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    Broadway Line-Up

    AT&T raises curtain on Broadway shows coming to Dallas in 2017-18

    Lindsey Wilson
    Mar 28, 2017 | 9:30 am

    It may not have snagged Hamilton, but the AT&T Performing Arts Center has still put together a high-profile — if extremely eclectic — lineup for its 2017-18 Broadway touring season.

    There are 27 Tony Awards among the five regular season titles and two subscription add-ons, including a Best Musical, Best Musical Revival, and Best Play from within the last two years.

    That Best Musical winner would be Fun Home, an intimate show based on Alison Bechdel’s best-selling graphic memoir. Originally staged in-the-round in one of Broadway's smaller theaters, the show has since been reconfigured for traditional proscenium stages (such as the Winspear Opera House). Former Miss America Kate Shindle is currently starring in the tour as the grown-up Alison — the character is also portrayed in two younger ages as she explores her family's dynamics. It will be in Dallas September 13 – September 24, 2017.

    Then there's a break until the holidays, when Dr. Seuss' How the Grinch Stole Christmas! The Musical returns December 5-17, 2017 (it last journeyed through Dallas in 2010). Though the stage show does include songs from the animated special such as "You're a Mean One Mr. Grinch" and "Welcome Christmas," the main draws are the whimsical sets and costumes that bring Whoville to life.

    Right on the Grinch's heels comes the recent Broadway revival of Rodgers & Hammerstein’s The King and I, playing December 19-31, 2017. This Lincoln Center production won four 2015 Tony Awards, including Best Musical Revival and Best Costume Design of a Musical — which is reassuring, because perhaps the most iconic part of the classic musical is that dress.

    Up next is the first of two subscription add-on shows: Riverdance — The 20th Anniversary World Tour. The literal toe-tapper is only here from March 20-25, 2018, as it sweeps through North America after selling out tours in Europe and Asia. A combination of Irish dance, music, and song, Riverdance is one of those shows that you think can't surprise you anymore — until you see it live.

    Last year's Tony winner for Best Play, The Humans, achieved notoriety for several reasons. Not only did it recoup its initial Broadway investment (rare) with no mainstream celebrity names attached (rarer still), it was for a short time the only play running on Broadway (rare and kind of sad). But Stephen Karam's family drama is an exciting mix of dark humor and tense confrontations during one memorable Thanksgiving dinner, with an eerie supernatural layer added on to subvert expectations. It runs May 8-20, 2018.

    Back for a third time is Jersey Boys, the bio-musical about Frankie Valli and the Four Seasons. This non-subscription special is, like, Riverdance, only in town for a few days: May 22-27, 2018. With a catalog of hit songs and the compelling story of how a couple of hometown boys skyrocketed to the top of the recording charts, the musical is a must for any Behind the Music addict.

    The final show in ATTPAC's season is Bright Star, which had a short run on Broadway in 2016 but gained a devoted following thanks to its Southern-folk score, written by celebrity actor-musician Steve Martin and Grammy Award-winner/Dallas native Edie Brickell. The musicians are onstage for this sweeping story of love and redemption set during the 1920s and '40s in the American South. It plays June 12-24, 2018.

    Season subscriptions — but not individual tickets — are on sale now, with five-show subscription packages ranging from $145-$625. Those come with the option to order Riverdance — The 20th Anniversary World Tour for $25-$113 and Jersey Boys for $30-$133.

    Information is available at www.attpac.org/broadway. Subscriptions may also be purchased by phone at 214-880- 0202, or in person at the AT&T Performing Arts Center Winspear Opera House Box Office at 2403 Flora St.

    Bright Star has a score written by Dallas native Edie Brickell and actor-musician Steve Martin.

    AJ Shively and cast of Bright Star
    Photo by Joan Marcus
    Bright Star has a score written by Dallas native Edie Brickell and actor-musician Steve Martin.
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    Season Announcement

    Echo Theatre introduces Dallas audiences to a season of strangers in 2026

    Lindsey Wilson
    Jan 16, 2026 | 11:51 am
    The Roommate on Broadway
    Photo by Julieta Cervantes
    'The Roommate' was recently on Broadway.

    It's a "Season of Strangers" for Echo Theatre this year, as the Southwest's premier company for promoting dramatic works by women+ focuses on how someone different than you can change your life.

    The 28th season begins with the new musical Silhouettes by Jordan Ealey and Ari Afsar. This score-in-hand workshop was developed in the aftermath of the fall of Roe v. Wade, and examines a pivotal moment in American history through the intersecting lives of two women navigating the decision to have an abortion. Echo's managing and artistic director Kateri Cale directs, with Vonda K. Bowling as musical director.

    In a joint statement, Ealey and Afsar say that Silhouettes was born from their need to process the emotional and political aftermath of Roe’s fall. “We continue to see that history is cyclical and equity is fleeting,” they say. “But when policy fails, art has the opportunity to step in. Silhouettes is a musical about choice, sisterhood, and intergenerational courage.”

    They add that presenting the work in Dallas reflects their commitment to community-building in states like Texas, where bans and restrictions have made women and gender minorities particularly vulnerable. “We want this musical to be a safe and brave haven amid attempts to create a culture of fear and a reminder that people are not alone.”

    It runs January 16-17, 2026, and admission is free, though a $20 donation is suggested.

    The world premiere of You Must Wear A Hat by C. Meaker is next, and plugged-in Dallas theater fans might recognize the play from its reading at Kitchen Dog Theater in 2019.

    Tuesday and Weeks make hats on the Great Barrier Reef, waiting for the world to end. It's described as "A play for two. And a rabbit."

    C. “Meaks” Meaker (they/them) is a playwright, essayist, and teacher whose work often explores queerness, monstrosity, and the end of the world. Their plays have been performed and developed across the United States, including the Kennedy Center, Seattle Repertory Theatre, San Francisco Playhouse, Annex Theatre (Seattle), Hub Theater (D.C.), Fat Theater Project (Chicago), and About Face (Chicago). They’re a two-year finalist for the Dramatist Guild National Fellows program and a recent finalist for the Jerome Hill Theater Arts Fellow.

    You Must Wear a Hat runs February 27-March 14, 2026.

    The season closes with The Roommate by Jen Silverman. The play was on Broadway in 2024 starring marquee names Mia Farrow and Patti LuPone.

    In it, a divorced Midwesterner takes a roommate from The Bronx. A relationship evolves and secrets unfold into a darkly comedic exploration of life choices. It runs June 19-July 4, 2026.

    All shows this season will be performed at the Bath House Cultural Center, 521 E. Lawther Dr., in White Rock Lake Park.

    Tickets range from Pay-What-You-Can to $40, with discounts available for students and seniors.

    Additional events this season include Cake by the Lake on April 21, Echo's free birthday party fundraiser that also launches its reading series, Echo Reads.

    Echo Reads runs April through September, presenting six plays in six month. All plays will be performed on Tuesdays at 7:30 pm, and then read the next day at different venues around the city.

    Echo Offstage Podcasts is going monthly. The free podcast series interviews women+ who are making art and making a difference.

    And Echo is already teasing its 29th season, which will begin in the fall of 2026 and run the more traditional September through August instead of the calendar year.

    The season 29 opener is a co-production, the company mysteriously hints, involving three Dallas theaters, two shows, and an internationally known writer. We'll all just have to wait and see what this intriguing production might be.

    echo theatrepodcastsworld premieresecho readsthe roommate playtheater
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