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    Truly Public Art

    Dallas Museum of Art joins forces with Chicago, LA and NYC for Art Everywhere project

    Alex Bentley
    Apr 10, 2014 | 10:10 am

    The Dallas Museum of Art took a bold step by returning to free admission in 2013, and now the museum is making artwork even more accessible by joining together with four other prominent museums for the "Art Everywhere US" project.

    From August 4 through September 1, pieces from the DMA, the Art Institute of Chicago, the Los Angeles County Museum of Art, the National Gallery of Art and the Whitney Museum of American Art, chosen with the help of the public, will be displayed in a variety of traditional advertising spaces like billboards, subway trains and buses.

    The public is invited to vote for their 10 favorite artworks at ArtEverywhereUS.org.

    Now through May 7, the public is invited to go to ArtEverywhereUS.org and select their 10 favorite artworks out of 100 options from the museums' combined collections. Those votes will help the curators come up with a final list of around 50 pieces that will be announced on June 20.

    It should be interesting to see how the voting goes, as enormously popular artworks like Grant Wood's American Gothic and Andy Warhol's Campbell's Soup Can will be going up against works that are not as well known but have equal, if not greater, quality to them.

    Among the choices from the DMA are John Singleton Copley’s Sarah Sherburne Langdon, James Rosenquist's Paper Clip and Frederic Edwin Church's The Icebergs.

    Once the artworks go on display in August, they won't simply be pretty things to look at as people go about their daily lives. The project will utilize the app Blippar to offer "augmented reality features" that will allow users to find out more background information about select artworks.

    The exact cities where "Art Everywhere US" will be on display have not been chosen yet, but it is estimated that the total number of displays will be around 50,000.

    In a statement, Maxwell L. Anderson, the Eugene McDermott Director of the Dallas Museum of Art, said that the project should prove to be a boon for museums and the public.

    "The works you’ll see in Art Everywhere US tell the story of America, express our creativity and reflect who we are," Anderson said. "We hope Art Everywhere US will inspire all of us to learn more about America’s artistic treasures, past and present, and discover many more of the great works in our nation’s museums.”

    Grant Wood, American Gothic, 1930. Oil on Beaver Board. 30 3 4 x 25 3/4 in. (78 x 65.3 cm). The Art Institute of Chicago, Friends of American Art Collection.

    Grant Wood's American Gothic
    Photo courtesy of Estate of Grant Wood Licensed by VAGA, New York, NY
    Grant Wood, American Gothic, 1930. Oil on Beaver Board. 30 3 4 x 25 3/4 in. (78 x 65.3 cm). The Art Institute of Chicago, Friends of American Art Collection.
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    Final bow

    Dallas Opera CEO steps down and departs for Canada — again

    Stephanie Allmon Merry
    Feb 10, 2026 | 2:50 pm
    Joyce Goss, Ian Derrer, Lynn McBee
    Photo by WJNPHOTO
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    For the second time in a decade, a Dallas Opera CEO is leaving Dallas and heading to Canada: Ian Derrer, who has been the TDO Kern Wildenthal General Director and CEO since 2018, will not renew his contract when it concludes at the end of this fiscal year, TDO announced in a release on February 10.

    Derrer has been named General Director of the Canadian Opera Company (COC) in Toronto and will assume the role on July 1, the release says.

    “This is a bittersweet moment for The Dallas Opera,” said Board Chair Quincy Roberts in a statement. “While we are thrilled for Ian and his new adventure, we’re sorry to lose such a creative and collaborative leader. His tenure with the company has been marked by great successes, including the recent fundraising campaign which has strengthened our fiscal position. We are grateful for his dedication to advancing opera in North Texas, and we wish him well.”

    Derrer, a graduate of the SMU's Meadows School of the Arts, became the eighth general director in TDO's history. It marked a return to Dallas for Derrer (then the general director of Kentucky Opera), who served as artistic administrator of the Meadows School from 2014-16.

    Derrer was named head of TDO in 2018, less than four months after then-CEO and general director Keith Cerny announced his resignation and headed for a post in Canada: as general director and CEO of Calgary Opera.

    Cerny was lured back to North Texas the next year to become CEO of the Fort Worth Symphony Orchestra, a position he still holds.

    Dallas Opera administrators praised Derrer's tenure with the company, including his steady navigating of the pandemic; creating innovative ways to reach worldwide audiences; raising $54.5 million in six months and doubling its endowment; and commissioning and mounting multiple world premieres, the most recent of which garnered worldwide attention and rave reviews: Joby Talbot and Gene Scheer’s The Diving Bell and the Butterfly.

    “I am truly proud of the work that we’ve accomplished here in Dallas, and I know that I leave this great company in a solid position for its future,” said Derrer in a statement. “I am so very fortunate to have been able to work with a board, staff, and community that deeply loves opera, especially our music director, Emmanuel Villaume. While I look forward to this new opportunity with COC, I offer my sincerest gratitude and admiration to everyone at TDO and to the generous arts community in North Texas.”

    TDO has not announced plans for a search for Derrer's replacement.

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