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    Show Me The Money

    Dallas art writer is one of the chosen few for major new award

    Lindsey Wilson
    Jul 25, 2017 | 3:07 pm
    Christina Rees, Wendy Strick, Mark Grotjahn Sneak Peak
    Christina Rees (left) with Wendy Strick, wife of Nasher Sculpture Center's director Jeremy Strick.
    Photo by Lisa Stewart

    In a time when arts coverage is drastically shrinking across all media forms, the Dorothea and Leo Rabkin Foundation has made a startling — and welcome — announcement.

    The Maine-based, artist-endowed foundation has begun a new annual prize worth a total of $400,000 that will recognize and reward the work of visual art journalists, writers who the foundation says "play an essential role in any vibrant arts community but are too seldom acknowledged and often poorly paid."

    Unlike most grants, which target writers with an academic bent, this one is for journalists who write for a general audience (this encompasses everything from reviews to blogs, and even includes part-time writers).

    It's also unrestricted, meaning that each individual $50,000 award does not have to be tied to a particular project. That sum matches the highest award given by the Creative Capital | Andy Warhol Foundation (which doles out grants ranging from $15,000 to $50,000) and is five times what's awarded to Pulitzer Prize winners.

    Among this first group of lucky writers is one from Dallas. Christina Rees, editor-in-chief of the online magazine Glasstire, joins seven other writers from outlets spanning the New York Times to the San Francisco Chronicle.

    Founded in 2001, Glasstire is a nonprofit publication that covers visual art in Texas. Rees joined as a full-time employee in 2014, having previously served as an editor at both The Met and D Magazine, as a full-time art and music critic at the Dallas Observer, and as an art and music writer for the Village Voice and other publications. She was previously the owner and director of Road Agent gallery and the curator of Fort Worth Contemporary Arts.

    Candidates for the prize were chosen by a panel of 16 nominators. Each finalist submitted writing samples, which were then judged by Lisa Gabrielle Mark, a publisher at the Los Angeles County Museum of Art; Paul Ha, the director of the List Visual Arts Center at Massachusetts Institute of Technology; and Walter Robinson, artist, art critic, and founding editor of artnet Magazine in New York.

    “These are the brave ones, the writers who live by their work and say what they think,” says Mark in an announcement of the prize.

    The inaugural eight winners are:

    • Phong Bui, publisher of the Brooklyn Rail
    • Charles Desmarais, art critic for the San Francisco Chronicle
    • Jason Farago, writer for the New York Times and the Guardian and founding editor of the magazine Even
    • Jeff Huebner, contributor to the Chicago Reader
    • Bob Keyes, features writer for the Portland Press Herald, Maine
    • Carolina Miranda, culture writer for the Los Angeles Times
    • Christina Rees, editor-in-chief of Glasstire
    • Chris Vitiello, freelance writer and independent curator and organizer in Durham, North Carolina

    “Leo wanted to create a program that would encourage writers to stay in the profession and be supported and appreciated,” says Susan C. Larsen, executive director of the Rabkin Foundation, in a release.

    Leo Rabkin was an artist who worked and exhibited in New York City for 60 years. His wife, Dorothea, joined with Leo to create a landmark collection of American folk and outsider art. When Leo Rabkin died in 2015 at the age of 95, he counted many of the city’s art journalists among his friends and was an avid reader of the art press.

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    news/arts

    Theater Critic Picks

    Dallas theaters light up November with fresh plays and holiday hits

    Lindsey Wilson
    Nov 10, 2025 | 2:30 pm
    The Outsiders' North American tour
    Photo by Matthew Murphy
    Corbin Drew Ross and Nolan White in 'The Outsiders' North American tour.

    We're well into November, and for Dallas theater buffs, that means three don't-miss shows that all end this week. From there, it's a segue to the beginning of holiday season with Christmas-themed productions starting to surface in the last half of the month.

