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    Actor Spotlight

    It's a good thing Nancy Sherrard is an actress and not a mathematician

    Lindsey Wilson
    Jan 23, 2014 | 11:07 am

    Margo Martindale might be playing the role of Mattie Fae in the current film adaptation of August: Osage County, but Dallas audiences would be hard-pressed to forget Nancy Sherrard's take on the character. Her masterful dishing out of the woman's many rude and critical remarks, disguised with Southern sweetness, elicited mountains of laughter when WaterTower Theatre mounted the Pulitzer Prize-winning dark comedy in the spring of 2012.

    Now Sherrard is switching gears from antagonizing to caring, assuming the roles of Aunt Polly and the Widow Douglas in WaterTower's regional premiere of The Adventures of Tom Sawyer, which opens January 27. Running concurrently is an education and outreach program called the Tom Sawyer Project, which gives Dallas County high school students a chance to mount two performances of their own production of the show. The professional actors and creative team also provide mentorship for the student actors.

    Sherrard recently took the time to fill out our survey of serious, fun and sometimes ridiculous questions.

    Name: Nancy Sherrard

    Role in The Adventures of Tom Sawyer: Aunt Polly/Widow Douglas, ensemble

    Previous work in the DFW area: Most recent work includes Gita in Division Avenue at Contemporary Theatre of Dallas, Mag in Beauty Queen of Leenane at Kitchen Dog Theater, Mattie Fae in August: Osage County at Watertower Theatre.

    Hometown: Dallas

    Where you currently reside: With my husband, David, and rescue cat, Lulu Louise, in Irving.

    First theater role: The little witch in Witching Time at Dallas Theater Center’s summer acting program.

    First stage show you ever saw: The one I most vividly remember was Sweet Charity at Dallas Summer Musicals with Juliet Prowse. It lead to many nights locked in my parents’ living room performing “There’s Gotta Be Something Better Than This,” starring me in all three parts.

    Moment you decided to pursue a career in theater: My mother tells me I told her I wanted to be an actress when I was 4. I don’t remember ever making a conscious career decision; it was just something I had to do.

    Most challenging role you’ve played: Sister Aloysius in Doubt

    Something you’re REALLY bad at: Math story problems. “If a train is going 30 mph ...” I can feel my brain scramble like an egg.

    Current pop culture obsession: Lorde

    Last book you read: Just Kids, autobiography by Patti Smith

    Favorite movie(s): Tootsie, Wings of Desire, Henry and June, His Girl Friday, Metropolis

    Favorite musician(s): I always turn up the volume for Stevie Ray Vaughan or Aretha Franklin.

    Favorite song: “Oh Babe, What Would You Say?” by Hurricane Smith. Dave’s and my “song.”

    Dream role: The next one.

    Favorite play(s): Don’t play favorites with plays. They will grow up resentful.

    Favorite musical(s): I was studying in London in the ’80s when I saw the original cast of Les Miserables. I was completely undone. I will never forget that theater experience.

    Favorite actors/actresses: Emma Thompson, Christopher Walken

    Favorite comfort food: A grilled cheese sandwich with tomato soup

    Must-see TV show(s): Fargo, coming to FX with former DFW actress Allison Tolman

    Something most people don’t know about you: I sang in a rock band in my youth.

    Place in the world you’d most like to visit: Florence, Italy

    Pre-show warm-up: My own little ritual, preparation of the moment before.

    Favorite part about your current role: Romping and creating like a kid.

    Most challenging part about your current role: Romping and creating like a kid on stairs.

    Most embarrassing onstage mishap: Missing an entrance cue and the audience hearing me run from the dressing room, across backstage and onto stage left. It was a musical.

    Career you’d have if you weren’t a performer/playwright: Psychiatrist

    Favorite post-show spot: Bryan Street Tavern

    Favorite thing about Dallas-Forth Worth: How it’s always changing and growing.

    Most memorable theater moment: One of the most memorable was on opening night of August: Osage County. I spoke a line as Mattie Fae, and there was a communal explosion of laughter from the audience.

    It was one of those moments you feel complete connection with your fellow actors on stage and the audience as one. Actors live for those moments, and they are what I like to hope is just a little glimpse of heaven.

    ---

    The Adventures of Tom Sawyer plays at WaterTower Theatre January 27 through February 16.

