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    The CultureMap Interview

    Holocaust scholar Charlotte Decoster on Anne Frank and why she was anything but typical

    Claire St. Amant
    Feb 17, 2013 | 10:00 am

    Charlotte Decoster is a walking encyclopedia about Anne Frank. And it’s a good thing too, as she serves as the voiceover for Frank’s diary at the Dallas Holocaust Museum. Decoster, a native of Belgium, reads Anne’s words in the original Dutch and also translates them to English for a special exhibit displaying the Frank family’s private photo album. Decoster recently walked through the museum with CultureMap and shared her insights.

    CultureMap: How did you first become interested in Anne Frank and the holocaust?

    Charlotte Decoster: My grandfather was a liberator and a medical doctor. When the British military moved through Belgium, he joined up with them. For two years, he helped Jewish victims recuperate medically in Germany at the former site of Bergen Belsen, the concentration camp where Anne Frank and her sister Margo died of typhus. If she had lived a few weeks longer, my grandfather could have been the one to nurse her back to health.

    “We tend to focus so much on horrors of the holocaust that we neglect these beautiful lives that existed before,” Decoster says.

    CM: Why do you think Anne Frank’s legacy has been so enduring?

    CD: Anne was a very good writer for such a young age, and she edited her works several times. She loved Hollywood and wanted to be an actress or a writer, and she hoped that her work would one day be published.

    Her father, Otto, realized how important Anne’s memories were not only to her but to the rest of the world to learn about the persecution of the Jews.

    He was really the driving force to make sure that her legacy grew. He created the Ann Frank foundation in Switzerland, and soon after that the Anne Frank House opened in Amsterdam, along with the Anne Frank Center in New York.

    CM: What’s something most people don’t know about Anne Frank?

    CD: Most people know little tidbits about Anne Frank, but a lot of people don’t know basic things about her story. For example, she didn’t hide in an attic. She hid in an annex.

    CM: Were you surprised by anything about the exhibit?

    CD: The thing that surprised me the most is where these pictures came from. The photos were actually lost for a long time.

    When Jews were sent to concentration camps, a Dutch moving company was in charge of taking their belongings out of houses and storing them in Amsterdam before they were eventually sent to Germany to be redistributed. When the Frank family was captured, the photo albums were hidden in the couch.

    It’s a mystery where they’ve been all these years, but when the Anne Frank House opened in Amsterdam in the ’90s, a cardboard box with the photo albums was on the steps. Otto Frank died in 1980, so he never found out they’d been recovered.

    CM: What does the photo exhibit add to our understanding of Anne Frank and her family?

    CD: It gives you a glimpse into their everyday lives before they went into hiding. It shows photos from school days, vacations and holidays. We tend to focus so much on horrors of the holocaust that we neglect these beautiful lives that existed before. It’s a celebration of the Frank family.

    CM: What’s a typical day like for you?

    CD: I basically teach teachers about the holocaust. I run teacher workshops, help school groups that come to the museum, train museum docents and write curriculum for students. I just developed an Anne Frank Curriculum trunk that teachers can check out free. We’ve had requests from as far as Oklahoma.

    CM: How did you end up in Dallas?

    CD: I’d been to Texas several times for horse riding competitions before I attended Austin College in Sherman. I met my husband there and he’s from Gainesville. I found that you can’t take a Texan out of Texas, so I was very happy to find a job here.

    CM: You recently earned your doctorate in history at the University of North Texas. What was the topic of your dissertation?

    CD: Rescue networks that operated in Western Europe during the holocaust. My research also involved hidden children.

    The interesting thing is that Anne Frank is recognized as the example of the hidden child, but she couldn’t be more atypical. Most children hid alone, not with their families, and very few kept diaries as it was both dangerous and expensive to buy paper. Lastly, unlike Anne and her sister Margo, many children hidden during the holocaust survived.

    ---

    Anne Frank: A Private Photo Album is on display at the Dallas Holocaust Museum and Center for Education and Tolerance until March 31.

    This school photo of Anne Frank is one of the many everyday scenes in the exhibit.

    Anne Frank
    ©AFS AFF, Amsterdam/Basel Anne Frank: A Private Photo Album was developed by the Anne Frank House and is sponsored in North America by the Anne Frank Center USA.
    This school photo of Anne Frank is one of the many everyday scenes in the exhibit.
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    news/arts

    Theater News

    Dallas' Second Thought Theatre gets collaborative for 2026 season

    Alex Bentley
    Feb 13, 2026 | 10:41 am
    Amphibian Stage presents Bull in a China Shop
    Photo by Evan Michael Woods
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    The 2026 season for Second Thought Theatre in Dallas will be relatively small - only three productions are scheduled - but it will be full of collaborations designed to build on relationships with theater companies from across Dallas-Fort Worth.

    Second Thought will open their season with a production that just started at Amphibian Stage in Fort Worth, Bull in a China Shop by Bryna Turner.

    Inspired by the real letters between Mary Woolley and Jeannette Marks spanning from 1899 to 1937, the story asks: what is revolution? What does it mean to be at odds with the world? How do we fulfill our potential? And how the hell do we grow old together? It’s a sharp, joyful play about chosen family and the way love becomes action.

    The production, running at Amphibian Stage through March 1, will regroup for a month before starting its run at Second Thought, April 1-18.

    “All of us at Second Thought have been fans of Amphibian Stage for years,” said Artistic Director Carson McCain in a statement. “Not only does our content align in mission and quality, but we align in the values of hospitality and artistry. Bull in a China Shop celebrates the queer joy that holds hands with the fight for the equality of women and the LGBTQ community.”

    The second scheduled show, running September 16-October 3, will be Dance Nation by Clare Barron, on which Second Thought will collaborate with The University of Texas at Arlington.

    A finalist for the Pulitzer Prize for Drama in 2019, the play follows an adolescent dance troupe somewhere in middle America which is fighting for what will be the most important achievement of their entire lives - a national dance title.

    A coming-of-age story centered around perfectionism, performance, and perception of self, the play is for anyone who’s wondered if they would have excelled on Dance Moms or buckled under the pressure to be on top of the pyramid.

    The third and final show of season has not yet been announced, but it will involve a collaboration between Second Thought Theatre and Dallas’ Watering Hole Collective. It will run December 2-19.

    The two companies say they have a shared belief in Dallas artists and Dallas audiences - and what’s possible when they build together.

    “Both of our companies aren’t afraid of taking creative risks," said Co-Executive Directors Laura Salvie and Jenny Dang in a statement. "This collaboration is about pushing each other artistically and creating theatre that invites audiences in; not just to watch, but to think and feel together.”

    In addition to the three productions, Second Thought is continuing their writers-in-development program, Thought Process. Celebrating its third year, it will welcome eight new playwrights, who will work together throughout the year to create innovative new works.

    Season tickets, which are $75 for all three shows, are available online now at secondthoughttheatre.com. Individual tickets will go on sale at a later date.

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