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    Ch-ch-changes

    Artistic staff changes shake up 2 Dallas theater companies

    Lindsey Wilson
    Aug 18, 2022 | 2:03 pm
    Natalie Hebert and Drew Wall in Incognito at Second Thought Theatre
    Natalie Hebert and Drew Wall in Incognito at Second Thought Theatre.
    Photo by Karen Almond

    Change is in the air, at least for Undermain Theatre and Second Thought Theatre. The two Dallas companies have announced the departure of some key artistic staff members, one of whom has been on board for the last 15 years.

    Effective August 1, Danielle Georgiou left her role as associate artistic director at Undermain, a position she has held since 2019.

    In addition to helping the Deep Ellum company navigate the challenges of COVID-19, she further developed its Equity, Diversity, and Inclusion principles and culture and initiated the Undermain Workshop and Education series.

    Along with her own company, The Danielle Georgiou Dance Group (DGDG), she brought two productions to the Undermain streaming series: The Savage Seconds and Things Missing/Missed.

    In the fall of 2021, she devised and directed Stronger Than Arms, a co-production between DGDG and Undermain that ushered in the theater's return to live performance.

    Prior to her term as associate artistic director, Georgiou served as choreographer on the productions Three Sisters and so go the ghosts of méxico, part 2, and many others.

    She made her Undermain performing debut in How Is It That We Live, or Shakey Jake + Alice and co-directed so go the ghosts of méxico, part 3 with Undermain's late co-founder, Katherine Owens.

    Georgiou currently serves as choreographer for the Undermain production of Lonesome Blues, playing September 1-18, 2022.

    "At Undermain, we’re appreciative of Dr. Georgiou’s contributions to our company and look forward to her continuing work with her own company, DGDG, as well as her influence and presence in the performing arts in North Texas and beyond as a director, choreographer, educator, and dynamic creator of theater," says Undermain's producing artistic director Bruce DuBose.

    Also stepping down is producing artistic associate Jake Nice, who has held that position with Undermain Theatre since 2019.

    In addition to operations duties, Nice directed the 2021 streaming video production of David Rabe’s Suffocation Theory and Blake Hackler’s Bright Boys in the virtual reading series. He also produced the InConcert Undermain series, as well as this spring’s Whither Goest Thou America reading series.

    "We wish him well in his new endeavors and thank him for his work and influence here with us during this challenging time," says DuBose. "We’ve enjoyed working with Jake and admire his dedication and commitment and look forward to his future work in the performing arts."

    Over at Second Thought Theatre, director of operations Drew Wall is saying farewell after 15 years with the company.

    "I moved to Dallas in the summer of 2007 and could never have imagined finding such a long-lasting artistic home so quickly in my professional journey," Wall writes in his resignation letter, which STT made public. "I joined the Second Thought Ensemble soon after my first show in the fall and by the summer of 2008, had joined the Executive Ensemble. 15 years later I hardly recognize the same company that stands before us now."

    Besides handling the theater's operations duties and being a key component to many set builds, Wall was often in the spotlight. Memorable turns onstage include the solo shows Goat Song and Nocturne, Belleville and Empathitrax (co-starring with Jenny Ledel), plus the more ensemble-based Straight White Men and Incognito.

    "We cannot convey the gratitude and appreciation we have for all he's done, and we can't wait to see the amazing things he will do everywhere he goes," reads a statement from Second Thought Theatre.

    Danielle Georgiou

    Danielle Georgiou
    Photo courtesy of Undermain Theatre
    Danielle Georgiou
    theater
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    Season announcement

    Mystic Pizza's Dallas premiere leads new AT&T PAC Broadway season

    Alex Bentley
    Apr 10, 2026 | 1:28 pm
    Mystic Pizza: A New Musical
    Photo courtesy of Lively McCabe Entertainment
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    The 2026-2027 Broadway at the Center season at Dallas' AT&T Performing Arts Center will feature a mixture of new and returning shows, including several recent Tony Award-nominated productions.

    According to a release, the main season will consist of five musicals: Mystic Pizza: A New Musical, Shucked, Beetlejuice, The Who’s Tommy, and The Wiz. All productions take place at Winspear Opera House in downtown Dallas.

    They will be joined by two previously-announced co-productions with Broadway Dallas - The Notebook and Hadestown - as well as TITAS/Dance Unbound co-production, Dance Me - The Music of Leonard Cohen.

    First up will be Dance Me - The Music of Leonard Cohen, a creation inspired by the work of famed Montreal-based poet, artist, and songwriter Leonard Cohen, performed by Ballet Jazz Montreal.

    The homage to the iconic artist evokes the grand cycles of existence in five seasons, as described in Cohen’s deeply reflective music and poems. There will be performances on September 18 and 19, 2026.

    The first theater production will be Mystic Pizza: A New Musical, making its Dallas premiere. It is based on the 1988 rom-com that tells the story of three working-class girls who navigate the complexities of life, love, and family in a small-town pizza joint.

    The score features megahits of the '80s and '90s, including songs originally recorded by Melissa Etheridge, Cyndi Lauper, John Cougar Mellencamp, and more. It will run November 20-22, 2026.

    After the Broadway Dallas co-production of The Notebook, running January 12-24, 2027, the season picks up again with the return of Shucked, which played at the Music Hall at Fair Park in December 2024.

    In the Tony Award-winning comedy, the corn that protects a small community starts to die. The town needs answers. But who will dare to venture beyond the borders of Cob County?

    The Broadway hit, running March 19-21, 2027 is about an unlikely hero, an unscrupulous con artist, and a battle for the heart and soil of a small town.

    Hadestown will follow shortly thereafter, running March 30-April 4, 2027, before the third Broadway Dallas co-production of the season, Beetlejuice, running April 28-May 2, 2027.

    The musical, which previously came to Dallas in early 2024, is based on Tim Burton’s 1988 film and tells the story of Lydia Deetz, a strange and unusual teenager whose whole life changes when she meets a recently deceased couple and a demon with a thing for stripes.

    June 2027 will bring the final two productions of the season, The Who’s Tommy (running June 3-5) and The Wiz (running June 10-13).

    The Who's 1969 rock opera is about the young Tommy Walker whose innate knack for pinball catapults him from reticent adolescent to celebrity savior. It features the anthems “I’m Free,” “See Me, Feel Me,” “Sensation,” and “Pinball Wizard.”

    The Wiz, which just came to Dallas in September 2025, is a groundbreaking twist on The Wizard of Oz that features soul, gospel, rock, and '70s funk that puts Dorothy’s journey to find her place in a contemporary world.

    “This season is designed to welcome both longtime subscribers and new audiences with a lineup that celebrates the full range of Broadway - from high-energy crowd pleasers and reimagined classics to bold contemporary storytelling,” said Warren Tranquada, CEO and President of the AT&T Performing Arts Center, in a statement.

    For the first time in their partnership with Broadway Dallas, Broadway at the Center subscribers will enjoy early access and full subscriber benefits for Beetlejuice through May 1.

    After May 1, all ticket purchases, customer service questions, and support for Beetlejuice will be handled directly by Broadway Dallas.

    The Center offers a flexible subscription package that allows patrons to choose four or five shows from the season lineup, with the option to add or remove shows by contacting the box office directly.

    Subscription package prices range from $150-$660, and sales begin on Monday, April 13, 2026. Packages may be purchased by phone at 214-880-0202, or online at attpac.org/broadway.

    att performing arts centerbeetlejuicebroadway at the centermusicmystic pizzaperforming-artsthe wiztheaterwinspear opera house
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