    Sherrard as Sister Aloysius in Doubt, another Pulitzer Prize-winning play.

    DFW actress Nancy Sherrard as Sister Aloysius in "Doubt"
    Photo courtesy of WaterTower Theatre
    Sherrard as Sister Aloysius in Doubt, another Pulitzer Prize-winning play.
    unspecified
    news/arts

    Dance News

    Dallas Black Dance Theatre makes interim artistic director permanent

    Lindsey Wilson
    Nov 4, 2025 | 11:41 am
    Richard A. Freeman, Jr.
    Photo by Aleah Pilot
    Richard A. Freeman Jr. became the new artistic director October 24, 2025.

    Dallas Black Dance Theatre (DBDT) has officially named Richard A. Freeman, Jr. as its new artistic director, ushering in a new era of leadership for the dance company as it approaches its 50th anniversary season.

    Freeman, a longtime member of the DBDT family, has served as interim artistic director through the company’s recently completed 48th and current 49th seasons. His appointment, effective October 24, 2025, marks a natural progression for the former lead dancer, resident choreographer, and artistic project coordinator, whose career within DBDT spans more than a decade of creative and organizational leadership.

    “Richard has been an integral part of Dallas Black Dance Theatre's artistic fabric for years, and his extraordinary leadership during his time as interim artistic director made this decision clear,” says Heidi K. Murray, a member of DBDT’s board of directors, in a release. “His dedication to artistic excellence, his deep understanding of our mission, and his vision for the future of contemporary modern dance make him the ideal person to lead DBDT into this exciting new chapter.”

    DBDT founder Ann M. Williams echoed the sentiment, calling Freeman’s appointment a full-circle moment for both artist and company. “Richard embodies everything Dallas Black Dance Theatre stands for: artistry, excellence, and a deep commitment to uplifting our community through dance,” she says in the release. “I have had the privilege of watching him grow from a gifted dancer into an inspiring leader and visionary artist. His dedication to preserving our legacy while boldly charting new artistic territory gives me tremendous confidence in DBDT’s future.”

    During his tenure as interim artistic director, Freeman guided DBDT through seasons marked by artistic innovation and expanded community engagement, but also staff shake-ups and legal issues.

    In October 2024, accusations of retaliation surfaced after 10 DBDT dancers, its entire main company, were fired following their decision to unionize in May and demand better working conditions. This led to an unprecedented "Do Not Work" order by the American Guild of Musical Artists.

    Dallas City Council ultimately voted to withhold $248,000 in city funding due to labor violations, and DBDT later settled for $560,000 with the National Labor Relations Board.

    In response, DBDT formed a 17-member advisory stakeholder task force co-chaired by Jennifer Scripps, president and CEO of Downtown Dallas, Inc., and Shawn Williams, vice president of public affairs at Allyn. The group has been working with DBDT leadership to review the organization’s policies and practices, propose changes that foster an accountable environment, and put in place safeguards to prevent future concerns related to talent.

    In September 2025, executive director Zenetta Drew announced her retirement after nearly four decades with the company. A national search for her replacement will start in early 2026. Williams retired in 2014.

    As artistic director, Freeman will oversee all aspects of DBDT’s artistic operations, from performances to educational initiatives, and continue to expand its reach throughout Dallas and beyond.

    “I am deeply honored to accept this role and to continue building on the incredible foundation established by the vision of Ann Williams,” Freeman says. “This company has a unique power to move, inspire, and unite communities through dance. I look forward to working with our talented dancers, staff, and board to create unforgettable artistic experiences and to nurture the next generation of dance artists.”

    A native of Washington, D.C., Freeman began his training with the District of Columbia Youth Ensemble and the Washington Ballet before graduating from the Duke Ellington School of the Arts and Virginia Commonwealth University. His performance credits span acclaimed companies and productions, including Elisa Monte Dance, Houston Grand Opera, Porgy and Bess, and The Wiz.

    Freeman’s choreographic works have been featured by leading institutions such as Texas Ballet Theater School, Texas Christian University, and Booker T. Washington High School for the Performing and Visual Arts. He has also shared his expertise through master classes and workshops nationwide, reinforcing his commitment to DBDT’s educational mission.

    Founded in 1976, Dallas Black Dance Theatre is the oldest and largest professional dance company in Dallas and one of the most acclaimed Black dance institutions in the U.S.

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