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    Artist News

    Treasured art space in Dallas' Design District to close after 7 years

    Teresa Gubbins
    Jun 6, 2022 | 9:00 am
    SITE131 Found
    More change wrought by the pandemic.
    Photo courtesy of SITE131

    A one-of-a-kind gallery space in Dallas' Design District will close its doors: Site 131, which showcased young and up-and-coming artists, will close on Saturday, June 18 with a going-away party from 1-3 pm, as a thank you and farewell to the North Texas arts community.

    Guests are invited to celebrate the history of the venue, located at 131 Payne St., and are encouraged to wear bright white, as a hat tip to an artist's blank surface.

    Site 131 was founded in 2015 by acclaimed curator and critic Joan Davidow and her son Seth Davidow as a kind of museum, to experience and learn about art, with a special focus on emerging and under-recognized artists — a unique niche in the museum world.

    The reason for the closure is not surprising.

    "It has everything to do with the pandemic," Joan Davidow says. "We were closed for more than a year, and since we reopened, our attendance has been down. On the past few Fridays, always one of our most popular days, we've been the only ones here. The handwriting is on the wall. People aren't coming out like they used to. It's a stark change."

    Pre-pandemic, opening events drew anywhere from 150 to 300 people. Post-pandemic, the turnout has not topped 50.

    "The pandemic changed us — I think there are people who still aren't coming out," she says.

    Prior to opening Site 131, Davidow served as an art critic for KERA and worked for museums and galleries including the Dallas Museum of Art, Arlington Museum of Art, and Dallas Contemporary. A collection of her art is on permanent display at the University of Texas at Dallas.

    In its seven years, Site 131 showcased 21 exhibitions featuring 114 artists — 55 female, 58 male — encompassing a diverse mix that included African American, Asian, and Latino artists, with about 40 percent from Texas and 60 percent from the U.S. and abroad.

    The current exhibit is Exploring Constructs, with abstractions by mature New York artist Harriet Korman and self-taught Houston sculptor Ronald Llewellyn Jones' hand-tied string sculptures, thanks to New York's Thomas Erben gallery and Houston's Hooks-Epstein Galleries, with additional thanks to SITE131 Foundation for its pivotal support of adventurous exhibitions of new art.

    In addition to exhibitions, the gallery led artist talks, community chats, fashion shows, dance classes, educational programming, workshops, and concerts. The goal was to make art "touchable."

    "I do feel that I am doing something here that isn't happening elsewhere in town," Joan said in 2016. "I did what comes so naturally to me, which is: let’s look at a piece of art and talk about it together."

    One bright spot was their fall 2021 exhibit, Fresh Faces From the Rachofsky Collection, presenting emerging talent from the legendary collection of Howard and Cindy Rachofsky. The exhibit only finally took place after being postponed due to the pandemic more than once. It's among their most important exhibitions.

    "It meshed with our entire mission, which has been to find young and new and never-seen art, 'while the paint is still wet,'" Davidow says.

    Site 131's closure is not an isolated incident; the Goss Michael Foundation remains "temporarily closed" after two years, and The Reading Room, a small art space near Fair Park, closed in 2021 after 10 years. These represent losses not only in that they provide one less platform for young artists, but also as a symbol of the changes wrought by the pandemic on the way we live and interact.

    "We don't know how things are going to roll out, but I think it's such a loss that we're not being with each other and not sharing responses communally," Davidow says.

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    All Eyes on Them

    Dallas alt hip-hop group wins prestigious Tiny Desk Contest by NPR

    Brianna Caleri
    May 13, 2026 | 3:00 pm
    Cure for Paranoia
    Cure for Paranoia/Facebook
    As winners of the Tiny Desk Contest, Cure for Paranoia will record their own Tiny Desk concert and go on tour.

    Few live recording studios or musical web series have the cultural sway of NPR's Tiny Desk, and a Dallas band is poised to make an impactful debut: Cure For Paranoia, an alternative hip-hop project by rapper Cameron McCloud and producers Tomahawk Jonez and Jay Analo, has won the high-stakes annual Tiny Desk Contest for 2026.

    They'll record their official Tiny Desk show "soon," the announcement by NPR says.

    Winning the concert also means Cure for Paranoia is going on tour. The only Texas stop will be at Emo's Austin on June 24.

    Tiny Desk is known for platforming both niche and majorly successful artists — NPR posted a new Foo Fighters set on YouTube on May 13 — for stripped-down sets that are literally played behind former All Things Considered director Bob Boilen's old desk. (Fun fact for Texans: Tiny Desk was created because folk artist Laura Gibson was disappointed with the sound at her South by Southwest show in Austin in 2008, and she wanted a redo.)

    Most artists who appear on Tiny Desk more than 15 years later are already well-known, at least in their specific circles. But the Tiny Desk Contest, which launched in 2015, helps a growing group of newer, unsigned artists get their foot in the door. Contestants record one video of them performing a single song behind a desk, and a jury of radio staff and musicians chooses their favorite.

    In their audition video, Cure for Paranoia gathered 11 musicians around a truly tiny desk and in front of downtown Dallas' iconic gigantic eyeball sculpture. They played the song "No Brainer," a frenetic track that starts with clever boasts and becomes a criticism of racism in the United States.

    McCloud, a pre-school teacher, is known independently of Cure for Paranoia for rapping to his social media following about politics and current events. Some of those lyrics made it into "No Brainer." He says he started the group because he found that music was more helpful than medication for coping with bipolar depression and paranoid schizophrenia.

    Alex Marrero, host of the Austin-based KUTX show Horizontes, was one of the judges this year. He was impressed with the visuals in Cure for Paranoia's audition.

    “When this popped up, I immediately felt something different," he wrote in a blurb for the announcement. "It just jumped out. The visuals were super cool and creative, BUT I could still totally envision them bringing the heat behind the Desk.”

    Madison McFerrin, jazz vocalist and daughter of the famous singer Bobby McFerrin, was one of the musical judges.

    "Cure For Paranoia’s energy is infectious, fresh and distinctly theirs — exactly what you want in a Contest winner!" she wrote.

    McCloud's post on Instagram announcing the group's win has only been up for three hours at the time of this article's publication, and it already has more than 8,000 likes. The YouTube audition has garnered 74,000 views.

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