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Opera News

The Dallas Opera drops curtain on 2020 performances due to COVID-19

Lindsey Wilson
Jun 5, 2020 | 2:45 pm
Dallas Opera presents Orfeo ed Euridice
Orfeo ed Euridice has been cut from the 2020-21 season.
Photo by Cory Weaver

There will be no performances in 2020, The Dallas Opera has decided. The COVID-19 pandemic has forced the cancellation of nine performances — or 38 percent of the season — one replacement title, and one cut to the previously announced 2020-21 roster of operas.

Ian Derrer, the Kern Wildenthal general director and CEO of The Dallas Opera, has said that the entire season will be consolidated into the spring of 2021, with four opera productions presented instead of the original five. Verdi's Don Carlo will replace Wagner's Lohengrin, and Gluck's Orfeo ed Euridice will be eliminated.

"This virus is a serious threat to all the hallmarks of grand opera, which include amassing huge forces on stage and in the pit, bringing large crowds together in our theaters, assembling casts from all over the world, and listening to singers, sometimes in passionate embrace, filling the hall with powerful voices and glorious sound without the use of microphones," Derrer says in a release.

"Our mission at The Dallas Opera has always been to give our audiences thrilling, world-class opera, but the COVID-19 pandemic has forced us to re-position our operations, at least for the near future. Safety concerns for our audiences, artists, and staff; travel restrictions for artists; new social distancing needs both onstage and in the theater — the myriad uncertainties and restrictions caused by this pandemic have led us to the difficult decision that we cannot open in October 2020 as originally scheduled," he continues.

The 2020/2021 season, which was to have opened on October 9, 2020, will now begin on March 5, 2021, with the world premiere of The Diving Bell and the Butterfly. Composed by Joby Talbot with libretto by Gene Scheer, the opera will perform two additional performances: March 13 and a matinee on March 7.

Verdi's Don Carlo is next, with performances March 27 (matinee), March 31, and April 3 (matinee).

The Marriage of Figaro by Mozart, which was originally planned to be the season opener, continues on April 9, April 11 (matinee), April 14, and April 17.

As planned, Tosca's Puccini will close the season with performances on April 16, April 18 (matinee), April 21, April 24, and May 2 (matinee).

The traditional fall concert and gala dinner, this season titled Viva Diva! and featuring Grammy Award-winning mezzo-soprano Joyce DiDonato, has been moved from November 6, 2020, to May 10, 2021.

Full series subscribers will have the opportunity to replace their fifth opera with seats to Viva Diva!, donate the prorated value of their fifth-opera tickets to TDO's fundraising efforts (an emergency relief fund has a goal of raising $4 million by September 30, 2020), apply the credit to their 2021/2022 season tickets, or receive a refund.

The productions of the family performance series are also affected. Instead of two performances each, one in the fall and one in the spring, Doctor Miracle and Jack and the Beanstalk will each perform once in March. Bizet's Doctor Miracle is scheduled for March 6, 2021, and John Davies and Sir Arthur Sullivan's Jack on March 14, 2021.

Regarding repertoire changes, Derrer said that both he and music director Emmanuel Villaume were committed to bringing Wagner's rarely performed Lohengrin to Dallas audiences.

"But given the large number of forces required to produce this monumental masterpiece and unpredictable travel restrictions for our international artists, we are postponing its presentation until we can assure our audiences of the highest artistic experience," Derrer explains. "Also, with so much of Verdi's magnificent Don Carlo already rehearsed, a cost saving for TDO — and with many original cast members — it seemed appropriate to give Don Carlo a second chance, knowing that Orfeo ed Euridice can easily be programmed in a future season."

The company has also been forced to introduce layoffs and make further staff cutbacks. Five administrative staff members will be laid off, six full-time positions will become part-time or seasonal, and two positions will be furloughed. TDO’s full-time administrative and artistic staff has been reduced from 40 to 26, with previously announced salary reductions remaining in place.

TDO has already suffered the loss of $1.6 million in projected revenue from canceled performances in the 2019/2020 season, and ticket revenue for the 2021 season will be reduced because of the constriction of the season.

