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    Stranger Than Fiction

    No amount of rehearsal could prepare Dallas actress for this real-life role

    Elaine Liner
    Feb 24, 2016 | 1:31 pm

    The first neurologist to examine Dallas actress Sherry Jo Ward last year dismissed her with advice to “Google 'psychiatrist.'” The second neurologist was baffled by her symptoms: excruciating headaches, sudden muscle cramps, back and neck pain, numbness in her arms and legs. Tests were ordered for multiple sclerosis, Parkinson’s, and hepatitis. All came back negative.

    Whatever was going on had come on suddenly. At 40, Sherry says, she was healthy and active, keeping up with her sons (now 6 and 10) and performing onstage in demanding roles. (She had played the lead in WaterTower Theatre’s production of August: Osage County.)

    “I never had any vices,” she says, “or did anything to abuse my health.”

    Throughout late 2014 and early 2015, however, Sherry was getting more and more unsteady. “I’d be walking the dog and my arms would go numb,” she recalls. “I had twitches and tremors, vision problems. I was falling a lot. But the MRI came back showing nothing wrong.”

    Sherry and her husband, playwright and drama teacher Thomas Ward, had recently moved back to Dallas from Minnesota, where Sherry worked at the Minneapolis Children’s Theatre Company. In good weather up there, she rode her bike five miles to the job she recalls as “stressful and demanding.”

    Her new position in marketing for Dallas Children’s Theater (Thomas teaches elementary school in Keller) was “perfect,” Sherry says. “I couldn’t dream of a better environment. I could feel stress rolling off of me.”

    But her health problems persisted. She fell at work and again outside her home. Her legs, she says, would feel as if they were filling with wet cement.

    Neurologist No. 3 nailed the diagnosis only because he’d seen one other patient with it: stiff person syndrome (SPS). The rare neurologic disorder begins with the symptoms Sherry experienced, followed by progressively more serious rigidity, spasms, and stiffness in the torso and limbs. Only about 300 people in this country have it.

    There is no treatment, just physical therapy and pain management with prescription opiates and muscle relaxers. Sherry has joined the small community of SPS sufferers who communicate with each other through a Facebook group. (Throughout our interview, Sherry, nestled into the corner of a soft brown sofa, massages her left leg, which she says is in constant pain.)

    “When I finally had that one doctor look at me and say, 'You are not crazy,' I just started weeping,” she says. “I’ve found that it’s not uncommon among people with this disorder to be told that it’s all in your head.

    “I was lucky that it only took three doctors. It takes an average of seven years to get a correct diagnosis and only after 13 or 14 neurologists.”

    In the months since her diagnosis, there have been “good days and bad days,” she says. Sherry pulls up her shirt to show a thick black “X” inked onto the square inch of her lower back she calls her “don’t-touch-Mommy spot.” The slightest touch triggers blinding pain from inflamed nerves, she says. She can no longer walk without a cane and relies on a wheeled seat she can also push as a walker when she’s standing.

    The Wards moved out of their three-story townhouse and into a more navigable one-level, ranch-style home in Fort Worth. Sherry gave up driving and quit her job at DCT. But she hasn’t quit acting.

    Last year she starred in the critically praised Precious Little, an Echo Theatre production at the Bath House Cultural Center. She used her cane for the role, and director Kelsey Leigh Ervi made sure there were “resting spots” for her all over the stage.

    Thomas Ward also writes good roles for his wife. They co-starred together in his two-person, one-act International Falls, which debuted at last year's Out of the Loop Festival and was revived at Fort Worth’s Stage West. The Wards will co-star again in Thomas’ latest play, I Love You Honey Bunny, at this year’s Out of the Loop, which begins February 25.

    Sherry calls it a “caper comedy” about a couple who go on a crime spree because they’re so broke they can’t afford a date night. “I thought the idea of making a quick getaway with me on a walker was a really funny visual,” she says.

    So far her ability to memorize lines hasn’t been affected. “Just my stamina,” she says. “I could still do voiceovers.”

    One of the first people Sherry reached out to after her diagnosis was longtime Dallas theater director René Moreno, who has used a wheelchair since an accident in the 1990s. “One of the things René told me was 'Your dramatic life does not have to end because of this. You’ll find a way to make this play out dramatically.’

    “I’m already taking notes,” she says. “But I would rather play it out as comedy.”