    Here are 10 shows appearing in Dallas-Fort Worth theaters in November, listed in order of start date:

    Libro de Los Sueños Olvidados
    Ochre House Theater, through November 13
    Written and directed by artistic director Matthew Posey, and in collaboration with the 2025 Dallas Flamenco Festival, this fantasy Flamenco play is about two homely sisters who steal an enchanted book of spells called The Book of Forgotten Dreams to cast a spell that will make them glamorous movie stars. Instead, they conjure a fantasy world of magical creatures, witches, and the Moon King and Queen, who own The Book of Forgotten Dreams.

    Job
    Teatro Dallas, through November 16
    This psychological thriller zooms in on two careerists of different generations, genders, and political paradigms to examine what it means to be a citizen of the internet and our obligation to help the people who need it most.

    The Outsiders
    Broadway Dallas, through November 16
    Winner of the 2024 Tony Award for Best Musical, The Outsiders is adapted from S.E. Hinton's seminal novel and Francis Ford Coppola's iconic film. In Tulsa, Oklahoma, 1967, Ponyboy Curtis, his best friend Johnny Cade, and their Greaser family of ‘outsiders’ battle with their affluent rivals, the Socs. Look out for Dallas' own 2023 HSMTA winner, Corbin Drew Ross, who plays Ponyboy's brother, Sodapop.

    The Voices of Donny Hathaway
    Jubilee Theatre, through November 30
    This powerful play, written by Robert King Jr., brings to life the music, struggles, and brilliance of an artist whose voice defined a generation. Through a rich tapestry of Hathaway’s most beloved songs, the story explores the beauty of his genius alongside the challenges he faced, painting an intimate portrait of a man whose art continues to inspire.

    Action
    Undermain Theatre, through December 7
    Four friends seek solace in each other's company by sharing a house over the Christmas holidays after a catastrophic event has thrown the world into chaos. This is considered to be among Sam Shepard’s most important works, and has been compared to the work of Samuel Beckett.

    & Juliet
    Broadway at the Bass, November 12-16
    & Juliet flips the script on the greatest love story ever told and asks: What would happen next if Juliet didn’t end it all over Romeo? Her new story bursts to life through a playlist of pop anthems as iconic as her name, including “Since U Been Gone‚” “Roar,” “Baby One More Time,” “Larger Than Life‚” “That’s The Way It Is,“ and “Can’t Stop the Feeling!” Look out for Dallas' own multi-year HSMTA winner — and 2025 national winner — Fabiola Caraballo Quijada as Juliet.

    Goblin Market
    Theatre Three, November 13-December 7
    What lived under your bed when you were a kid? This original musical probes into the sexually charged fantasies of two sisters who relive their childhood experiences in an imaginary world peopled by seductive goblins. The production is in the Theatre Too space.

    A Christmas Story: The Musical
    Broadway at the Center, November 21-23
    From Benj Pasek and Justin Paul, the songwriting team behind Dear Evan Hansen and The Greatest Showman, A Christmas Story: The Musical brings the classic 1983 movie to hilarious life onstage.

    Rudolph the Red-Nosed Reindeer
    Casa Mañana, November 22-December 23
    Rudolph, Hermey the Elf, Yukon Cornelius, and the Abominable Snow Monster go on an unforgettable adventure that's filled with holiday hits like “A Holly Jolly Christmas,” “The Island of Misfit Toys,” “The Most Wonderful Day of the Year,” and “Rudolph the Red-Nosed Reindeer."

    A Christmas Carol
    Dallas Theater Center, November 28-December 27
    Black Hackler is this year's Ebenezer Scrooge in Kevin Moriarty's adaptation of Charles Dickens' classic tale. Follow Ebenezer Scrooge’s unforgettable journey from miserliness to generosity as he encounters the Ghosts of Christmas Past, Present, and Future — all in 90 minutes.

    playsmusicalsnational tour
    news/arts
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