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    Ice Man on Stage

    Val Kilmer talks Citizen Twain, legacy and love for Dallas theaters

    Lindsey Wilson
    Apr 15, 2013 | 11:34 am

    “I was born modest, but it didn’t last.”

    “If you can’t get a compliment any other way, give yourself one.”

    “I’m not an American, I’m the American.”

    Val Kilmer is laughing while he says these quotes, the folksy Southern drawl of Mark Twain replacing the voice known to many as Jim Morrison, Doc Holliday or Batman. When the actor talks about Twain, a classic American figure he has spent more than 10 years researching, it’s hard for Kilmer not to slip into character.

    When he brings his one-man show Citizen Twain to the Wyly Theatre beginning April 18, Kilmer will inhabit more than simply Twain’s voice. It’s a total transformation, complete with a prosthetic nose, bushy beard and full Colonel Sanders suit.

    “Two of my favorite theaters in the whole country are there in Dallas — the Kalita Humphreys and the Wyly — so I’m very excited to go there,” Kilmer says.

    After first workshopping the show in Los Angeles, Kilmer selected Dallas as the second of only four cities to receive the new work, which in addition to headlining he also wrote and directed. The play is a constantly changing piece of art, he explained over the phone from LA, and Dallas seemed like a place that would be receptive to the give-and-take Kilmer expects from his audiences.

    “Theater is all about the audience, and Dallas is just the right combination of intellect and Southern hospitality,” he says. “It felt like the right place to start doing the play and touring around. Two of my favorite theaters in the whole country are there in Dallas — the Kalita Humphreys and the Wyly — so I’m very excited to go there.”

    But how did this deep fascination with “America’s narrator” come about? While diving into research for a movie project centering on the intellectual battle between Twain and Mary Baker Eddy, the founder of Christian Science, Kilmer was struck by the famous humorist’s wholly original view of the world.

    “He doesn't shy away from our faults and flaws, like dealing with greed and racism,” says Kilmer. “In his book The Adventures of Huckleberry Finn, he probably did as much or more as a private citizen. ... It's really hard to imagine someone who contributed more to coming to grips with such an important, crucial subject as racism. He's very grand, and very petty, and very funny, and mean. He really represents America.”

    In addition to exploring Twain’s view on everything from politics to death, love, money, watermelons, God, racism and cats during the solo play, Kilmer also participates in a post-show talk-back while his extensive makeup is being removed. Those, he admits, started out as a happy accident.

    “We were running late one night [for a meet-and-greet, the proceeds of which allow Kilmer to donate show tickets to veterans], and I said to my brother, ‘I don't know what to do,’ and he said, ‘Just take your makeup off onstage.’ So it was kind of a lark the first time,” Kilmer explains.

    “The play is a lot about identity, because Mark Twain is this pen name for Samuel Clemens, and I am using that as a convenience to talk about the difference between the two personas. This is a guy who loved being famous, but he was also a very devoted family man. So this part about duality ended up being a really fun moment onstage when I — and I haven't thought about how to say this yet — when I ‘unbecome’ Mark Twain,” Kilmer says.

    “I love talking to people, I'm always trying to make the play better and improve my craft, so I like asking questions and the talk-backs have just been fantastic.”

    Kilmer is also aware of his own public persona. An explosive early career — Top Gun, Real Genius, Willow — gave way to more offbeat and experimental projects as Kilmer searched for the right roles with which to challenge himself. This return to the stage allows him to give back to veterans while exploring the life and thoughts of a man he so obviously holds in high regard.

    “My whole reason for doing the play is because I care very much about America, and I care about the legacy that I'll leave my children, and the dialogue that comes out of conversations centered around Mark Twain is really honest. There's a particular attitude Mark Twain has about viewing life positively yet realistically that's very healthy.”

    ---

    Citizen Twain plays the Wyly Theatre April 18-21.

    Kilmer talking with Elvis Mitchell at the Art of Film.

