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    Artist News

    Treasured art space in Dallas' Design District to close after 7 years

    Teresa Gubbins
    Jun 6, 2022 | 9:00 am
    SITE131 Found
    More change wrought by the pandemic.
    Photo courtesy of SITE131

    A one-of-a-kind gallery space in Dallas' Design District will close its doors: Site 131, which showcased young and up-and-coming artists, will close on Saturday, June 18 with a going-away party from 1-3 pm, as a thank you and farewell to the North Texas arts community.

    Guests are invited to celebrate the history of the venue, located at 131 Payne St., and are encouraged to wear bright white, as a hat tip to an artist's blank surface.

    Site 131 was founded in 2015 by acclaimed curator and critic Joan Davidow and her son Seth Davidow as a kind of museum, to experience and learn about art, with a special focus on emerging and under-recognized artists — a unique niche in the museum world.

    The reason for the closure is not surprising.

    "It has everything to do with the pandemic," Joan Davidow says. "We were closed for more than a year, and since we reopened, our attendance has been down. On the past few Fridays, always one of our most popular days, we've been the only ones here. The handwriting is on the wall. People aren't coming out like they used to. It's a stark change."

    Pre-pandemic, opening events drew anywhere from 150 to 300 people. Post-pandemic, the turnout has not topped 50.

    "The pandemic changed us — I think there are people who still aren't coming out," she says.

    Prior to opening Site 131, Davidow served as an art critic for KERA and worked for museums and galleries including the Dallas Museum of Art, Arlington Museum of Art, and Dallas Contemporary. A collection of her art is on permanent display at the University of Texas at Dallas.

    In its seven years, Site 131 showcased 21 exhibitions featuring 114 artists — 55 female, 58 male — encompassing a diverse mix that included African American, Asian, and Latino artists, with about 40 percent from Texas and 60 percent from the U.S. and abroad.

    The current exhibit is Exploring Constructs, with abstractions by mature New York artist Harriet Korman and self-taught Houston sculptor Ronald Llewellyn Jones' hand-tied string sculptures, thanks to New York's Thomas Erben gallery and Houston's Hooks-Epstein Galleries, with additional thanks to SITE131 Foundation for its pivotal support of adventurous exhibitions of new art.

    In addition to exhibitions, the gallery led artist talks, community chats, fashion shows, dance classes, educational programming, workshops, and concerts. The goal was to make art "touchable."

    "I do feel that I am doing something here that isn't happening elsewhere in town," Joan said in 2016. "I did what comes so naturally to me, which is: let’s look at a piece of art and talk about it together."

    One bright spot was their fall 2021 exhibit, Fresh Faces From the Rachofsky Collection, presenting emerging talent from the legendary collection of Howard and Cindy Rachofsky. The exhibit only finally took place after being postponed due to the pandemic more than once. It's among their most important exhibitions.

    "It meshed with our entire mission, which has been to find young and new and never-seen art, 'while the paint is still wet,'" Davidow says.

    Site 131's closure is not an isolated incident; the Goss Michael Foundation remains "temporarily closed" after two years, and The Reading Room, a small art space near Fair Park, closed in 2021 after 10 years. These represent losses not only in that they provide one less platform for young artists, but also as a symbol of the changes wrought by the pandemic on the way we live and interact.

    "We don't know how things are going to roll out, but I think it's such a loss that we're not being with each other and not sharing responses communally," Davidow says.

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    Dance News

    Dallas Black Dance Theatre makes interim artistic director permanent

    Lindsey Wilson
    Nov 4, 2025 | 11:41 am
    Richard A. Freeman, Jr.
    Photo by Aleah Pilot
    Richard A. Freeman Jr. became the new artistic director October 24, 2025.

    Dallas Black Dance Theatre (DBDT) has officially named Richard A. Freeman, Jr. as its new artistic director, ushering in a new era of leadership for the dance company as it approaches its 50th anniversary season.

    Freeman, a longtime member of the DBDT family, has served as interim artistic director through the company’s recently completed 48th and current 49th seasons. His appointment, effective October 24, 2025, marks a natural progression for the former lead dancer, resident choreographer, and artistic project coordinator, whose career within DBDT spans more than a decade of creative and organizational leadership.

    “Richard has been an integral part of Dallas Black Dance Theatre's artistic fabric for years, and his extraordinary leadership during his time as interim artistic director made this decision clear,” says Heidi K. Murray, a member of DBDT’s board of directors, in a release. “His dedication to artistic excellence, his deep understanding of our mission, and his vision for the future of contemporary modern dance make him the ideal person to lead DBDT into this exciting new chapter.”

    DBDT founder Ann M. Williams echoed the sentiment, calling Freeman’s appointment a full-circle moment for both artist and company. “Richard embodies everything Dallas Black Dance Theatre stands for: artistry, excellence, and a deep commitment to uplifting our community through dance,” she says in the release. “I have had the privilege of watching him grow from a gifted dancer into an inspiring leader and visionary artist. His dedication to preserving our legacy while boldly charting new artistic territory gives me tremendous confidence in DBDT’s future.”

    During his tenure as interim artistic director, Freeman guided DBDT through seasons marked by artistic innovation and expanded community engagement, but also staff shake-ups and legal issues.

    In October 2024, accusations of retaliation surfaced after 10 DBDT dancers, its entire main company, were fired following their decision to unionize in May and demand better working conditions. This led to an unprecedented "Do Not Work" order by the American Guild of Musical Artists.

    Dallas City Council ultimately voted to withhold $248,000 in city funding due to labor violations, and DBDT later settled for $560,000 with the National Labor Relations Board.

    In response, DBDT formed a 17-member advisory stakeholder task force co-chaired by Jennifer Scripps, president and CEO of Downtown Dallas, Inc., and Shawn Williams, vice president of public affairs at Allyn. The group has been working with DBDT leadership to review the organization’s policies and practices, propose changes that foster an accountable environment, and put in place safeguards to prevent future concerns related to talent.

    In September 2025, executive director Zenetta Drew announced her retirement after nearly four decades with the company. A national search for her replacement will start in early 2026. Williams retired in 2014.

    As artistic director, Freeman will oversee all aspects of DBDT’s artistic operations, from performances to educational initiatives, and continue to expand its reach throughout Dallas and beyond.

    “I am deeply honored to accept this role and to continue building on the incredible foundation established by the vision of Ann Williams,” Freeman says. “This company has a unique power to move, inspire, and unite communities through dance. I look forward to working with our talented dancers, staff, and board to create unforgettable artistic experiences and to nurture the next generation of dance artists.”

    A native of Washington, D.C., Freeman began his training with the District of Columbia Youth Ensemble and the Washington Ballet before graduating from the Duke Ellington School of the Arts and Virginia Commonwealth University. His performance credits span acclaimed companies and productions, including Elisa Monte Dance, Houston Grand Opera, Porgy and Bess, and The Wiz.

    Freeman’s choreographic works have been featured by leading institutions such as Texas Ballet Theater School, Texas Christian University, and Booker T. Washington High School for the Performing and Visual Arts. He has also shared his expertise through master classes and workshops nationwide, reinforcing his commitment to DBDT’s educational mission.

    Founded in 1976, Dallas Black Dance Theatre is the oldest and largest professional dance company in Dallas and one of the most acclaimed Black dance institutions in the U.S.

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