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Actor Spotlight

Dallas monologist John Michael has passion for craft beer and Vampire Weekend

Lindsey Wilson
May 12, 2014 | 8:48 am

The 2014 Dallas Solo Fest, which runs May 15-18 and May 22-25 at the Margo Jones Theatre in Fair Park, may be a new addition to the DFW theater scene, but one of its performers is an old hand at solo performance.

John Michael has written and starred in four well-received one-man shows here in Dallas, most recently Like Me at last year's Festival of Independent Theatres and John Michael and the Order of the Penix, a riff on Harry Potter, at Nouveau 47. His shows are personal, thought-provoking and provocative — not unlike the man himself.

Before his newest work debuts (May 15 at 10:30 pm, May 16 at 9 pm and May 23 at 10:30 pm), John Michael took the time to fill out our survey of serious, fun and sometimes ridiculous questions.

Name: John Michael Colgin

Role and show in DFW Solo Festival: I am playing myself in my fifth one-man show titled Crossing Your I's, directed by Erin Singleton and designed by Ely Sellers.

Hometown: Dallas

Where you currently reside: East Dallas

Previous work in DFW theater: I performed three times with Junior Players and once with Shakespeare Dallas. I am currently the resident artist for Nouveau 47 Theatre.

First theater role: Nick Bottom, Midsummer's Night Dream

First theater show: The Nutcracker

Moment you decided to pursue a career in theater: I don't know if there was one moment. I do remember the moment I decided to pursue being a monologist.

Most challenging role you've played: Myself

Special skills: I am pretty good at preventing people with dementia from escaping the assisted living center I work at.

Something you're really bad at: Driving a car

Current pop culture obsession: Local beer

Last book you read: The Love Affairs of Nathaniel P by Adelle Waldman

Favorite movies: Drive and Jurassic Park

Favorite musicians: James Blake, Beach House and Vampire Weekend

Favorite song: "Oh Lonesome Me"

Dream role: I would love to play my brother on the stage. He's so cool. Everyone loves him when they meet him.

Favorite play: A Midsummer Night's Dream

Favorite actor: Justin Locklear

Favorite food: Avocado

Must-see TV show: Broad City

Something most people don't know about me: I am a bicyclist and I am a huge craft beer enthusiast.

Place in the world you'd most like to visit: Spain

Pre-show warm-up: I first run around the theater jumping up and down. I then do breathing exercises and the Fitzmaurice sequence.

Favorite part about your current role: One of my favorite things to do is to find the laughter in odd places. In this case it is the topic of memory loss, which scares most people. The show follows me trying to hold onto my job at an assisted living center that specializes in memory care. My future self visits me in a time machine to deliver a life-altering message, but he can't remember it because he has dementia.

Most challenging part about your current role: I started studying solo performance in 2010 at Oklahoma State with my teacher, Matthew Tomlanovich. Since then, he has been involved deeply with the development of each of my four shows.

He was going to direct this show, but he became sick after the first rehearsal in early April. Matthew is now recovering in the ICU and needs your prayers. Part of me didn't want to do this show without my biggest supporter. Each time I visit him, his first question is always, "How's the show?"

Most embarrassing onstage mishap: I was in the ensemble of Our Town at Oklahoma State University, and I thought it would be a good idea to try out the McRib for the first time. Needless to say it was not a good idea. I ended up farting during the third act, when I was supposed to be playing a dead person.

The rest of the ensemble later told me that "they now knew what death was like." The director would remind me of this incident as much as possible. The next time I auditioned for him, he put a clothespin on his nose. It was such a traumatic experience.

Career you'd have if you weren't a performer: Flight attendant

Favorite post-show spot: Windmill Lounge

Favorite thing about Dallas Fort-Worth: Justin Locklear and Danielle Georgiou both live here.

Most memorable onstage moment: It was closing night of John Michael and the Order of the Penix, and I let my mother choose where to sit: the front row. Normally, I place her in the very back row so I don't have to see her face.

The show was going great. After reaching the part where a lover cuddles me, my mother speaks up and asks, "How did that make you feel?" I froze for a second. She then proceeds to interrupt me a second time during the show. I thanked her for birthing me and everything else she has done for me.

