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    Treasures of a Legend

    A sneak peek at precious Van Cliburn treasures coming up for auction

    Jennifer Chininis
    Feb 24, 2014 | 2:57 pm

    On March 4-5, Christie’s offers collectors the rare opportunity to procure treasures from the estate of renowned musician Van Cliburn, who died a year ago this week at his Fort Worth home. The New York auction, dubbed Two Distinguished American Collections, also features pieces from the estate of Noreen Drexel.

    But it’s the Van Cliburn collection that speaks most to Capera Ryan, senior vice president and managing director, Southwest region, for Christie’s, who selected some of her favorite pieces in the slideshow above. She recounts with fondness her time spent with “sweet Van,” a cherished family friend.

    “The objects he collected in a way tell the story of his life,” Ryan says. “As he played all over the world, he’d always buy himself something. He collected everything, and he went after it passionately. He didn’t have children; these objects were like his family.”

    “The objects he collected in a way tell the story of his life,” says Capera Ryan, a senior VP at Christie’s and friend of Van Cliburn’s.

    Silver was one of Van Cliburn’s great loves, a passion he inherited from his mother and aunt, who were also big silver collectors. “The oval tea tray [lot 445] to me is very reminiscent of his passion for English silver,” Ryan says. “He had it in his library. It just makes me think of him.”

    Russian pieces also figure prominently among the auction items, of course, as the pianist skyrocketed to fame in 1958, when, at the tender age of 23, he won the International Tchaikovsky Piano Competition in Moscow at the height of the Cold War. In addition to buying himself collectibles during his travels, he would often receive gifts from the Russians he encountered as he toured.

    “The Russian pieces say so much about his connection to the country,” says Ryan, who also remembers attending a Russian gala with Van Cliburn and watching young Russian women approach him as if he were a rock star. It was in that moment, she says, that she truly understood his celebrity status in that country.

    Naturally, the Christie’s auction also includes a C. Bechstein piano, dated 1869. It was a gift to Van Cliburn from his mother, who taught music. “He had seven pianos in his house. A piano of Van’s is such a collectible item,” Ryan says.

    Ryan really got to know Van Cliburn in 2012, when Christie’s held its first auction featuring items from his estate. (You can watch an interview from that time in the video below.) The pianist considered Ryan’s grandmother, Deborah Moncrief, a good luck charm, and he would often send her lavish bouquets of flowers after a performance. By 2012, Moncrief had passed, but Ryan says her grandmother is what bonded her to Van Cliburn.

    As they catalogued the pieces in that 2012 auction, the two shared fond memories of Ryan’s grandmother. Van Cliburn also had an incredible memory of his objects and shared elaborate stories about each, from the provenance and the artist to where he bought it and even how much he paid for it. Ryan says he saw beauty in everything and had impeccable taste, which is reflected in the assortment of items up for bid.

    Ryan also notes that Van Cliburn truly enjoyed his collections and, as an avid entertainer, put items like his silver to good use. They didn’t sit around collecting dust. They were very much a part of his household, and he took great pleasure in sharing them with those who visited his home.

    “He had everything out, in view,” Ryan says. “He enjoyed these things. He served food on his silver. It was as much about collecting as enjoying.”

    The upcoming auction is bittersweet, Ryan says, because the musician wasn’t there to relate the stories of how he acquired his beloved objects and the lives they had before coming into his possession. But she knows these treasures will live on, creating memories for their new owners, just as Van Cliburn himself lives on through his music.

    “I can see the similarity between Van the collector and the objects themselves,” Ryan says. “I think he believed in many lives.”

    ---

    The auction, Two Distinguished American Collections, takes place March 4-5 in New York. Bidders can register by telephone, bid online or in person. The pieces will be on view at Christie's New York — open to the public — for a week preceding the sale.

    C. Bechstein, model V piano, Berlin, 1869. Estimate: $8,000-$12,000.

    Van Cliburn Christie's auction lot 526
      
    Photo courtesy of Christie's Images LTD 2014
    C. Bechstein, model V piano, Berlin, 1869. Estimate: $8,000-$12,000.
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    news/arts

    Ballet news

    Texas Ballet Theater executive director leaving for new gig in Northeast

    Stephanie Allmon Merry
    May 19, 2025 | 2:38 pm
    Vanessa Logan, Texas Ballet Theater
    Photo courtesy of Texas Ballet Theater
    Vanessa Logan joined Texas Ballet Theater in 2016.

    Vanessa Logan, who has served as Texas Ballet Theater executive director since 2016, is leaving TBT for a new role in the Northeast, the company says. Her final day with TBT will be June 30, 2025.

    The move will allow Logan to be closer to her family, the organization says. Her new position has not yet been announced.

    "While we will greatly miss Vanessa and her leadership at TBT, we support her decision to do what is best for her and her family and wish her well in her new pursuit," says TBT board of governors chair Anne T. Bass in a May 19 release. "Throughout her tenure at TBT, Vanessa has demonstrated the highest level of professionalism. It has been a delight to have worked closely with Vanessa over the last nine years, and I am most grateful for her unstinting efforts that have advanced TBT in so many respects."

    Logan joined North Texas' largest ballet company before the 2016-17 season; she previously had worked at the American Repertory Ballet in New Jersey and Boston Ballet.

    "Being part of TBT has been an immensely enriching and transformative experience. Partnering with Artistic Director Tim O’Keefe, working alongside such talented artists, and collaborating with a dedicated administrative and school staff has been a true privilege," Logan says in the release. "I am also deeply grateful for the unwavering support of our committed Board Chair and the Board of Governors, whose vision and leadership have been instrumental. Contributing to productions that bring beauty and artistry to our audiences and nurturing ballet education for countless children in Dallas-Fort Worth has been incredibly rewarding."

    During her tenure with TBT, Logan helped the company navigate through the challenges of the COVID-19 pandemic of 2020 followed by a catastrophic winter storm of 2021; she helped smooth the transition of artistic director from Ben Stevenson to Tim O'Keefe in 2023; and she oversaw new school facilities in Richardson and Dallas. TBT has also begun a 65,000-square-foot renovation of its Fort Worth facility to support future growth.

    "Vanessa’s support and partnership during the transition was phenomenal. I cannot imagine another leader better equipped to guide TBT seamlessly through such a transformational change," O’Keefe says. "Her steadfastness instilled confidence and built trust with staff, students and subscribers as she ensured that we held true to TBT’s mission of honoring classical ballet while embracing a new chapter of artistic evolution."

    TBT’s Board of Governors will immediately start searching for Logan’s successor and will quickly name an interim executive director to oversee operations until a permanent leader is in place, they say.

    Texas Ballet Theater, which is a resident company of both Winspear Opera House in Dallas and Bass Performance Hall in Fort Worth, just closed its 2024-25 season with O'Keefe's all-new staging of the beloved ballet Giselle.

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