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    Ice Man on Stage

    Val Kilmer talks Citizen Twain, legacy and love for Dallas theaters

    Lindsey Wilson
    Apr 15, 2013 | 11:34 am

    “I was born modest, but it didn’t last.”

    “If you can’t get a compliment any other way, give yourself one.”

    “I’m not an American, I’m the American.”

    Val Kilmer is laughing while he says these quotes, the folksy Southern drawl of Mark Twain replacing the voice known to many as Jim Morrison, Doc Holliday or Batman. When the actor talks about Twain, a classic American figure he has spent more than 10 years researching, it’s hard for Kilmer not to slip into character.

    When he brings his one-man show Citizen Twain to the Wyly Theatre beginning April 18, Kilmer will inhabit more than simply Twain’s voice. It’s a total transformation, complete with a prosthetic nose, bushy beard and full Colonel Sanders suit.

    “Two of my favorite theaters in the whole country are there in Dallas — the Kalita Humphreys and the Wyly — so I’m very excited to go there,” Kilmer says.

    After first workshopping the show in Los Angeles, Kilmer selected Dallas as the second of only four cities to receive the new work, which in addition to headlining he also wrote and directed. The play is a constantly changing piece of art, he explained over the phone from LA, and Dallas seemed like a place that would be receptive to the give-and-take Kilmer expects from his audiences.

    “Theater is all about the audience, and Dallas is just the right combination of intellect and Southern hospitality,” he says. “It felt like the right place to start doing the play and touring around. Two of my favorite theaters in the whole country are there in Dallas — the Kalita Humphreys and the Wyly — so I’m very excited to go there.”

    But how did this deep fascination with “America’s narrator” come about? While diving into research for a movie project centering on the intellectual battle between Twain and Mary Baker Eddy, the founder of Christian Science, Kilmer was struck by the famous humorist’s wholly original view of the world.

    “He doesn't shy away from our faults and flaws, like dealing with greed and racism,” says Kilmer. “In his book The Adventures of Huckleberry Finn, he probably did as much or more as a private citizen. ... It's really hard to imagine someone who contributed more to coming to grips with such an important, crucial subject as racism. He's very grand, and very petty, and very funny, and mean. He really represents America.”

    In addition to exploring Twain’s view on everything from politics to death, love, money, watermelons, God, racism and cats during the solo play, Kilmer also participates in a post-show talk-back while his extensive makeup is being removed. Those, he admits, started out as a happy accident.

    “We were running late one night [for a meet-and-greet, the proceeds of which allow Kilmer to donate show tickets to veterans], and I said to my brother, ‘I don't know what to do,’ and he said, ‘Just take your makeup off onstage.’ So it was kind of a lark the first time,” Kilmer explains.

    “The play is a lot about identity, because Mark Twain is this pen name for Samuel Clemens, and I am using that as a convenience to talk about the difference between the two personas. This is a guy who loved being famous, but he was also a very devoted family man. So this part about duality ended up being a really fun moment onstage when I — and I haven't thought about how to say this yet — when I ‘unbecome’ Mark Twain,” Kilmer says.

    “I love talking to people, I'm always trying to make the play better and improve my craft, so I like asking questions and the talk-backs have just been fantastic.”

    Kilmer is also aware of his own public persona. An explosive early career — Top Gun, Real Genius, Willow — gave way to more offbeat and experimental projects as Kilmer searched for the right roles with which to challenge himself. This return to the stage allows him to give back to veterans while exploring the life and thoughts of a man he so obviously holds in high regard.

    “My whole reason for doing the play is because I care very much about America, and I care about the legacy that I'll leave my children, and the dialogue that comes out of conversations centered around Mark Twain is really honest. There's a particular attitude Mark Twain has about viewing life positively yet realistically that's very healthy.”

    ---

    Citizen Twain plays the Wyly Theatre April 18-21.

    Val Kilmer takes on a new challenge in Citizen Twain, playing at the Wyly Theatre April 18-21.

