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    Theater Review

    Lyric Stage's Into the Woods takes audience on a grand ride

    Lindsey Wilson
    Sep 8, 2015 | 4:27 pm
    Into the Woods at Lyric Stage in Irving
    Andy Baldwin and Mary Gilbreath Grim as the Baker and his Wife.
    Photo by Michael C. Foster

    You can usually count on Lyric Stage in Irving to do it up big, and its latest, Into the Woods, is no exception. A large cast, a larger orchestra, larger-than-life sets, and a giant or two all combine into one of the grandest productions of Stephen Sondheim's dark fairytale you're likely to see in Dallas-Fort Worth.

    It also highlights everything that was missing from the big-screen adaptation that hit theaters last Christmas. Director Harry Parker, a relative newcomer to Lyric who also chairs the theater department at TCU, has shaped the show into equal parts magical whimsy and realistic cynicism. His sure hand makes it just as easy to get lost in the intertwining stories as it is to see yourself reflected in these fictional, though jarringly human, characters.

    Spurred by the wish to have a child, a Baker and his Wife go in search of items commanded by the Witch next door, who years ago placed a curse on the Baker's family tree. As they venture into the terrifying, exciting woods where "anything can happen," the pair encounters Little Red Riding Hood, Jack (of beanstalk fame), Cinderella, and a host of other Brothers Grimm mainstays. Everything seems nicely tied up by the end of Act I, but Act II cleverly continues the stories to show how "ever after" rarely turns out as expected.

    Each actor makes a strong showing, from the greedy Little Red (Amy Button) to the high-stepping Prince's Steward (Seth Womack). Lyric favorite Catherine Carpenter Cox seems to enjoy the fuzzy eyebrows and ragged cloaks of the Witch more than she does the glamorous persona she's restored to post-curse, but her delightful cackles are consistent throughout. She keeps the golden-voiced Rapunzel (Kelly Silverthorn) locked in a tower, an irresistible invitation to one ardent prince (Anthony Fortino).

    Andy Baldwin and Mary Gilbreath Grim anchor the show as the storybook couple longing to procreate, characters that were invented by Sondheim and book writer James Lapine. Mary McElree is equally down to earth as Cinderella, who realizes quickly that palace life isn't all she dreamed. As her persistent prince, Christopher J. Deaton is ardent and haughty, but he truly shines when staving off his carnal desires in his other role as the Wolf.

    Kyle Montgomery is the jewel of an already sparkling show, playing Jack as an overgrown child who's unprepared for the harsh realities of the world.

    Three hours long but packed with musical theater winners such as "No One Is Alone" and "Children Will Listen," Into the Woods sounds even more majestic under the baton of Jay Dias. The pace seems a bit slow at times, perhaps to better enunciate each of Sondheim's tongue-twisting lyrics, but in this case it's a joy to spend a little more time in these woods.

    ---

    Into the Woods plays at Carpenter Performance Hall in the Irving Arts Center through September 13.

    unspecified
    news/arts

    Lawsuit news

    Artist sues FIFA for $25 million over painted-over Dallas whale mural

    Associated Press
    Jun 3, 2026 | 11:54 am
    Wyland Whaling Wall
    Facebook/Wyland
    Artist Wyland's Whaling Wall mural being painted over for a FIFA World Cup-related mural in Dallas.

    The artist who painted a giant mural on a building in downtown Dallas of life-sized swimming whales has filed a $25 million lawsuit against soccer's international governing body and others, saying they illegally painted over his work to promote the city's upcoming World Cup matches.

    The artist Wyland says he hand-painted the sprawling mural that covered roughly 17,000 square feet (1,580 square meters) across two of the building's walls.

    The mural stood for nearly three decades before workers began painting over it last month, causing an uproar among residents who admired the mural's grand scale and message of ocean conservation.

    The area’s World Cup organizing committee said in a statement that, in place of Wyland's mural, new artwork is planned "that captures this current historical moment and reflects the energy, unity, and global spirit surrounding the World Cup 2026.” It said a portion of Wyland's mural would be preserved.

    Wyland filed suit Monday, June 1 in U.S District Court in Dallas saying that World Cup organizers, along with the building's owner and management company, painted over his mural without his consent or even notifying him. He says their actions violated a 1990 federal law passed to protect visual artists from destruction of publicly displayed works.

    Wyland is seeking at least $25 million in damages. His lawsuit says world soccer's governing body, FIFA, and other defendants “hastily and irrevocably destroyed a civic landmark” to promote the World Cup.

    “Though FIFA claims they were working to develop art for the host city, in truth, they defaced an historic fixture of the host city,” the artist's lawsuit says.

    A FIFA spokesperson said Tuesday the federation “has no involvement in this whatsoever” and referred a reporter to the tournament's local organizing committee.

    A spokesperson for the North Texas FWC Organizing Committee declined to comment. The committee isn't named as a defendant in the lawsuit.

    A spokesperson for Slate Asset Management, which manages the building where the mural was painted over, said in a statement that local World Cup organizers asked Slate in March to donate the mural space for “a new public art installation.”

    “Slate is not being compensated in any way for the use of the wall space and was told by the local groups that Mr. Wyland had been notified,” the management company's spokesperson said in an email.

    Dallas is hosting more World Cup matches than any of the other sites in the event co-hosted by the U.S., Canada and Mexico, with nine matches set to be played at AT&T Stadium in suburban Arlington, home of the Dallas Cowboys.

    Wyland's Dallas mural, titled “Whaling Wall 82,” was finished in 1999 and is among more than 100 similar murals known as Whaling Walls the artist painted around the world to promote the conservation of ocean life.

    An online petition protesting the mural's destruction and calling for protecting of public artwork in Dallas has received more than 2,600 signatures.

    Wyland's lawsuit alleges violations of the Visual Artists Rights Act, a 1990 federal law that protects artwork of “recognized stature” even if someone else owns the physical artwork.

    A judge cited that law in 2018 when he ordered a property owner to pay a group of New York graffiti artists $6.7 million for whitewashing dozens of their spray-painted murals on buildings that once housed a factory in Queens. The ruling was upheld on appeal.

    fifa world cupfifa world cup 2026lawsuitwylandwhaling muralmuralsdowntown dallas
    news/arts

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