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    Truly Public Art

    Dallas Museum of Art joins forces with Chicago, LA and NYC for Art Everywhere project

    Alex Bentley
    Apr 10, 2014 | 10:10 am

    The Dallas Museum of Art took a bold step by returning to free admission in 2013, and now the museum is making artwork even more accessible by joining together with four other prominent museums for the "Art Everywhere US" project.

    From August 4 through September 1, pieces from the DMA, the Art Institute of Chicago, the Los Angeles County Museum of Art, the National Gallery of Art and the Whitney Museum of American Art, chosen with the help of the public, will be displayed in a variety of traditional advertising spaces like billboards, subway trains and buses.

    The public is invited to vote for their 10 favorite artworks at ArtEverywhereUS.org.

    Now through May 7, the public is invited to go to ArtEverywhereUS.org and select their 10 favorite artworks out of 100 options from the museums' combined collections. Those votes will help the curators come up with a final list of around 50 pieces that will be announced on June 20.

    It should be interesting to see how the voting goes, as enormously popular artworks like Grant Wood's American Gothic and Andy Warhol's Campbell's Soup Can will be going up against works that are not as well known but have equal, if not greater, quality to them.

    Among the choices from the DMA are John Singleton Copley’s Sarah Sherburne Langdon, James Rosenquist's Paper Clip and Frederic Edwin Church's The Icebergs.

    Once the artworks go on display in August, they won't simply be pretty things to look at as people go about their daily lives. The project will utilize the app Blippar to offer "augmented reality features" that will allow users to find out more background information about select artworks.

    The exact cities where "Art Everywhere US" will be on display have not been chosen yet, but it is estimated that the total number of displays will be around 50,000.

    In a statement, Maxwell L. Anderson, the Eugene McDermott Director of the Dallas Museum of Art, said that the project should prove to be a boon for museums and the public.

    "The works you’ll see in Art Everywhere US tell the story of America, express our creativity and reflect who we are," Anderson said. "We hope Art Everywhere US will inspire all of us to learn more about America’s artistic treasures, past and present, and discover many more of the great works in our nation’s museums.”

    Grant Wood, American Gothic, 1930. Oil on Beaver Board. 30 3 4 x 25 3/4 in. (78 x 65.3 cm). The Art Institute of Chicago, Friends of American Art Collection.

    Grant Wood's American Gothic
    Photo courtesy of Estate of Grant Wood Licensed by VAGA, New York, NY
    Grant Wood, American Gothic, 1930. Oil on Beaver Board. 30 3 4 x 25 3/4 in. (78 x 65.3 cm). The Art Institute of Chicago, Friends of American Art Collection.
    unspecified
    news/arts

    Museum News

    2 Dallas museums partner on landmark Roy Lichtenstein acquisition

    Teresa Gubbins
    Nov 12, 2025 | 12:51 pm
    Roy Lichtenstein
    Courtesy
    Roy Lichtenstein

    The Dallas Museum of Art (DMA) and the Nasher Sculpture Center will present works from the joint acquisition of more than 50 artworks generously gifted by the Roy Lichtenstein Foundation in 2024, showing prints, drawings, and sculptures by the groundbreaking American artist at the two neighboring institutions in the Dallas Arts District.

    According to a release, the installations will be on view from January 31 to August 16, 2026 at the Nasher and from January 1 to July 5, 2026 at the DMA.

    The joint gift made by the Roy Lichtenstein Foundation to the DMA and the Nasher in Celebration of the Centennial of Roy Lichtenstein is comprised of a selection of prints, drawings, maquettes, and sculptures by Roy Lichtenstein (1923–1997), a leading figure in twentieth-century American art and a pioneer of the Pop Art movement.

    The works were specifically selected by the curatorial staff of both institutions and relate to objects already in their respective collections including sculptures, works on paper, and maquettes, along with tools and study objects.

    Organized by the Nasher Sculpture Center’s Senior Curator Dr. Catherine Craft, The Nancy and Tim Hanley Assistant Curator of Contemporary Art at the DMA Ade Omotosho, and The Allen and Kelli Questrom Assistant Curator of Prints and Drawings at the DMA Dr. Emily Friedman, the presentation is divided according to each institution’s strengths and will be shown in combination with objects by Lichtenstein already in their respective permanent collections.

    At the Nasher, works relating to three sculptures from the Raymond and Patsy Nasher Collection—Head with Blue Shadow, Peace through Chemistry, and Double Glass—will be accompanied by a selection from the Foundation's gift of more than two dozen drawings and maquettes associated with Lichtenstein’s Brushstroke sculptures.

    At the Dallas Museum of Art, the presentation features a set of Brushstroke sculptures carved from wood alongside various prints and studies that reveal the artist’s eclectic imagery.

    Events
    In addition to the exhibition, the DMA and the Nasher will co-host a Study Day focused on the artist on March 28, 2026, sponsored by the Roy Lichtenstein Foundation. This scholarly event will bring together a variety of curators, academics, and conservators to discuss Lichtenstein’s studio practice and the fabrication and conservation of his sculptures.

    Concluding the Study Day will be a public conversation held at the DMA between Nasher Director Carlos Basualdo and artist Alex Da Corte, regarding Da Corte’s work on the forthcoming Lichtenstein retrospective at the Whitney Museum of American Art.

    “In bestowing this generous gift, the Roy Lichtenstein Foundation established Dallas as a center for the study and display of Lichtenstein’s work,” Basualdo says in a statement. “This collaborative presentation of the gift and the corresponding programming is an important step in the direction of pursuing that goal, deepening the understanding of an artist who remains immensely influential to contemporary art and its relationship with mass media and today’s culture.”

    Roy Lichtenstein is made possible by support from the Roy Lichtenstein Foundation and the Dallas Tourism Public Improvement District (DTPID).

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