I proceeded to charge the audience members sitting next to her with the task of keeping my mother quiet so that I could finish the show. What was great about it was how the audience could tell how much my mother loves me.

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Theater News

Dallas' Kitchen Dog Theater unveils powerful 2026-2027 season lineup

Alex Bentley
Aug 12, 2026 | 10:01 am
Kitchen Dog Theater in Dallas
Photo by Cameron Cobb
Kitchen Dog Theater in Dallas will put on three mainstage productions for their 2026-2027 season.

Kitchen Dog Theater in Dallas has revealed the lineup for the 2026-2027 season, featuring a slate of plays that boasts power players like kings, prime ministers, space force commanders, and would-be presidents.

According to a release, the theater company's 36th season — their "most powerful yet" — will consist of three mainstage productions at its new permanent home in the Design District, as well as the annual New Works Festival, featuring a readings series and the 26th annual D-PAC PUP (Playwrights Under Progress) Fest.

The season will start with The Absentee by Julia Doolittle, running September 10-October 4, 2026. The play was the winner of the 2019-2020 Woodward/Newman Drama Award.

Far out in the Milky Way, “Beacons” serve as lighthouses for warping spaceships around the galaxy. When a U.S. Space Force ship explodes in the galaxy, the Operator finds herself alone in deep space, with only her ship’s AI for companionship. That is, until a persistent canvasser calls, desperate to convince her to vote absentee in the 2088 election.

As the Operator waits for the clean up to be over, she finds she has to come to terms with her isolation, grief, and her political voice.

The season's second production comes four months later, with Equivocation by Bill Cain, running February 4-28, 2027. In 1605 England, a terrorist plots to assassinate King James I and blow Parliament to kingdom come. Shagspeare (after a contemporary spelling of the Bard's name) is commissioned by the prime minister, to write the “true historie” of the plot. And it must have witches — the king wants witches.

But as Shag and the acting company of the Globe investigate the plot, they discover that the king's version of the story might, in fact, be a coverup. Shag and his actors are confronted with the ultimate moral and artistic dilemma. Speak truth to power and perhaps lose their heads? Or take the money and lie? Is there a third option? Equivocation?

A high-stakes political thriller with contemporary resonances, Equivocation gallops from the great Globe to the Tower of London to the halls of Parliament to the heart of Judith, Shag's younger daughter, who finds herself unexpectedly at the very heart of the political, dramatic and — ultimately — human mystery.

The final mainstage production of the season comes at the 2027 New Works Festival with Black Republican by KDT Artistic Company Member Jamal Gibran Sterling, running June 3-27, 2027.

Originally featured as a Staged Reading in the 2026 New Works Festival, the ambitious first play by Sterling centers on a Black Republican candidate on the national stage who finds his campaign threatened by an activist who challenges everything he claims to stand for. Their battle exposes uncomfortable truths about race, politics, and the stories we tell ourselves.

In addition to Black Republican, the 2027 New Works Festival will showcase four staged readings of some of the newest and most exciting Texas-based playwrights. Each reading will feature accomplished Dallas-Fort Worth actors and directors to highlight the breadth of talent in the area.

The final part of the festival is D-PAC PUP (Playwrights Under Progress) Fest, featuring six staged readings of jury-selected plays written by Dallas-Fort Worth high school students and featuring student actors directed by area professionals. PUP Fest is the culmination of Dallas Playwriting Arts Collective (D-PAC), a partnership with Dallas ISD and Junior Players.

Kitchen Dog Theater offers two season subscription packages for their inaugural season in their new facility. The Kitchen Dog package includes a ticket to all three mainstage productions for any performance date for $90+ $8 fees for adults and $75 +$8 fees for students and seniors (ages 65+). The Saver Dog package includes a ticket to all three mainstage productions for Thursdays, Fridays, and Sundays only. It is $60 + $8 fees for adults and $45 + $8 fees for students and seniors.

Both packages grant full access to the Staged Reading Series and PUP Fest. Subscribers also receive premium reserved seating for in-person performances, as well as subscriber-only discounts on additional single tickets, 2026 special events, and KDT merchandise.

Subscription packages are on sale now, and single tickets for each show will go on sale on Monday, August 24, at kitchendogtheater.org.

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