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    Ch-ch-changes

    Artistic staff changes shake up 2 Dallas theater companies

    Lindsey Wilson
    Aug 18, 2022 | 2:03 pm
    Natalie Hebert and Drew Wall in Incognito at Second Thought Theatre
    Natalie Hebert and Drew Wall in Incognito at Second Thought Theatre.
    Photo by Karen Almond

    Change is in the air, at least for Undermain Theatre and Second Thought Theatre. The two Dallas companies have announced the departure of some key artistic staff members, one of whom has been on board for the last 15 years.

    Effective August 1, Danielle Georgiou left her role as associate artistic director at Undermain, a position she has held since 2019.

    In addition to helping the Deep Ellum company navigate the challenges of COVID-19, she further developed its Equity, Diversity, and Inclusion principles and culture and initiated the Undermain Workshop and Education series.

    Along with her own company, The Danielle Georgiou Dance Group (DGDG), she brought two productions to the Undermain streaming series: The Savage Seconds and Things Missing/Missed.

    In the fall of 2021, she devised and directed Stronger Than Arms, a co-production between DGDG and Undermain that ushered in the theater's return to live performance.

    Prior to her term as associate artistic director, Georgiou served as choreographer on the productions Three Sisters and so go the ghosts of méxico, part 2, and many others.

    She made her Undermain performing debut in How Is It That We Live, or Shakey Jake + Alice and co-directed so go the ghosts of méxico, part 3 with Undermain's late co-founder, Katherine Owens.

    Georgiou currently serves as choreographer for the Undermain production of Lonesome Blues, playing September 1-18, 2022.

    "At Undermain, we’re appreciative of Dr. Georgiou’s contributions to our company and look forward to her continuing work with her own company, DGDG, as well as her influence and presence in the performing arts in North Texas and beyond as a director, choreographer, educator, and dynamic creator of theater," says Undermain's producing artistic director Bruce DuBose.

    Also stepping down is producing artistic associate Jake Nice, who has held that position with Undermain Theatre since 2019.

    In addition to operations duties, Nice directed the 2021 streaming video production of David Rabe’s Suffocation Theory and Blake Hackler’s Bright Boys in the virtual reading series. He also produced the InConcert Undermain series, as well as this spring’s Whither Goest Thou America reading series.

    "We wish him well in his new endeavors and thank him for his work and influence here with us during this challenging time," says DuBose. "We’ve enjoyed working with Jake and admire his dedication and commitment and look forward to his future work in the performing arts."

    Over at Second Thought Theatre, director of operations Drew Wall is saying farewell after 15 years with the company.

    "I moved to Dallas in the summer of 2007 and could never have imagined finding such a long-lasting artistic home so quickly in my professional journey," Wall writes in his resignation letter, which STT made public. "I joined the Second Thought Ensemble soon after my first show in the fall and by the summer of 2008, had joined the Executive Ensemble. 15 years later I hardly recognize the same company that stands before us now."

    Besides handling the theater's operations duties and being a key component to many set builds, Wall was often in the spotlight. Memorable turns onstage include the solo shows Goat Song and Nocturne, Belleville and Empathitrax (co-starring with Jenny Ledel), plus the more ensemble-based Straight White Men and Incognito.

    "We cannot convey the gratitude and appreciation we have for all he's done, and we can't wait to see the amazing things he will do everywhere he goes," reads a statement from Second Thought Theatre.

    Danielle Georgiou

    Danielle Georgiou
    Photo courtesy of Undermain Theatre
    Danielle Georgiou
    theater
    news/arts

    Season Announcement

    Echo Theatre introduces Dallas audiences to a season of strangers in 2026

    Lindsey Wilson
    Jan 16, 2026 | 11:51 am
    The Roommate on Broadway
    Photo by Julieta Cervantes
    'The Roommate' was recently on Broadway.

    It's a "Season of Strangers" for Echo Theatre this year, as the Southwest's premier company for promoting dramatic works by women+ focuses on how someone different than you can change your life.

    The 28th season begins with the new musical Silhouettes by Jordan Ealey and Ari Afsar. This score-in-hand workshop was developed in the aftermath of the fall of Roe v. Wade, and examines a pivotal moment in American history through the intersecting lives of two women navigating the decision to have an abortion. Echo's managing and artistic director Kateri Cale directs, with Vonda K. Bowling as musical director.

    In a joint statement, Ealey and Afsar say that Silhouettes was born from their need to process the emotional and political aftermath of Roe’s fall. “We continue to see that history is cyclical and equity is fleeting,” they say. “But when policy fails, art has the opportunity to step in. Silhouettes is a musical about choice, sisterhood, and intergenerational courage.”

    They add that presenting the work in Dallas reflects their commitment to community-building in states like Texas, where bans and restrictions have made women and gender minorities particularly vulnerable. “We want this musical to be a safe and brave haven amid attempts to create a culture of fear and a reminder that people are not alone.”

    It runs January 16-17, 2026, and admission is free, though a $20 donation is suggested.

    The world premiere of You Must Wear A Hat by C. Meaker is next, and plugged-in Dallas theater fans might recognize the play from its reading at Kitchen Dog Theater in 2019.

    Tuesday and Weeks make hats on the Great Barrier Reef, waiting for the world to end. It's described as "A play for two. And a rabbit."

    C. “Meaks” Meaker (they/them) is a playwright, essayist, and teacher whose work often explores queerness, monstrosity, and the end of the world. Their plays have been performed and developed across the United States, including the Kennedy Center, Seattle Repertory Theatre, San Francisco Playhouse, Annex Theatre (Seattle), Hub Theater (D.C.), Fat Theater Project (Chicago), and About Face (Chicago). They’re a two-year finalist for the Dramatist Guild National Fellows program and a recent finalist for the Jerome Hill Theater Arts Fellow.

    You Must Wear a Hat runs February 27-March 14, 2026.

    The season closes with The Roommate by Jen Silverman. The play was on Broadway in 2024 starring marquee names Mia Farrow and Patti LuPone.

    In it, a divorced Midwesterner takes a roommate from The Bronx. A relationship evolves and secrets unfold into a darkly comedic exploration of life choices. It runs June 19-July 4, 2026.

    All shows this season will be performed at the Bath House Cultural Center, 521 E. Lawther Dr., in White Rock Lake Park.

    Tickets range from Pay-What-You-Can to $40, with discounts available for students and seniors.

    Additional events this season include Cake by the Lake on April 21, Echo's free birthday party fundraiser that also launches its reading series, Echo Reads.

    Echo Reads runs April through September, presenting six plays in six month. All plays will be performed on Tuesdays at 7:30 pm, and then read the next day at different venues around the city.

    Echo Offstage Podcasts is going monthly. The free podcast series interviews women+ who are making art and making a difference.

    And Echo is already teasing its 29th season, which will begin in the fall of 2026 and run the more traditional September through August instead of the calendar year.

    The season 29 opener is a co-production, the company mysteriously hints, involving three Dallas theaters, two shows, and an internationally known writer. We'll all just have to wait and see what this intriguing production might be.

    echo theatrepodcastsworld premieresecho readsthe roommate playtheater
    news/arts
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