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    Season Announcement

    Theatre Three makes all of Dallas its stage for nomadic 2021-22 half season

    Lindsey Wilson
    Aug 12, 2021 | 9:00 pm
    2019 Off Broadway revival of Little Shop of Horrors
    Little Shop of Horrors was revived Off Broadway in 2019.
    Photo by Emilio Madrid-Kuser

    After COVID-19 put the kibosh on its 59th season, Theatre Three is striking back with a 591/2 season: four shows which will take place outside of its Quadrangle home at various venues around Dallas.

    This might sound familiar if you caught T3's touring production of The Music Man earlier this year, which set up at three different outdoor performance spaces during its run.

    Titled "Traveling into the Unknown," the season will include two classics and two new works, all promising to celebrate the local talent in DFW.

    "While we desperately miss seeing patrons in our lobby and producing shows on our stages, the past year has shown us that Theatre Three is much more than our building,” says artistic director Jeffrey Schmidt. "We can produce great theater regardless of the challenges."

    Opening the season is the hilariously frightening musical favorite Little Shop of Horrors, directed by Joel Ferrell, music directed by Cody Dry, and performed at the Samuell-Grand Amphitheatre. The meek floral assistant Seymour Krelborn stumbles across a new breed of plant he names "Audrey II," after their coworker crush. As the plant grows, Seymour begins to realize how the plant that gave them everything desires to take everything (and everyone) in return. It runs October 5-31, 2021.

    Next up is Maytag Virgin, a Southern love story by Audrey Cefaly and directed by Whitney Latrice Coulter. It follows Alabama schoolteacher Lizzy Nash and her new neighbor, Jack Key, over the year following the tragic death of Lizzy’s husband. The play explores the ideas of inertia and self-enlightenment, and the bridge between the two. It runs January 27-February 20, 2022, at a location to be determined.

    The world premiere of a brand-new swashbuckling musical, first developed as part of T3's Monday Night Playwright series, is written by Nicole Neeley and Clint Gilbert. Called Stede Bonnet: A F*cking Pirate Musical, it's based on the true story of the Gentleman Pirate and directed by Gloria Vivica Benavides. Stede, depressed and exhausted by his luxurious life, chooses to leave everything behind and become the best pirate in the world. One problem: He doesn’t know what he’s doing. It runs April 7-May 1, 2022, at a location TBD.

    Edward Albee’s 1962 masterpiece Who’s Afraid of Virginia Woolf? closes out the season. It will be directed by Blake Hackler and star associate artistic director Christie Vela as Martha and artistic director Jeffrey Schmidt as George. This escalating, perversely erotic dance of booze, anger, and resentment remains as relevant as the day it was written. Late one evening, after an alcohol-fueled university faculty party, a middle-aged couple, Martha and George, receive an unwitting younger couple, Nick and Honey, as late-evening guests. They draw them into their bitter and frustrated marital love-hate ambivalence and pummel each other senseless in a verbal slugfest. It runs June 9-July 3, 2022, at a location TBD.

    In addition to the main season, the Monday Night Playwright series will continue to showcase new works by local writers. Because Theatre Too is temporarily unavailable due to the Quadrangle's construction, locations may vary.

    Theatre Three is also introducing the T3Translates project, a three-play series where commissioned writers will translate a play that doesn't have an English translation, ending with a staged reading.

    And Theatre Three continues its dedication to new and local works with the first annual Festival of Bad Ideas, a collection of short pieces inspired by the worst possible ideas, perhaps leading to some of the greatest.

    There's one final bonus: The crooning, cocktail-toting ne’er-do-well Bippy Bobby is back to hosts his late-night variety show, this time outdoors at the Samuell-Grand Amphitheatre. In The Bippy Bobby Boo Show: Again! Again!, the ghosts of Theater Too bring the works of Pirandello, Pinter, Albee, and Beckett into their acts, inspired by the plays they saw performed by Norma Young, Esther Ragland, Robert Dracup, and Jac Alder. This Boo Show garden party, co-produced with Danielle Georgiou Dance Group, runs October 21-30, 2021.