    Elvis Mitchell and Val Kilmer at Art of Film
    Photo by Sylvia Elzafon
    Kilmer talking with Elvis Mitchell at the Art of Film.
    unspecified
    news/arts

    Season Announcement

    Echo Theatre introduces Dallas audiences to a season of strangers in 2026

    Lindsey Wilson
    Jan 16, 2026 | 11:51 am
    The Roommate on Broadway
    Photo by Julieta Cervantes
    'The Roommate' was recently on Broadway.

    It's a "Season of Strangers" for Echo Theatre this year, as the Southwest's premier company for promoting dramatic works by women+ focuses on how someone different than you can change your life.

    The 28th season begins with the new musical Silhouettes by Jordan Ealey and Ari Afsar. This score-in-hand workshop was developed in the aftermath of the fall of Roe v. Wade, and examines a pivotal moment in American history through the intersecting lives of two women navigating the decision to have an abortion. Echo's managing and artistic director Kateri Cale directs, with Vonda K. Bowling as musical director.

    In a joint statement, Ealey and Afsar say that Silhouettes was born from their need to process the emotional and political aftermath of Roe’s fall. “We continue to see that history is cyclical and equity is fleeting,” they say. “But when policy fails, art has the opportunity to step in. Silhouettes is a musical about choice, sisterhood, and intergenerational courage.”

    They add that presenting the work in Dallas reflects their commitment to community-building in states like Texas, where bans and restrictions have made women and gender minorities particularly vulnerable. “We want this musical to be a safe and brave haven amid attempts to create a culture of fear and a reminder that people are not alone.”

    It runs January 16-17, 2026, and admission is free, though a $20 donation is suggested.

    The world premiere of You Must Wear A Hat by C. Meaker is next, and plugged-in Dallas theater fans might recognize the play from its reading at Kitchen Dog Theater in 2019.

    Tuesday and Weeks make hats on the Great Barrier Reef, waiting for the world to end. It's described as "A play for two. And a rabbit."

    C. “Meaks” Meaker (they/them) is a playwright, essayist, and teacher whose work often explores queerness, monstrosity, and the end of the world. Their plays have been performed and developed across the United States, including the Kennedy Center, Seattle Repertory Theatre, San Francisco Playhouse, Annex Theatre (Seattle), Hub Theater (D.C.), Fat Theater Project (Chicago), and About Face (Chicago). They’re a two-year finalist for the Dramatist Guild National Fellows program and a recent finalist for the Jerome Hill Theater Arts Fellow.

    You Must Wear a Hat runs February 27-March 14, 2026.

    The season closes with The Roommate by Jen Silverman. The play was on Broadway in 2024 starring marquee names Mia Farrow and Patti LuPone.

    In it, a divorced Midwesterner takes a roommate from The Bronx. A relationship evolves and secrets unfold into a darkly comedic exploration of life choices. It runs June 19-July 4, 2026.

    All shows this season will be performed at the Bath House Cultural Center, 521 E. Lawther Dr., in White Rock Lake Park.

    Tickets range from Pay-What-You-Can to $40, with discounts available for students and seniors.

    Additional events this season include Cake by the Lake on April 21, Echo's free birthday party fundraiser that also launches its reading series, Echo Reads.

    Echo Reads runs April through September, presenting six plays in six month. All plays will be performed on Tuesdays at 7:30 pm, and then read the next day at different venues around the city.

    Echo Offstage Podcasts is going monthly. The free podcast series interviews women+ who are making art and making a difference.

    And Echo is already teasing its 29th season, which will begin in the fall of 2026 and run the more traditional September through August instead of the calendar year.

    The season 29 opener is a co-production, the company mysteriously hints, involving three Dallas theaters, two shows, and an internationally known writer. We'll all just have to wait and see what this intriguing production might be.

    echo theatrepodcastsworld premieresecho readsthe roommate playtheater
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