The company is in contract negotiations with two of its major unions: the American Federation of Musicians (AFM), which represents the orchestra; and the American Guild of Musical Artists (AGMA), which represents principal artists, chorus, dancers, and production staff.

A new fundraising initiative will follow in October 2020. An extension of the current DOER campaign, it will be "a three-year effort to solidify TDO's financial foundation for stable and continued growth, and will position the company to weather future unexpected events."

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DFW museum debuts landmark exhibition about Statue of Liberty

Alex Bentley
Jul 30, 2026 | 9:15 am
Amon Carter Museum of American Art presents "The Statue of Liberty from Bartholdi to Warhol"
Frédéric-Auguste Bartholdi (1834–1904), Early View of the Statue of Liberty, n.d.,, watercolor, Musée Bartholdi, Colmar, 2005.0.16.3, © Musée Bartholdi, Colmar, Photo Chr. Kempf
"The Statue of Liberty from Bartholdi to Warhol" opens at the Amon Carter Museum of American Art on August 15.

The Amon Carter Museum of American Art will celebrate the United States' 250th anniversary with a major exhibition examining one of the country's most recognizable symbols: "The Statue of Liberty from Bartholdi to Warhol" will open Saturday, August 15 for a nearly five-month run.

The exhibition, co-organized by the Denver Art Museum, is an examination of the Statue of Liberty’s enduring relevance in American visual culture and the evolution of its image from the 1870s to the present.

According to a release, it will bring together nearly 100 artworks and objects from more than 70 artists, exploring the statue’s varied manifestations - from artistic marvel and pop culture icon to symbol of immigration, patriotism, and resistance.

Successive generations of artists who have represented the statue's iconic form over the past 150 years will be included in the exhibition, including Pacita Abad, Benny Andrews, Edward Moran, Norman Rockwell, Nari Ward, and Andy Warhol.

The exhibition is anchored by a rare cast of French sculptor Frédéric Auguste Bartholdi’s bronze sculpture Liberty Enlightening the World (Statue of Liberty) (1894-1901), one of only five domestic-scale bronze reductions made during the artist’s lifetime.

The exhibition will be broken up into four distinct sections:

  • Creating a Monument, which focuses on the statue’s origins and initial public reception in the tumultuous decades between the American Civil War and World War I.
  • A National Monument, which showcases the way society and visual culture were inundated with Statue of Liberty imagery between World War I and the 1950s. The installation of newspapers, advertisements, lithographs, images, films, and paintings demonstrate the turning point in the statue’s transformation into a dominant American icon.
  • Reimagining an Icon, which explores pop art and reproductions of the statue’s imagery, demonstrating its increasing detachment from its original image and malleability as an American symbol.
  • The Statue of Liberty Today, which closes the exhibition with a selection of works by living artists who have continued to investigate the Statue of Liberty’s meaning in the 21st century.

“This monumental exhibition tells the story of how our nation has interpreted the Statue of Liberty not only as a national icon, but also as a reflection of American values, creativity, and identity throughout our collective history,” said Scott Wilcox, Interim Director of the Carter, in a statement. “Premiering 'The Statue of Liberty from Bartholdi to Warhol' in Fort Worth on the occasion of the 250th anniversary of our nation’s founding invites our community to see this emblematic statue in new dimensions.”

"The Statue of Liberty from Bartholdi to Warhol" will remain on display through January 3, 2027.

It will then travel to Denver for a presentation from March 14-July 4, 2027. The exhibition will also travel to the Munson Museum of Art in Utica, New York, from August 5-December 5, 2027.

The Amon Carter Museum will celebrate the opening with a special event called "Liberty Talks" on August 15 from 11 am-3 pm, featuring gallery talks, live music, poetry, treats, and more. A second event, "Second Thursdays: Monuments & Martinis," will take place September 10 and include Statue of Liberty-inspired flash tattoos by Fort Worth artist Joseph Ayala of Panther City Tattoo.

Admission to the Carter is free.

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