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    Season Announcement

    Addison's WaterTower Theatre changes it up with 2017-18 season

    Lindsey Wilson
    Apr 25, 2017 | 12:00 pm
    Hand to God on Broadway
    Steven Boyer and Tyrone in the original Broadway production of Hand to God.
    Photo by Joan Marcus

    First a new artistic director, then a new logo, and now a new season — Addison's WaterTower Theatre is fully embracing change, and it shows in the company's 2017-18 season.

    Though new leader Joanie Schultz has already made one official programming selection with Hit the Wall, Ike Holter's play about the Stonewall riots that is replacing the previously announced musical Sunday in the Park with George this July and August, this is the first full season she has selected.

    There's a nice balance between shows written by major award-winners (we're talking Pulitzer and Tony) and Texas playwrights (one who's offering up a world premiere), with classic literature and a festival of new works thrown in to boot.

    Read on to learn more about the slated shows, and if you have thoughts about the upcoming season, you're invited to share them with Schultz at WaterTower Theatre's town hall on April 25 from 6-7:30 pm on the Canterbury Family Main Stage at Addison Conference and Theatre Center. It's free, and no RSVP is necessary.

    The first show of the new season is Pride and Prejudice, a new adaptation of the Jane Austen novel by Kate Hamill. Schultz is directing the regional premiere (Dallas Theater Center produced Hamill's adaptation of Sense and Sensibility in 2015), and it will run October 13-November 5, 2017.

    Next is one of the two non-season add-ons, a holiday extra called The Great Distance Home. Created and conceived by associate artistic director Kelsey Leigh Ervi, this "multidisciplinary theatrical event" promises to immerse WaterTower audiences in "a story of joy, love, and the warmth you feel upon returning home after a long absence." It runs December 1-17, 2017.

    Pulitzer Prize-winning dramatist Quiara Alegría Hudes looks at the effects of war through three generations of the same Puerto Rican family in the regional premiere of Elliot, A Soldier's Fugue. You know Hudes' name because she co-wrote In The Heights with Lin-Manuel Miranda, and because Cara Mía Theatre Co. just produced her earlier work, Yemaya's Belly. The play runs January 26-February 18, 2018.

    The Out of the Loop festival might be on hiatus, but WaterTower is still focused on giving local and national artists a chance to develop their work. Detour: A Festival of New Work will present performances and readings from March 1-4, 2018. Its offerings are not part of the regular season subscription.

    Another premiere comes next, but this time of the "world" variety. Dallas-born playwright Regina Taylor has penned Bread, a family drama set in Oak Cliff that explores the racial tension and social upheaval that's happening right now in America. It runs April 13-May 6, 2018.

    Though it was made into a movie in 2014 with Anna Kendrick and Jeremy Jordan, The Last Five Years is even more intimate when you see it live in a theater. That's because Jason Robert Brown's semi-autobiographical musical about a relationship that blossoms and sours is told through raw, funny, and unflinching songs — sung in opposing chronology by its two leads. Kelsey Leigh Ervi directs the two-person musical, which runs June 8-July 1, 2018.

    Closing out the season is a play starring a raunchy, foul-mouthed puppet — no, not Avenue Q. Baylor grad Robert Askin's Hand to God puts us in a world where hand puppets, meant to gently impart moral lessons, take on a possessed life of their own and begin to wreak havoc in a suburban Texas town. Schultz directs, after having previously helmed an award-winning production at the Studio Theatre in Washington, D.C. It will run August 3-26, 2018.

    Subscriptions for the five-show season are priced from $100-$185 and are available by calling the WaterTower Theatre box office at 972-450-6232. Individual ticket prices for the 2017-2018 season range from $25-$42, and will go on sale in September for the first two productions. Individual tickets to holiday extra The Great Distance Home are $20. For Detour: A Festival of New Work, individual tickets are $10 and festival passes are $40 for subscribers, $45 for the general public.

    There are several subscription series available, including Conversation with the Artists (a five-play series on all Wednesday nights and Sunday matinees that includes a post-show discussion with the actors, artists, or expert panelists), the Flex Pass (a pack of three or more tickets good for any 2017-18 season shows), Design Your Own Series, Student/Senior Subscription Series, and Hero's Subscription (firefighters, police officers, EMTs, veterans, and members of the armed forces and their immediate families receive 50 percent off any five-play subscription package).

    theater
    news/arts

    Mural News

    Netflix House will debut in Dallas with murals from acclaimed artist

    Desiree Gutierrez
    Dec 8, 2025 | 12:51 pm
    ​Jeremy Biggers at Netflix House
    Netflix House
    Jeremy Biggers at Netflix House

    A long-awaited immersive venue is opening in Dallas, and it will debut with local art on its walls: Netflix House, a year-round exhibit revolving around Netflix shows and movies, will open at Galleria Dallas on December 11, with two murals from award-winning Dallas multi-medium artist Jeremy Biggers.

    Netflix House is an immersive dive complete with merchandise store, film house, arcade, and restaurant-bar. When it opens, Dallas will be the second location in the U.S., following Philadelphia, where it debuted in November 2025, also with murals from a local artist.

    A graduate of Booker T. Washington High School for Performing and Visual Arts, Biggers is a renowned artist whose murals can be found spashed on walls across Dallas. Many, such as the Selena portrait on the wall outside Top Ten Records at 306 S. Bishop Ave., have become local landmarks.

    He's a logical choice, having worked with a number of corporations including Nike, Adidas, the Dallas Mavericks, and IBM, for whom he created the "THINK" mural in their Dallas corporate office. His works have also been exhibited nationally, including a 2024 solo exhibition "be safe out there bro" at Band of Vices, a gallery in Los Angeles.

    "Being chosen to be the artist to paint this mural, it would have been a disservice to myself, as well as the art scene in the city, not to try to infuse myself into it," he says.

    \u200bJeremy Biggers at Netflix House Jeremy Biggers at Netflix HouseNetflix House

    Biggers did two murals featuring his interpretation of Netflix figures including the Squid Game Young-hee doll, characters from KPop Demon Hunters and megahit series Stranger Things, plus Pandy and DJ Catnip, the best friends in the interactive series Gabby’s Dollhouse.

    Both murals are intensely colored works that incorporate Biggers' signature motif: a grid of polka dots spread across the image.

    • One is on the exterior of Netflix House, at the parking entrance, a colorful collage of characters, measuring 38 feet x 50 feet — the tallest mural Biggers has tackled. He painted it with aerosol; it took him two months to complete.
    • The other is on the interior, on the mall side entrance of Netflix House, measuring 57 feet x 12 feet — a study in moody blacks and blues, with accents of neon-red that give it a 3D effect.

    “I'm trying to tell the story of Netflix, and the story of where Netflix has been historically, where Netflix is headed in the future, and then also infusing my own narrative and my own language visually into that story,” he says.

    “They could have opened this anywhere, so for Dallas to be one of the very first locations — that’s a testament to us as a market, as consumers of arts and consumers in general," he says.

    Jeremy Biggers at Netflix House Jeremy Biggers at Netflix HouseNetflix House

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