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Go Loopy

Out of the Loop 2016 demonstrates why it’s vital to Dallas theater scene

Lindsey Wilson
Mar 1, 2016 | 9:10 am
Ebony Stewart
Spoken word poet Ebony Stewart brought her one-woman show Hunger to Loop.
Photo courtesy of Christopher Diaz Photography

In its 15th year, Out of the Loop Fringe Festival is still proving it's a vital part of the Dallas arts scene — mainly because it still attracts theater and dance from risk-taking companies not only in Dallas and Fort Worth, but from all over the country.

Through March 6 at WaterTower Theatre in Addison, OOTL includes performances from 23 arts organizations. In its first weekend, I caught three shows, plus two live music performances and the art display in the lobby. These three shows performed during the first week only, though the live musicians each have one remaining concert.

Far and away, Ebony Stewart is this year's poster girl for Loop. The spoken-word champ from Austin has a two-hour presentation titled Hunger, which refers to her aching need for a father figure and acceptance. It's funny, poignant, and groovy, and Stewart is mesmerizing. Whether she's rapping, dancing, gently making fun of the (mostly white) audience, or listening to recorded messages from her parents, it's impossible to take your eyes off her.

Glass Half Full Theatre, also from Austin, brings a bit of silliness with its pastiche of female scientists and adventurers in Missionary Position: Pleasure Journeys for the Intrepid Lady Explorer. Though Judd Farris is delightfully off-kilter as hostess of the "symposium," dispensing paper fans and calling a ridiculous roll as the audience settles in, the actual 45-minute show feels more like on overly long Saturday Night Live skit.

But the company takes "the show must go on" quite literally, as stage manager Katy Taylor stepped in for injured director and actor Caroline Reck. It's a physical performance that depends heavily on improv, and Taylor seems to be having a blast.

Grand Prairie Fine Arts Academy is one of the 23 high schools that was selected for the rolling world premiere of Prospect High: Brooklyn, and the students are invested in the play's subject for good reason. Teens confront bullying, school violence, relationships, gender and sexual identity questions, domestic violence, and poverty, using text, Twitter, hip hop, and other devices to show how kids deal with these issues. Special recognition goes to Bailey James, who's Bria is a barely contained volcano who refuses to play by the world's rules.

Ian Ferguson and Ian Mead Moore offered mini guitar concerts in the lobby, including covers, original compositions, vocals, and audience banter. Ferguson performs once more on March 6 at 4 pm, and Moore performs March 5 at 7 pm.

Artist Angie Bolling's sparkly, award-winning, often larger-than-life creations decorate the lobbies, and some are for sale.

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Arts in Fort Worth

DFW museum debuts landmark exhibition about Statue of Liberty

Alex Bentley
Jul 30, 2026 | 9:15 am
Amon Carter Museum of American Art presents "The Statue of Liberty from Bartholdi to Warhol"
Frédéric-Auguste Bartholdi (1834–1904), Early View of the Statue of Liberty, n.d.,, watercolor, Musée Bartholdi, Colmar, 2005.0.16.3, © Musée Bartholdi, Colmar, Photo Chr. Kempf
"The Statue of Liberty from Bartholdi to Warhol" opens at the Amon Carter Museum of American Art on August 15.

The Amon Carter Museum of American Art will celebrate the United States' 250th anniversary with a major exhibition examining one of the country's most recognizable symbols: "The Statue of Liberty from Bartholdi to Warhol" will open Saturday, August 15 for a nearly five-month run.

The exhibition, co-organized by the Denver Art Museum, is an examination of the Statue of Liberty’s enduring relevance in American visual culture and the evolution of its image from the 1870s to the present.

According to a release, it will bring together nearly 100 artworks and objects from more than 70 artists, exploring the statue’s varied manifestations - from artistic marvel and pop culture icon to symbol of immigration, patriotism, and resistance.

Successive generations of artists who have represented the statue's iconic form over the past 150 years will be included in the exhibition, including Pacita Abad, Benny Andrews, Edward Moran, Norman Rockwell, Nari Ward, and Andy Warhol.

The exhibition is anchored by a rare cast of French sculptor Frédéric Auguste Bartholdi’s bronze sculpture Liberty Enlightening the World (Statue of Liberty) (1894-1901), one of only five domestic-scale bronze reductions made during the artist’s lifetime.

The exhibition will be broken up into four distinct sections:

  • Creating a Monument, which focuses on the statue’s origins and initial public reception in the tumultuous decades between the American Civil War and World War I.
  • A National Monument, which showcases the way society and visual culture were inundated with Statue of Liberty imagery between World War I and the 1950s. The installation of newspapers, advertisements, lithographs, images, films, and paintings demonstrate the turning point in the statue’s transformation into a dominant American icon.
  • Reimagining an Icon, which explores pop art and reproductions of the statue’s imagery, demonstrating its increasing detachment from its original image and malleability as an American symbol.
  • The Statue of Liberty Today, which closes the exhibition with a selection of works by living artists who have continued to investigate the Statue of Liberty’s meaning in the 21st century.

“This monumental exhibition tells the story of how our nation has interpreted the Statue of Liberty not only as a national icon, but also as a reflection of American values, creativity, and identity throughout our collective history,” said Scott Wilcox, Interim Director of the Carter, in a statement. “Premiering 'The Statue of Liberty from Bartholdi to Warhol' in Fort Worth on the occasion of the 250th anniversary of our nation’s founding invites our community to see this emblematic statue in new dimensions.”

"The Statue of Liberty from Bartholdi to Warhol" will remain on display through January 3, 2027.

It will then travel to Denver for a presentation from March 14-July 4, 2027. The exhibition will also travel to the Munson Museum of Art in Utica, New York, from August 5-December 5, 2027.

The Amon Carter Museum will celebrate the opening with a special event called "Liberty Talks" on August 15 from 11 am-3 pm, featuring gallery talks, live music, poetry, treats, and more. A second event, "Second Thursdays: Monuments & Martinis," will take place September 10 and include Statue of Liberty-inspired flash tattoos by Fort Worth artist Joseph Ayala of Panther City Tattoo.

Admission to the Carter is free.

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