    ---

    I Love You Honey Bunny starring Sherry Jo and Thomas Ward plays the Out of the Loop Theatre Festival at 7:30 pm, February 25; 7:30 pm, March 2; and 2 pm, March 5, in the Studio Theatre.

    Sherry Jo Ward in Precious Little.

    Sherry Jo Ward in Precious Little
    Photo by Shelby-Allison Hibbs
    Sherry Jo Ward in Precious Little.
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    Season announcement

    Mystic Pizza's Dallas premiere leads new AT&T PAC Broadway season

    Alex Bentley
    Apr 10, 2026 | 1:28 pm
    Mystic Pizza: A New Musical
    Photo courtesy of Lively McCabe Entertainment
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    The 2026-2027 Broadway at the Center season at Dallas' AT&T Performing Arts Center will feature a mixture of new and returning shows, including several recent Tony Award-nominated productions.

    According to a release, the main season will consist of five musicals: Mystic Pizza: A New Musical, Shucked, Beetlejuice, The Who’s Tommy, and The Wiz. All productions take place at Winspear Opera House in downtown Dallas.

    They will be joined by two previously-announced co-productions with Broadway Dallas - The Notebook and Hadestown - as well as TITAS/Dance Unbound co-production, Dance Me - The Music of Leonard Cohen.

    First up will be Dance Me - The Music of Leonard Cohen, a creation inspired by the work of famed Montreal-based poet, artist, and songwriter Leonard Cohen, performed by Ballet Jazz Montreal.

    The homage to the iconic artist evokes the grand cycles of existence in five seasons, as described in Cohen’s deeply reflective music and poems. There will be performances on September 18 and 19, 2026.

    The first theater production will be Mystic Pizza: A New Musical, making its Dallas premiere. It is based on the 1988 rom-com that tells the story of three working-class girls who navigate the complexities of life, love, and family in a small-town pizza joint.

    The score features megahits of the '80s and '90s, including songs originally recorded by Melissa Etheridge, Cyndi Lauper, John Cougar Mellencamp, and more. It will run November 20-22, 2026.

    After the Broadway Dallas co-production of The Notebook, running January 12-24, 2027, the season picks up again with the return of Shucked, which played at the Music Hall at Fair Park in December 2024.

    In the Tony Award-winning comedy, the corn that protects a small community starts to die. The town needs answers. But who will dare to venture beyond the borders of Cob County?

    The Broadway hit, running March 19-21, 2027 is about an unlikely hero, an unscrupulous con artist, and a battle for the heart and soil of a small town.

    Hadestown will follow shortly thereafter, running March 30-April 4, 2027, before the third Broadway Dallas co-production of the season, Beetlejuice, running April 28-May 2, 2027.

    The musical, which previously came to Dallas in early 2024, is based on Tim Burton’s 1988 film and tells the story of Lydia Deetz, a strange and unusual teenager whose whole life changes when she meets a recently deceased couple and a demon with a thing for stripes.

    June 2027 will bring the final two productions of the season, The Who’s Tommy (running June 3-5) and The Wiz (running June 10-13).

    The Who's 1969 rock opera is about the young Tommy Walker whose innate knack for pinball catapults him from reticent adolescent to celebrity savior. It features the anthems “I’m Free,” “See Me, Feel Me,” “Sensation,” and “Pinball Wizard.”

    The Wiz, which just came to Dallas in September 2025, is a groundbreaking twist on The Wizard of Oz that features soul, gospel, rock, and '70s funk that puts Dorothy’s journey to find her place in a contemporary world.

    “This season is designed to welcome both longtime subscribers and new audiences with a lineup that celebrates the full range of Broadway - from high-energy crowd pleasers and reimagined classics to bold contemporary storytelling,” said Warren Tranquada, CEO and President of the AT&T Performing Arts Center, in a statement.

    For the first time in their partnership with Broadway Dallas, Broadway at the Center subscribers will enjoy early access and full subscriber benefits for Beetlejuice through May 1.

    After May 1, all ticket purchases, customer service questions, and support for Beetlejuice will be handled directly by Broadway Dallas.

    The Center offers a flexible subscription package that allows patrons to choose four or five shows from the season lineup, with the option to add or remove shows by contacting the box office directly.

    Subscription package prices range from $150-$660, and sales begin on Monday, April 13, 2026. Packages may be purchased by phone at 214-880-0202, or online at attpac.org/broadway.

    att performing arts centerbeetlejuicebroadway at the centermusicmystic pizzaperforming-artsthe wiztheaterwinspear opera house
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