent scientist or great philosopher or psychologist or something, but then I feel as though that might destroy me, or I just wouldn’t understand it.

    Palmer: Elizabeth Taylor for me. Old-school Hollywood, all these incredible stories in her life. Richard Burton, that would have been interesting. Yeah, it would’ve been great to see what old Hollywood was like.

    Hoult: I’m gonna go with Freddie Mercury. I watched a documentary on him recently, and the guy was incredible.

    Nicholas Hoult and Rob Corddry in Warm Bodies.

    Warm Bodies, Nicholas Hoult, Rob Corddry
    Photo courtesy of Summit Entertainment
    Nicholas Hoult and Rob Corddry in Warm Bodies.
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    Movie Review

    Rose Byrne plays one stressed-out mom in If I Had Legs I'd Kick You

    Alex Bentley
    Oct 24, 2025 | 4:24 pm
    Conan O'Brien and Rose Byrne in If I Had Legs I'd Kick You
    Photo courtesy of A24
    Conan O'Brien and Rose Byrne in If I Had Legs I'd Kick You

    Movie history is littered with depictions of stressed-out mothers who have breakdowns due to the pressure put on them by their children, spouses, or society in general. Recent examples include Hereditary, Tully, and Nightbitch, with each of them finding different ways to depict their main character’s struggles. Yet another put-upon mother goes through the wringer in the oddly-named If I Had Legs I’d Kick You.

    When we meet Linda (Rose Byrne), she’s already in the middle of a huge ball of stress. Her daughter (Delaney Quinn) suffers from an unnamed illness that requires around-the-clock care and frequent doctor visitors. Her husband, Charles (Christian Slater), is a boat captain whose job keeps him away from home for long periods of time. And her job as a therapist requires her to hear other people’s problems, necessitating her seeing a fellow therapist (Conan O’Brien) on a daily basis.

    Nearly everyone else she encounters in the movie adds to her anxiety, including Caroline (Danielle Macdonald), a new mother who’s constantly worried about her baby; Dr. Spring (Mary Bronstein), who constantly harps on Linda to get her daughter to eat; an officious parking attendant at the hospital; and a sneering desk clerk at the motel she and her daughter are forced to stay at after a plumbing disaster at home. Consequently, she dismisses James (A$AP Rocky), another motel worker, the one person who treats her with a modicum of kindness.

    Written and directed by Bronstein, the film is a harrowing experience that somehow also manages to be darkly funny at times. Linda is dealing with way too much for one person to adequately handle, something that is compounded by the fact that nobody really listens to her, not even the therapist she’s paying to do so. Scenes bounce back and forth between Linda demonstrating righteous anger at what the world is throwing at her and crushing guilt over supposedly not doing enough for her child.

    Bronstein depicts Linda’s journey in a number of interesting ways, some straightforward and others not so much. Bronstein makes liberal use of close-ups on Linda’s face, heightening the feeling that the world is closing in on her. The plumbing problem at her home results in a huge hole in the ceiling, which becomes the source of some unexplained phenomena, a choice that might have been unnecessary.

    What’s most striking about the film is how hardly anyone is on Linda’s side. Since the film joins the story as it’s already in progress, the audience is left to guess as to how Linda has behaved in the past to garner such negative interactions from people who should be helping her. While she’s not a perfect person, she also doesn’t appear to be such a jerk that she should be treated with disdain everywhere she goes.

    Byrne, who’s gravitated toward lighter roles in recent years, is an absolute marvel in this part. The more stress Linda feels, the more she becomes disheveled, and Byrne makes you feel every ounce of the character’s pain. O’Brien, who’s rarely had to play anyone but “Conan O’Brien” before, is surprisingly good, tamping down his comic sensibility to complement Byrne well. A$AP Rocky also makes a nice impression, elevating a character that’s a little underwritten.

    The role of a mom is never an easy one, and that’s in the best of circumstances. If I Had Legs I’d Kick You - a title that is never explained yet still somehow fits - earns its stripes by demonstrating how the often thankless job of motherhood can become even more distressing when the mom in question is given little to no support.

    ---

    If I Had Legs I'd Kick You is now playing in select theaters.

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