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    Actor Spotlight

    Rapping Dallas actor hides a soft spot for celeb gossip and vegan sweets

    Lindsey Wilson
    Sep 8, 2017 | 10:31 am

    Undermain Theatre is presenting the second part in Matthew Paul Olmos' trilogy So Go the Ghosts of Mexico, and Stephanie Cleghorn Jasso has the distinction of being the only actor to appear in both the plays.

    Cleghorn Jasso is no stranger to new work or exploring difficult subject matter, having tackled DACA, drugs, violence, sex, and physical and mental disabilities — to name a few — onstage. In the world premiere of So Go the Ghosts of Mexico, Part Two, which opens at Undermain Theatre on September 9 and runs through October 1, she is part of an all-female cast that uses the U.S./Mexico drug wars to explore the extreme machismo of narco culture.

    In advance of the play's opening night, Cleghorn Jasso took the time to fill out our survey of serious, fun, and sometimes ridiculous questions.

    Name: Stephanie Cleghorn Jasso

    Role in So Go the Ghosts of Mexico, Part Two: Azul

    Previous work in the DFW area: I have worked with Undermain Theatre, WaterTower Theatre, Amphibian Stage Productions, Danielle Georgiou Dance Group, Shakespeare Dallas, Dallas Theater Center, Cara Mía Theatre Co., Dead White Zombies, Theatre Three, Anita Martinez Ballet Folklorico, Artes de la Rosa, Hip Pocket Theatre, and Artisan Center Theater.

    Hometown: I was born in Harlingen, TX; claim Southside Fort Worth as my hometown; and grew up in Saginaw (we lovingly called it Sagnasty back in the day).

    Where you currently reside: My husband, the very talented and handsome Ivan Jasso, and our animal babies live in Mesquite.

    First theater role: The first role I played was a zebra for Odyssey of the Mind, which was like University Interscholastic League competition for elementary school.

    First stage show you ever saw: Debbie Allen’s Pepito’s Story at Bass Performance Hall is my first vivid memory. The company my father worked for built the hall and we were invited. I was so proud of my father and still think those angels at the entrance are the most glorious pieces of structure Fort Worth has to offer.

    Moment you decided to pursue a career in theater: After high school, I was a bit lost and my life journey took me to Utah to study theater. I came home with my new fiancé and he and I eloped about 6 months after I returned home.

    I knew I was serious about pursuing theater professionally when it became apparent that my first husband, bless his heart, didn’t approve nor support my dream and that my desire to act professionally was a bigger priority than my marriage at the time.

    Most challenging role you’ve played: I played Ceci in Octavio Solis’ Lydia, and I loved her with all of my heart. Playing Ceci was emotionally and physically taxing, but also the greatest gift I have ever received as an actor.

    My character suffered brain damage from a car accident, so I trained with the brilliant Steph Garrett on the specific physicality needed to play Ceci. Occasionally I still have nightmares and wake up with "Ceci hands" — it used to be scary, but now I am grateful that she will forever be in my body.

    Special skills: My newfound love is rapping; you’ll have to come see Ghosts to see if I’m any good.

    Something you’re REALLY bad at: I am the absolute WORST at making decisions. I am 33 years old and am still traumatized by the first time I had to buy groceries for myself and spent half an hour deciding on what milk to get.

    Current pop culture obsession: I love reading celebrity news and so does my dad, which is funny to talk to him about the latest Kardashian updates or Brad Pitt and Angelina.

    Last book you read: I started Veronica Decides to Die by Paulo Coelho but never finished it — I should finish reading that book. I read a lot of scripts.

    Favorite movie(s): Growing up I loved The Man in the Moon with a young Reese Witherspoon. I remember playing it a birthday party once and everyone being really bored, except me. Moulin Rouge really made me feel all the feels too; I want to be Nicole Kidman in Moulin Rouge when I grow up.

    Favorite musician(s): I remember going on road trips to the Valley to see our family and listening to Van Morrison and Elton John over and over and I loved it.

    Favorite song: "Into the Mystic" by Van Morrison. I loved the movie Dream a Little Dream, and this song definitely reminds me of those trips with my family.

    Dream role: In high school, I competed in a Shakespeare monologue contest and I remember thinking how tragically beautiful Cleopatra was and that one day I wanted to be her.

    Favorite play(s):References to Salvador Dalí Make Me Hot by José Rivera was a dream play to work on, and such a passionately poetic script. The play also was so significant for me because I experienced it with the dearest people in my life at the time and it left such a huge impact. One day I will tattoo “her dreams are full of broken moonlight” on my body so I can always remember Gabriela’s words.

    Favorite musical(s): My little brother and I saw Wicked on Broadway when I traveled to New York for the first time. It was during a really challenging time of my life but it was such a momentous trip.

    Favorite actors/actresses: I’m obsessed with local actors because the talent in DFW is so ridiculously amazing. Most people know about my huge talent crush on Blake Hackler, but I am also in love with Jenny Ledel’s work. My husband is way legit and the women in So Go the Shosts of México, Part Two are phenomenal.

    Favorite food: Anything vegan. Bonus points for a good vegan brownie or sweet treat.

    Must-see TV show(s):The Handmaid’s Tale was painfully stunning, and Love was a show I really dug because I love loving.

    Something most people don’t know about you: I suffer from an anxiety disorder and sometimes think I’m going to die onstage. Haven’t yet.

