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    The CultureMap Interview

    Holocaust scholar Charlotte Decoster on Anne Frank and why she was anything but typical

    Claire St. Amant
    Feb 17, 2013 | 10:00 am

    Charlotte Decoster is a walking encyclopedia about Anne Frank. And it’s a good thing too, as she serves as the voiceover for Frank’s diary at the Dallas Holocaust Museum. Decoster, a native of Belgium, reads Anne’s words in the original Dutch and also translates them to English for a special exhibit displaying the Frank family’s private photo album. Decoster recently walked through the museum with CultureMap and shared her insights.

    CultureMap: How did you first become interested in Anne Frank and the holocaust?

    Charlotte Decoster: My grandfather was a liberator and a medical doctor. When the British military moved through Belgium, he joined up with them. For two years, he helped Jewish victims recuperate medically in Germany at the former site of Bergen Belsen, the concentration camp where Anne Frank and her sister Margo died of typhus. If she had lived a few weeks longer, my grandfather could have been the one to nurse her back to health.

    “We tend to focus so much on horrors of the holocaust that we neglect these beautiful lives that existed before,” Decoster says.

    CM: Why do you think Anne Frank’s legacy has been so enduring?

    CD: Anne was a very good writer for such a young age, and she edited her works several times. She loved Hollywood and wanted to be an actress or a writer, and she hoped that her work would one day be published.

    Her father, Otto, realized how important Anne’s memories were not only to her but to the rest of the world to learn about the persecution of the Jews.

    He was really the driving force to make sure that her legacy grew. He created the Ann Frank foundation in Switzerland, and soon after that the Anne Frank House opened in Amsterdam, along with the Anne Frank Center in New York.

    CM: What’s something most people don’t know about Anne Frank?

    CD: Most people know little tidbits about Anne Frank, but a lot of people don’t know basic things about her story. For example, she didn’t hide in an attic. She hid in an annex.

    CM: Were you surprised by anything about the exhibit?

    CD: The thing that surprised me the most is where these pictures came from. The photos were actually lost for a long time.

    When Jews were sent to concentration camps, a Dutch moving company was in charge of taking their belongings out of houses and storing them in Amsterdam before they were eventually sent to Germany to be redistributed. When the Frank family was captured, the photo albums were hidden in the couch.

    It’s a mystery where they’ve been all these years, but when the Anne Frank House opened in Amsterdam in the ’90s, a cardboard box with the photo albums was on the steps. Otto Frank died in 1980, so he never found out they’d been recovered.

    CM: What does the photo exhibit add to our understanding of Anne Frank and her family?

    CD: It gives you a glimpse into their everyday lives before they went into hiding. It shows photos from school days, vacations and holidays. We tend to focus so much on horrors of the holocaust that we neglect these beautiful lives that existed before. It’s a celebration of the Frank family.

    CM: What’s a typical day like for you?

    CD: I basically teach teachers about the holocaust. I run teacher workshops, help school groups that come to the museum, train museum docents and write curriculum for students. I just developed an Anne Frank Curriculum trunk that teachers can check out free. We’ve had requests from as far as Oklahoma.

    CM: How did you end up in Dallas?

    CD: I’d been to Texas several times for horse riding competitions before I attended Austin College in Sherman. I met my husband there and he’s from Gainesville. I found that you can’t take a Texan out of Texas, so I was very happy to find a job here.

    CM: You recently earned your doctorate in history at the University of North Texas. What was the topic of your dissertation?

    CD: Rescue networks that operated in Western Europe during the holocaust. My research also involved hidden children.

    The interesting thing is that Anne Frank is recognized as the example of the hidden child, but she couldn’t be more atypical. Most children hid alone, not with their families, and very few kept diaries as it was both dangerous and expensive to buy paper. Lastly, unlike Anne and her sister Margo, many children hidden during the holocaust survived.

    ---

    Anne Frank: A Private Photo Album is on display at the Dallas Holocaust Museum and Center for Education and Tolerance until March 31.

    This school photo of Anne Frank is one of the many everyday scenes in the exhibit.

    Anne Frank
    ©AFS AFF, Amsterdam/Basel Anne Frank: A Private Photo Album was developed by the Anne Frank House and is sponsored in North America by the Anne Frank Center USA.
    This school photo of Anne Frank is one of the many everyday scenes in the exhibit.
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    Theater News

    Addison's WaterTower Theatre to stage U.S. premiere on 2026-27 season

    Alex Bentley
    Feb 27, 2026 | 3:30 pm
    Miriam Teak Lee
    Photo courtesy of Miriam Teak Lee
    Actress Miriam Teak Lee will open the 26-27 WaterTower Theatre season with a special concert of Broadway songs.

    WaterTower Theatre in Addison has mapped out a relatively small slate for its 31st season, but it's one that features works by some big names and a national premiere.

    None of the events/productions taking place in WaterTower's 2026-2027 season have official dates yet, but the company has revealed the full details about each of them.

    Starting things off will be Broadway by North Texas, featuring Olivier Award-winning actress Miriam Teak Lee, which is scheduled for sometime in Fall 2026.

    The special concert event by Lee, who starred in & Juliet on the West End in London, will feature the English actress performing Broadway favorites and contemporary musical theater highlights.

    The first play of the season will be Neil Simon's Biloxi Blues, taking place at some point in Winter 2027. It's a semi-autobiographical play, the second chapter in what is known as Simon's Eugene trilogy following Brighton Beach Memoirs.

    It follows the next chapter of Eugene Morris Jerome’s journey as he leaves Brooklyn behind for basic training in Biloxi, Mississippi, during World War II. The play captures the bonds formed among a group of young soldiers as they navigate the pressures of military life, first loves, and the uncertainty of the future.

    WaterTower Theatre will next host the U.S. premiere of Jeeves Takes Charge, based on a short story by P.G. Wodehouse. It will run in Spring 2027.

    In the play, the brilliant and unflappable valet Jeeves returns to rescue his well-meaning but hapless employer, Bertie Wooster, from a tangle of romantic entanglements and social disasters. The fast-paced comedy sparkles with clever wordplay, charming characters, and delightfully absurd situations.

    The season will wrap up in Summer 2027 with Honky Tonk Angels, which features songs by Dolly Parton, Loretta Lynn, and Tammy Wynette.

    The spirited, feel-good musical celebration follows three women who set out for Nashville in search of their dreams. Packed with humor, heart, and hits, the revue is a joyful tribute to friendship, perseverance, and the enduring power of country music.

    Season tickets will go on sale on March 15, starting at $169 per person until June 1, when prices will increase to $189 per person.

    New or renewed season tickets are available for purchase by visiting watertowertheatre.org, calling 972-450-6232, or by email at boxoffice@watertowertheatre.org.

    Single tickets will go on sale for non-subscribers in late summer 2026.

    WaterTower Theatre still has three productions remaining in its 2025-2026 season, including Good Night, Oscar (March 24-April 12), School of Rock (May 19-31), and Wonderland (September 15-27).

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