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    Opera News

    The Dallas Opera drops curtain on 2020 performances due to COVID-19

    Lindsey Wilson
    Jun 5, 2020 | 2:45 pm
    Dallas Opera presents Orfeo ed Euridice
    Orfeo ed Euridice has been cut from the 2020-21 season.
    Photo by Cory Weaver

    There will be no performances in 2020, The Dallas Opera has decided. The COVID-19 pandemic has forced the cancellation of nine performances — or 38 percent of the season — one replacement title, and one cut to the previously announced 2020-21 roster of operas.

    Ian Derrer, the Kern Wildenthal general director and CEO of The Dallas Opera, has said that the entire season will be consolidated into the spring of 2021, with four opera productions presented instead of the original five. Verdi's Don Carlo will replace Wagner's Lohengrin, and Gluck's Orfeo ed Euridice will be eliminated.

    "This virus is a serious threat to all the hallmarks of grand opera, which include amassing huge forces on stage and in the pit, bringing large crowds together in our theaters, assembling casts from all over the world, and listening to singers, sometimes in passionate embrace, filling the hall with powerful voices and glorious sound without the use of microphones," Derrer says in a release.

    "Our mission at The Dallas Opera has always been to give our audiences thrilling, world-class opera, but the COVID-19 pandemic has forced us to re-position our operations, at least for the near future. Safety concerns for our audiences, artists, and staff; travel restrictions for artists; new social distancing needs both onstage and in the theater — the myriad uncertainties and restrictions caused by this pandemic have led us to the difficult decision that we cannot open in October 2020 as originally scheduled," he continues.

    The 2020/2021 season, which was to have opened on October 9, 2020, will now begin on March 5, 2021, with the world premiere of The Diving Bell and the Butterfly. Composed by Joby Talbot with libretto by Gene Scheer, the opera will perform two additional performances: March 13 and a matinee on March 7.

    Verdi's Don Carlo is next, with performances March 27 (matinee), March 31, and April 3 (matinee).

    The Marriage of Figaro by Mozart, which was originally planned to be the season opener, continues on April 9, April 11 (matinee), April 14, and April 17.

    As planned, Tosca's Puccini will close the season with performances on April 16, April 18 (matinee), April 21, April 24, and May 2 (matinee).

    The traditional fall concert and gala dinner, this season titled Viva Diva! and featuring Grammy Award-winning mezzo-soprano Joyce DiDonato, has been moved from November 6, 2020, to May 10, 2021.

    Full series subscribers will have the opportunity to replace their fifth opera with seats to Viva Diva!, donate the prorated value of their fifth-opera tickets to TDO's fundraising efforts (an emergency relief fund has a goal of raising $4 million by September 30, 2020), apply the credit to their 2021/2022 season tickets, or receive a refund.

    The productions of the family performance series are also affected. Instead of two performances each, one in the fall and one in the spring, Doctor Miracle and Jack and the Beanstalk will each perform once in March. Bizet's Doctor Miracle is scheduled for March 6, 2021, and John Davies and Sir Arthur Sullivan's Jack on March 14, 2021.

    Regarding repertoire changes, Derrer said that both he and music director Emmanuel Villaume were committed to bringing Wagner's rarely performed Lohengrin to Dallas audiences.

    "But given the large number of forces required to produce this monumental masterpiece and unpredictable travel restrictions for our international artists, we are postponing its presentation until we can assure our audiences of the highest artistic experience," Derrer explains. "Also, with so much of Verdi's magnificent Don Carlo already rehearsed, a cost saving for TDO — and with many original cast members — it seemed appropriate to give Don Carlo a second chance, knowing that Orfeo ed Euridice can easily be programmed in a future season."

    The company has also been forced to introduce layoffs and make further staff cutbacks. Five administrative staff members will be laid off, six full-time positions will become part-time or seasonal, and two positions will be furloughed. TDO’s full-time administrative and artistic staff has been reduced from 40 to 26, with previously announced salary reductions remaining in place.

    TDO has already suffered the loss of $1.6 million in projected revenue from canceled performances in the 2019/2020 season, and ticket revenue for the 2021 season will be reduced because of the constriction of the season.

    The company is in contract negotiations with two of its major unions: the American Federation of Musicians (AFM), which represents the orchestra; and the American Guild of Musical Artists (AGMA), which represents principal artists, chorus, dancers, and production staff.

    A new fundraising initiative will follow in October 2020. An extension of the current DOER campaign, it will be "a three-year effort to solidify TDO's financial foundation for stable and continued growth, and will position the company to weather future unexpected events."

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    Theater News

    Dallas' Second Thought Theatre gets collaborative for 2026 season

    Alex Bentley
    Feb 13, 2026 | 10:41 am
    Amphibian Stage presents Bull in a China Shop
    Photo by Evan Michael Woods
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    The 2026 season for Second Thought Theatre in Dallas will be relatively small - only three productions are scheduled - but it will be full of collaborations designed to build on relationships with theater companies from across Dallas-Fort Worth.

    Second Thought will open their season with a production that just started at Amphibian Stage in Fort Worth, Bull in a China Shop by Bryna Turner.

    Inspired by the real letters between Mary Woolley and Jeannette Marks spanning from 1899 to 1937, the story asks: what is revolution? What does it mean to be at odds with the world? How do we fulfill our potential? And how the hell do we grow old together? It’s a sharp, joyful play about chosen family and the way love becomes action.

    The production, running at Amphibian Stage through March 1, will regroup for a month before starting its run at Second Thought, April 1-18.

    “All of us at Second Thought have been fans of Amphibian Stage for years,” said Artistic Director Carson McCain in a statement. “Not only does our content align in mission and quality, but we align in the values of hospitality and artistry. Bull in a China Shop celebrates the queer joy that holds hands with the fight for the equality of women and the LGBTQ community.”

    The second scheduled show, running September 16-October 3, will be Dance Nation by Clare Barron, on which Second Thought will collaborate with The University of Texas at Arlington.

    A finalist for the Pulitzer Prize for Drama in 2019, the play follows an adolescent dance troupe somewhere in middle America which is fighting for what will be the most important achievement of their entire lives - a national dance title.

    A coming-of-age story centered around perfectionism, performance, and perception of self, the play is for anyone who’s wondered if they would have excelled on Dance Moms or buckled under the pressure to be on top of the pyramid.

    The third and final show of season has not yet been announced, but it will involve a collaboration between Second Thought Theatre and Dallas’ Watering Hole Collective. It will run December 2-19.

    The two companies say they have a shared belief in Dallas artists and Dallas audiences - and what’s possible when they build together.

    “Both of our companies aren’t afraid of taking creative risks," said Co-Executive Directors Laura Salvie and Jenny Dang in a statement. "This collaboration is about pushing each other artistically and creating theatre that invites audiences in; not just to watch, but to think and feel together.”

    In addition to the three productions, Second Thought is continuing their writers-in-development program, Thought Process. Celebrating its third year, it will welcome eight new playwrights, who will work together throughout the year to create innovative new works.

    Season tickets, which are $75 for all three shows, are available online now at secondthoughttheatre.com. Individual tickets will go on sale at a later date.

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