    Subscriptions for the 2021-22 season will go on sale August 19, and single tickets will be available September 1. Tickets can be purchased online at www.theatre3dallas.com or over the phone at 214-871-3300.

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    Dance Off

    Texas ballet company turns Timothée Chalamet dig into genius promotion

    Brianna Caleri
    Mar 13, 2026 | 1:12 pm
    Timothée Chalamet
    Courtesy
    undefined

    It was a shot fired from Austin that rang out around the art world: In a recent CNN/Variety Town Hall featuring actors Timothée Chalamet and Matthew McConaughey, Chalamet offered an assessment of ballet and opera that immediately went viral.

    During the onstage conversation at the University of Texas at Austin, Chalamet said, "I don't want to be working in ballet or opera, or you know, things where it's like, 'hey, keep this thing alive, even though like no one cares about this anymore.' All respect to the ballet and opera people out there. I just lost 14 cents in viewership."

    Chalamet immediately seemed to experience a twinge of regret, awkwardly adding, "But um...damn, I just took shots for no reason." He also sang a note and hid his face behind the cards he was holding.

    Stars of the art forms, from Andrea Bocelli to Misty Copeland, immediately began to leap (jeté, if you will) to the the defense of opera and ballet.

    In a genius marketing move, Austin's hometown ballet company is taking the unique opportunity to turn a hot topic into a promotion for its next production: Ballet Austin is inviting anyone named Timothée, Timothee, or Timothy to claim a free ticket to its upcoming world premiere of Marie Antoinette: Vampire Queen of Versailles, running March 27-29 at the Long Center for the Performing Arts.

    "Timothée… you were in Austin? We were literally down the street," a Ballet Austin post says. "Austin has brisket. Austin has music. Austin also has ballet."

    All Timothées and folks with similar names will have to do to claim a ticket is send a message to Ballet Austin on social media and show identification. Everyone else who wants to see the supernatural show where "the line between victim and villain blurs" will have to purchase a ticket ($25-$125) at balletaustin.org.

    Ballet Austin Marie Antoinette: Vampire Queen of Versailles Ballet Austin isn't afraid to add some edge to classic stories. Photo courtesy of Ballet Austin

    Even if Chalamet's words were dismissive, he's obviously not wrong about the relative distribution of public interest between the classical arts and major films like Marty Supreme, the late 2025 film he stars in and is busy promoting. The film's commercially successful release set a record for A24, an already renowned studio.

    Chalamet brought up ballet and opera in service of a larger point about pacing in movies. He said he exists in a middle ground as a consumer between wanting to be drawn in early and being more patient as a film progresses. Ultimately, he juxtaposed Barbie and Oppenheimer with the classical arts, pointing out that if the masses want to go see a film, they will "be loud and proud about it" organically, without needing performers to advocate for the seriousness of the art form.

    Coincidentally, there couldn't be a better counterpoint to this argument than Marie Antoinette: Vampire Queen of Versailles.

    As the title suggests, the story follows historical figure Marie Antoinette as she chooses to become a vampire, seeking "power, immortality, and vengeance," according to a press release. It takes a somewhat silly premise and gives it dramatic gravitas, with an original score by Austin composer Graham Reynolds, who is known outside of classical circles and sometimes composes for movie soundtracks.

    "For Ballet Austin, the moment is an opportunity to remind audiences that ballet isn’t fading away," says a release about the new promotion. "It’s evolving, drawing new audiences and continuing to thrive in creative cities like Austin."

    If Chalamet really does fall in the middle of instant and delayed artistic gratification, this sounds like the perfect production to draw him in.

    And perhaps Ballet Austin should add people named Matthew to their promotion, since McConaughey threw the younger star a bone after his momentary walk-back, saying, "That's not a shot — I hear what you're saying."

    ---

    Stephanie Allmon Merry contributed to this story.

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