    Place in the world you’d most like to visit: I want to live in a Spanish-speaking country one day so I can finally learn Spanish, so Spain or Costa Rica. But I would also love to meet the Pope and see Vatican City since I grew up Catholic.

    Pre-show warm-up: My pre-show warm-ups include stretching, vocal warm-ups, deep breathing, and going over my lines a thousand times so I don’t have a panic attack.

    Favorite part about your current role: The best part about playing Azul is that he is such a challenge. The idea of finding something redeeming or even just human in a character that is so flawed has been such an edifying experience.

    Most challenging part about your current project: The most challenging part is that it is a world premiere. I have so much respect for Matthew Paul Olmos and want to make him and Azul proud.

    There is some pressure because this is the first time giving these characters life in a fully realized production; I want this experience to be memorable and to speak to the audience so they can fully understand how necessary and timely this narrative is.

    Most embarrassing onstage mishap: I have bared my boobs onstage, had all sorts of sex scenes, and have attempted to dance/sing onstage, so most of my career I deal with embarrassing moments.

    Career you’d have if you weren’t in theater: If I wasn’t acting anymore then I would want to teach full-time or be a stay-at-home mom, in like 10 years when I am mature enough to have a child.

    Favorite post-show spot: My favorite post-show spot is my couch eating junk food and watching TV.

    Favorite thing about Dallas-Fort Worth: I love DFW so much because of the people. When I go see shows I am still starstruck, because I believe some of the finest actors are among us and some of the greatest humans ever.

    Most memorable theater moment: I cry a lot when I’m in shows, see shows, think about shows, because I am so overwhelmed by how remarkably special it is.

    Recently, as another actress was working on a song in rehearsal, I was moved to tears because — again — I cry happy tears about everything theater, but also because in that simple moment I felt such a great comfort that what we do is so effing precious and that I am beyond blessed to live magic every day.

    Stephanie Cleghorn Jasso and Ivan Jasso in 2016's So Go the Ghosts of Mexico, Part One at Undermain Theatre.

    Undermain Theatre presents So Go the Ghosts of M\u00e9xico
      
    Photo courtesy of Undermain Theatre
    Stephanie Cleghorn Jasso and Ivan Jasso in 2016's So Go the Ghosts of Mexico, Part One at Undermain Theatre.
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    Theater news

    Dallas' Theatre Three asks public for urgent help to keep lights on

    Stephanie Allmon Merry
    May 13, 2025 | 5:13 pm
    Natasha, Pierre, and the Great Comet of 1812 Off Broadway.
    Photo by Chad Batka
    "Natasha, Pierre, and the Great Comet of 1812" ran Off Broadway.

    A longtime Dallas theater company is asking for urgent help. Theatre Three (T3) has made a plea to the community for $200,000 in donations to stay in business.

    In a Facebook post on May 13, they say, "Without immediate and substantial help from our community, we will be forced to close our doors."

    They say they've suffered several years' worth of financial hardships, including effects of the COVID-19 pandemic, and more recently, cuts in arts funding.

    The post says, in part:

    "For 64 years, Theatre Three has been a cornerstone of Dallas’ creative spirit — bringing bold, innovative productions to life and showcasing the extraordinary talent of our local artists, designers, and creatives. We have been an intimate stage for everyone. But now, we face the greatest challenge in our history.

    "After mourning the loss of our beloved Jac Alder, and then, under the leadership of the incredible Jeffrey Schmidt, surviving the immense toll of the COVID-19 pandemic, we find ourselves once again at a significant crossroads. The ongoing erosion of support for the arts has dealt a devastating blow to our funding ...

    Our goal is $200,000. This is not the news we want to share, but it is news that we believe you all would want to know."

    The post is signed by board members Jessica Turner Waugh, Suzanne Burkhead, Rosa Medina-Cristobal, Scott T. Williams, Robert McCollum, Harrison Herndon, David G. Luther, Mia Glogau, and Jon Collins.

    Donations, they say, will help support local artists, staff and creatives to produce their next show, Xanadu; counter the rising costs of rent, insurance, and production; and allow them to retain staff.

    "We know times are tough. But we also know what this theater and its people mean to our city and to the generations who have found meaning, joy, and belonging within its walls," they say. "And that is why we are making this urgent plea. Help us preserve this Dallas institution."

    They end the post with a link to their donation page: https://www.theatre3dallas.com/support/.

    T3's black-box theater Theatre Too's final show of the season is The Mystery of Irma Vep, a fast-paced and campy parody that is on stage now through May 18.

    Theatre Three will close out its current season with Xanadu, a high-energy, roller-skating extravaganza that brings the 1980 cult film to life. Douglas Carter Beane is behind the hilarious book, and music and lyrics are by John Farrar and Electric Light Orchestra (ELO) founding member Jeff Lynne. It is set to run June 5-July 6, 2025.

    In addition to a full season of mainstage productions, Theatre Three offers additional programs for the community throughout the year.

    Monday Night Playwright features unique and affordable opportunities for local writers to showcase their works. Fight Night provides the community and artists alike with movement and other physical skills through monthly stage combat classes.

    The Norma Young Advanced Acting Lab, a collaboration with Booker T. Washington High School for the Performing and Visual Arts, is in its fifth year. Students have access to masterclasses hosted by industry professionals and exclusive insight on the professional production process at Theatre Three, then the course concludes with a professionally produced showcase.

    Theatre Three is located at 2688 Laclede St. in the Quadrangle in Uptown Dallas. For more information in productions and programs, visit their website.

    ---

    Lindsey Wilson contributed to this story.

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