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The CultureMap Interview

Holocaust scholar Charlotte Decoster on Anne Frank and why she was anything but typical

Claire St. Amant
Feb 17, 2013 | 10:00 am

Charlotte Decoster is a walking encyclopedia about Anne Frank. And it’s a good thing too, as she serves as the voiceover for Frank’s diary at the Dallas Holocaust Museum. Decoster, a native of Belgium, reads Anne’s words in the original Dutch and also translates them to English for a special exhibit displaying the Frank family’s private photo album. Decoster recently walked through the museum with CultureMap and shared her insights.

CultureMap: How did you first become interested in Anne Frank and the holocaust?

Charlotte Decoster: My grandfather was a liberator and a medical doctor. When the British military moved through Belgium, he joined up with them. For two years, he helped Jewish victims recuperate medically in Germany at the former site of Bergen Belsen, the concentration camp where Anne Frank and her sister Margo died of typhus. If she had lived a few weeks longer, my grandfather could have been the one to nurse her back to health.

“We tend to focus so much on horrors of the holocaust that we neglect these beautiful lives that existed before,” Decoster says.

CM: Why do you think Anne Frank’s legacy has been so enduring?

CD: Anne was a very good writer for such a young age, and she edited her works several times. She loved Hollywood and wanted to be an actress or a writer, and she hoped that her work would one day be published.

Her father, Otto, realized how important Anne’s memories were not only to her but to the rest of the world to learn about the persecution of the Jews.

He was really the driving force to make sure that her legacy grew. He created the Ann Frank foundation in Switzerland, and soon after that the Anne Frank House opened in Amsterdam, along with the Anne Frank Center in New York.

CM: What’s something most people don’t know about Anne Frank?

CD: Most people know little tidbits about Anne Frank, but a lot of people don’t know basic things about her story. For example, she didn’t hide in an attic. She hid in an annex.

CM: Were you surprised by anything about the exhibit?

CD: The thing that surprised me the most is where these pictures came from. The photos were actually lost for a long time.

When Jews were sent to concentration camps, a Dutch moving company was in charge of taking their belongings out of houses and storing them in Amsterdam before they were eventually sent to Germany to be redistributed. When the Frank family was captured, the photo albums were hidden in the couch.

It’s a mystery where they’ve been all these years, but when the Anne Frank House opened in Amsterdam in the ’90s, a cardboard box with the photo albums was on the steps. Otto Frank died in 1980, so he never found out they’d been recovered.

CM: What does the photo exhibit add to our understanding of Anne Frank and her family?

CD: It gives you a glimpse into their everyday lives before they went into hiding. It shows photos from school days, vacations and holidays. We tend to focus so much on horrors of the holocaust that we neglect these beautiful lives that existed before. It’s a celebration of the Frank family.

CM: What’s a typical day like for you?

CD: I basically teach teachers about the holocaust. I run teacher workshops, help school groups that come to the museum, train museum docents and write curriculum for students. I just developed an Anne Frank Curriculum trunk that teachers can check out free. We’ve had requests from as far as Oklahoma.

CM: How did you end up in Dallas?

CD: I’d been to Texas several times for horse riding competitions before I attended Austin College in Sherman. I met my husband there and he’s from Gainesville. I found that you can’t take a Texan out of Texas, so I was very happy to find a job here.

CM: You recently earned your doctorate in history at the University of North Texas. What was the topic of your dissertation?

CD: Rescue networks that operated in Western Europe during the holocaust. My research also involved hidden children.

The interesting thing is that Anne Frank is recognized as the example of the hidden child, but she couldn’t be more atypical. Most children hid alone, not with their families, and very few kept diaries as it was both dangerous and expensive to buy paper. Lastly, unlike Anne and her sister Margo, many children hidden during the holocaust survived.

---

Anne Frank: A Private Photo Album is on display at the Dallas Holocaust Museum and Center for Education and Tolerance until March 31.

This school photo of Anne Frank is one of the many everyday scenes in the exhibit.

Anne Frank
©AFS AFF, Amsterdam/Basel Anne Frank: A Private Photo Album was developed by the Anne Frank House and is sponsored in North America by the Anne Frank Center USA.
This school photo of Anne Frank is one of the many everyday scenes in the exhibit.
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Music and Fashion

Miranda Lambert's 'Velvet Rodeo' wardrobe stars in new DFW exhibition

Alex Bentley
Oct 14, 2026 | 9:21 am
“Miranda Lambert: Velvet Rodeo” at National Cowgirl Museum & Hall of Fame
Photo by Tyler Conrad
“Miranda Lambert: Velvet Rodeo” will open on November 7 at the National Cowgirl Museum & Hall of Fame.

Country star Miranda Lambert is bringing a bit of Las Vegas glamour and bling to North Texas. Her one-of-a-kind wardrobe from her "Velvet Rodeo" residency will go on display at the National Cowgirl Museum & Hall of Fame in Fort Worth when its new Icons Gallery opens November 7.

According to a release, the exhibition, called "Miranda Lambert: Velvet Rodeo," was created in collaboration with Lambert, and will feature costumes from the singer's Las Vegas residency, which ran from September 2022 to April 2024.

Lambert said her inspiration came from an earlier visit to the Fort Worth museum, where she spotted historic Western pieces that she photographed and sent to her stylist, Tiffany Gifford. They combined those influences with the glitz of Elvis Presley's heyday to create the "Velvet Rodeo" wardrobe.

“Seeing these pieces now have a life beyond the stage as part of the Museum’s new Icons Gallery feels really full circle and special,” Lambert said in a statement.

Visitors will now have the opportunity to study garments usually seen in motion and under stage lights, appreciating the details that help transform clothing into an essential part of a performance.

The Icons Gallery is part of the Museum’s 16,000-square-foot expansion, which introduces new galleries and experiences that explore the accomplishments and influence of women of the West. The $19 million expansion features a new entrance facing Dickies Arena, new galleries including a photography gallery, an event space accommodating up to 250, and the new Cowgirl Carousel.

Cowgirl Hall of Fame Inductions, Miranda Lambert Miranda Lambert, right, with rodeo queens onstage at the 45th Cowgirl Hall of Fame Induction Luncheon at Dickies Arena. Photo by Ashley Gongora

Lambert, who was inducted into the National Cowgirl Hall of Fame in 2021, is an active mounted shooting competitor and horsewoman, giving her a connection to the West that reaches beyond her music. "Velvet Rodeo" brings together Lambert's identity as a cowgirl and her creative expression as a performer.

“Miranda’s confidence, determination and independence make her a wonderful representative of the women we honor,” says Pat Riley, executive director of the National Cowgirl Museum & Hall of Fame, in the release. “Opening our Icons Gallery with this collaboration celebrates her accomplishments while giving visitors a new way to connect with a cowgirl they know and admire.”

According to a museum spokesperson, the temporary exhibition will remain on display for at least one year; no specific end date was given.

In preparation for the expansion grand opening, the Cowgirl will be closed to the public beginning October 19 and will reopen November 7, with a members-only preview at 10 am and a public opening at noon.

celebrities country music exhibitions-visual-arts fashion miranda lambert museums music national cowgirl museum temporary exhibition
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