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    Theater Review

    Lyric Stage's Into the Woods takes audience on a grand ride

    Lindsey Wilson
    Sep 8, 2015 | 4:27 pm
    Into the Woods at Lyric Stage in Irving
    Andy Baldwin and Mary Gilbreath Grim as the Baker and his Wife.
    Photo by Michael C. Foster

    You can usually count on Lyric Stage in Irving to do it up big, and its latest, Into the Woods, is no exception. A large cast, a larger orchestra, larger-than-life sets, and a giant or two all combine into one of the grandest productions of Stephen Sondheim's dark fairytale you're likely to see in Dallas-Fort Worth.

     

    It also highlights everything that was missing from the big-screen adaptation that hit theaters last Christmas. Director Harry Parker, a relative newcomer to Lyric who also chairs the theater department at TCU, has shaped the show into equal parts magical whimsy and realistic cynicism. His sure hand makes it just as easy to get lost in the intertwining stories as it is to see yourself reflected in these fictional, though jarringly human, characters.

     

    Spurred by the wish to have a child, a Baker and his Wife go in search of items commanded by the Witch next door, who years ago placed a curse on the Baker's family tree. As they venture into the terrifying, exciting woods where "anything can happen," the pair encounters Little Red Riding Hood, Jack (of beanstalk fame), Cinderella, and a host of other Brothers Grimm mainstays. Everything seems nicely tied up by the end of Act I, but Act II cleverly continues the stories to show how "ever after" rarely turns out as expected.

     

    Each actor makes a strong showing, from the greedy Little Red (Amy Button) to the high-stepping Prince's Steward (Seth Womack). Lyric favorite Catherine Carpenter Cox seems to enjoy the fuzzy eyebrows and ragged cloaks of the Witch more than she does the glamorous persona she's restored to post-curse, but her delightful cackles are consistent throughout. She keeps the golden-voiced Rapunzel (Kelly Silverthorn) locked in a tower, an irresistible invitation to one ardent prince (Anthony Fortino).

     

    Andy Baldwin and Mary Gilbreath Grim anchor the show as the storybook couple longing to procreate, characters that were invented by Sondheim and book writer James Lapine. Mary McElree is equally down to earth as Cinderella, who realizes quickly that palace life isn't all she dreamed. As her persistent prince, Christopher J. Deaton is ardent and haughty, but he truly shines when staving off his carnal desires in his other role as the Wolf.

     

    Kyle Montgomery is the jewel of an already sparkling show, playing Jack as an overgrown child who's unprepared for the harsh realities of the world.

     

    Three hours long but packed with musical theater winners such as "No One Is Alone" and "Children Will Listen," Into the Woods sounds even more majestic under the baton of Jay Dias. The pace seems a bit slow at times, perhaps to better enunciate each of Sondheim's tongue-twisting lyrics, but in this case it's a joy to spend a little more time in these woods.

     

    ---

     

     Into the Woods plays at Carpenter Performance Hall in the Irving Arts Center through September 13.

     
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    Theater Critic Picks

    From Wilde to 'The Wiz': 8 unmissable July shows in North Texas

    Lindsey Wilson
    Jul 2, 2025 | 10:18 am
    Second Thought Theatre presents Your Wife’s Dead Body
    Photo courtesy of Second Thought Theatre
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    Your instinct during the summer might be to hide out in an air-conditioned theater, and there are plenty of options to do exactly this month. But we would be remiss if we didn't remind you about a North Texas tradition: Shakespeare under the stars. Pack a picnic, bring a blanket, and watch The Bard (and this year Oscar Wilde) at Samuell-Grand Amphitheater with Shakespeare Dallas. Both shows opened in June, but continue through most of July.

    Here are eight shows local shows, listed in order of start date:

    The Importance of Being Earnest
    Shakespeare Dallas, through July 18
    This witty romantic comedy by Oscar Wilde, first performed in 1895, tells the story of two men who assume the identities of a fictional man named Ernest. This leads them to each fall in love and encounter an assortment of comical problems along the way.

    Othello
    Shakespeare Dallas, through July 20
    In this Shakespearean tragedy, Othello is at the peak of his powers: not only Venice's greatest general but also husband to the noble and beautiful Desdemona. But he does not know that in passing over his servant Iago for promotion, he has created a deadly but brilliant enemy. This production is set in an alternate-history version of the 1990s in which the Venetian empire is the predominant political, military, and economic power.

    King Kirby
    American Chronicle Theatre Co., July 4-12
    This is the story of Jack "King of Comics" Kirby. The play follows him from the tough Jewish ghetto of Hell’s Kitchen in New York, to the harrowing battlefields of Normandy during WWII, to tense Senate hearings in the 1950s. Watch as he creates some of the most iconic heroes in pop culture: Captain America, Thor, the Fantastic Four, the X-Men, Iron Man, the New Gods, and countless others.

    Your Wife’s Dead Body
    Second Thought Theatre, July 9-26
    Written by Second Though Theatre artistic associate Jenny Ledel in her playwriting premiere, the play takes place in the near future, as Jane takes advantage of a new AI technology that would extend her lifespan ... even if she's not around to see it for herself.

    The Wiz
    Broadway at the Bass, July 15-20
    This all-new production of the groundbreaking, Tony Award-winning musical returns “home” in an all-new pre-Broadway tour, the first one in 40 years. The groundbreaking twist on The Wizard of Oz changed the face of Broadway, from its iconic score packed with soul, gospel, rock, and finger-snapping '70s funk to its stirring tale of Dorothy’s journey to find her place in a contemporary world.

    Noises Off
    Mainstage Irving-Las Colinas, July 18-August 2
    This play-within-a-play captures a touring theater troupe’s production of Nothing On in three stages: dress rehearsal, the opening performance, and a performance towards the end of a debilitating run. Playwright Michael Frayn gives a window into the inner workings of theatre behind-the-scenes, progressing from flubbed lines and missed cues in the dress rehearsal to mounting friction between cast members in the final performance.

    Everybody's Talking About Jamie
    Uptown Players, July 18-August 3
    Inspired by true events, this musical tells the inspiring story of Jamie New, a 16-year-old boy from Sheffield who dreams of becoming a drag queen. His loving mom showers him with endless support but it's not all rainbows for Jamie as his deadbeat dad and some ignorant school kids attempt to rain on his sensational aspirations.

    Shucked
    Broadway at the Bass, July 29-August 3
    This Tony Award-winning musical comedy features a book by Tony Award winner Robert Horn, a score by the Grammy Award-winning songwriting team of Brandy Clark and Shane McAnally, and direction by Tony Award winner Jack O’Brien. The corn-fed, corn-bred American musical is sure to satisfy an appetite for great musical theater.

    broadway at the bassmusicalsnational tourplayssecond thought theatreuptown playersshakespeare under starsshakespeare in the parktheater
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