    Val Kilmer at Art of Film
    Photo by Sylvia Elzafon
    Val Kilmer takes on a new challenge in Citizen Twain, playing at the Wyly Theatre April 18-21.
    unspecified
    news/arts

    Season announcement

    Mystic Pizza's Dallas premiere leads new AT&T PAC Broadway season

    Alex Bentley
    Apr 10, 2026 | 1:28 pm
    Mystic Pizza: A New Musical
    Photo courtesy of Lively McCabe Entertainment
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    The 2026-2027 Broadway at the Center season at Dallas' AT&T Performing Arts Center will feature a mixture of new and returning shows, including several recent Tony Award-nominated productions.

    According to a release, the main season will consist of five musicals: Mystic Pizza: A New Musical, Shucked, Beetlejuice, The Who’s Tommy, and The Wiz. All productions take place at Winspear Opera House in downtown Dallas.

    They will be joined by two previously-announced co-productions with Broadway Dallas - The Notebook and Hadestown - as well as TITAS/Dance Unbound co-production, Dance Me - The Music of Leonard Cohen.

    First up will be Dance Me - The Music of Leonard Cohen, a creation inspired by the work of famed Montreal-based poet, artist, and songwriter Leonard Cohen, performed by Ballet Jazz Montreal.

    The homage to the iconic artist evokes the grand cycles of existence in five seasons, as described in Cohen’s deeply reflective music and poems. There will be performances on September 18 and 19, 2026.

    The first theater production will be Mystic Pizza: A New Musical, making its Dallas premiere. It is based on the 1988 rom-com that tells the story of three working-class girls who navigate the complexities of life, love, and family in a small-town pizza joint.

    The score features megahits of the '80s and '90s, including songs originally recorded by Melissa Etheridge, Cyndi Lauper, John Cougar Mellencamp, and more. It will run November 20-22, 2026.

    After the Broadway Dallas co-production of The Notebook, running January 12-24, 2027, the season picks up again with the return of Shucked, which played at the Music Hall at Fair Park in December 2024.

    In the Tony Award-winning comedy, the corn that protects a small community starts to die. The town needs answers. But who will dare to venture beyond the borders of Cob County?

    The Broadway hit, running March 19-21, 2027 is about an unlikely hero, an unscrupulous con artist, and a battle for the heart and soil of a small town.

    Hadestown will follow shortly thereafter, running March 30-April 4, 2027, before the third Broadway Dallas co-production of the season, Beetlejuice, running April 28-May 2, 2027.

    The musical, which previously came to Dallas in early 2024, is based on Tim Burton’s 1988 film and tells the story of Lydia Deetz, a strange and unusual teenager whose whole life changes when she meets a recently deceased couple and a demon with a thing for stripes.

    June 2027 will bring the final two productions of the season, The Who’s Tommy (running June 3-5) and The Wiz (running June 10-13).

    The Who's 1969 rock opera is about the young Tommy Walker whose innate knack for pinball catapults him from reticent adolescent to celebrity savior. It features the anthems “I’m Free,” “See Me, Feel Me,” “Sensation,” and “Pinball Wizard.”

    The Wiz, which just came to Dallas in September 2025, is a groundbreaking twist on The Wizard of Oz that features soul, gospel, rock, and '70s funk that puts Dorothy’s journey to find her place in a contemporary world.

    “This season is designed to welcome both longtime subscribers and new audiences with a lineup that celebrates the full range of Broadway - from high-energy crowd pleasers and reimagined classics to bold contemporary storytelling,” said Warren Tranquada, CEO and President of the AT&T Performing Arts Center, in a statement.

    For the first time in their partnership with Broadway Dallas, Broadway at the Center subscribers will enjoy early access and full subscriber benefits for Beetlejuice through May 1.

    After May 1, all ticket purchases, customer service questions, and support for Beetlejuice will be handled directly by Broadway Dallas.

    The Center offers a flexible subscription package that allows patrons to choose four or five shows from the season lineup, with the option to add or remove shows by contacting the box office directly.

    Subscription package prices range from $150-$660, and sales begin on Monday, April 13, 2026. Packages may be purchased by phone at 214-880-0202, or online at attpac.org/broadway.

    att performing arts centerbeetlejuicebroadway at the centermusicmystic pizzaperforming-artsthe wiztheaterwinspear opera house
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