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    The Luxe Life

    Pop art provocateur Ashley Longshore brings her more-is-more aesthetic to Forty Five Ten

    Kendall Morgan
    kendall Morgan
    Sep 14, 2017 | 3:25 pm
    Ashley Longshore
    Retailing for over $10,000, Longshore’s quirky Veuve Clicquot cork sculptures celebrate the luxe life.
    Photo courtesy of Ashley Longshore

    Luxe, lively, and larger than life, Ashley Longshore’s work has put her in the same pop art pantheon as Andy Warhol. The New Orleans-based artist has harnessed the power of social media (72k followers on Instagram alone) to bypass the gallery system, connecting directly with her clients through her potty-mouthed videos and quirky posts.

    Born in Montgomery, Alabama, Longshore refined her approach while still a coed at the University of Montana. Although her upper-class childhood was filled with lessons in jazz, ballet and tap, she longed to explore her artistic side — and to make money doing it.

    “I stole my father’s American Express and went and bought a paint kit when I was 18,” she recalls. “I felt it was the perfect way of expressing myself. I knew there were successful artists ... and I thought, ‘Where are the successful female artists?’ I thought galleries taking 50 percent was complete bullshit. I figured out I could make 100 percent profit margins if I knew who my collectors were.”

    She was savvy enough to gather together groups of “country club women” to build up her contact list, throwing art parties to sell her work. Although she says, “there’s been times I haven’t had $250 to pay my rent,” her entrepreneurial spirit eventually led her to New York, where she had shows at La Boîte à Epice and the Pop-Up Art Gallery.

    Celebrity clients (Penelope Cruz, Salma Hayek, Blake Lively) and brands (Chloe, Veuve Clicquot) quickly took notice of her candy-colored canvases depicting pop culture icons such as Frida Kahlo, Lil Wayne, Kate Moss and Audrey Hepburn.

    While at Neiman Marcus last year for a partnership with Clé de Peau Beauté, Longshore popped into the downtown Dallas Forty Five Ten and purchased an iconic Yves Saint Laurent heart-shaped fur coat. When then-president Brian Bolke heard about the buy, he approached Longshore to bring her “elegant yet rebellious” pieces in store for the first time.

    “He said, ‘You are fun and we should do something,’ and now I’m standing here,” says Longshore, who has, up until this point, only sold her art and collectible “Artgasm” home accessories through her New Orleans showroom or her website.

    “It’s just incredible the connectivity that can happen when you brace yourself and put stuff out there," she says. "I’ve never allowed anybody to have my product, but (the shop) is so well curated.”

    The merry mix of paintings, sculpture, glasses, trays, and plates at Forty Five Ten include everything from a candle ($45) to an inlaid mosaic table balanced on a casting of the artist’s feet ($21,500) and a sequined Kahlo canvas ($30,000). Like all of Longshore’s work, each piece — cocktail napkins to hand-painted Mark Cross bag — is limited edition. Once a style is gone, it’s gone.

    “In creating this brand, I wanted to have that essence of urgency,” the artist explains. “I only have a day in my life to put out this artwork. I could walk out of Forty Five Ten now and get hit by a Rolls Royce, or step over an exotic Birkin bag and break my neck, so you’ve got to get on the Ashley train now.”

    Ashley Longshore will appear in person, noon-3 pm September 15 at Forty Five Ten For Home on McKinney Avenue.

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    Ballet news

    Texas Ballet Theater executive director leaving for new gig in Northeast

    Stephanie Allmon Merry
    May 19, 2025 | 2:38 pm
    Vanessa Logan, Texas Ballet Theater
    Photo courtesy of Texas Ballet Theater
    Vanessa Logan joined Texas Ballet Theater in 2016.

    Vanessa Logan, who has served as Texas Ballet Theater executive director since 2016, is leaving TBT for a new role in the Northeast, the company says. Her final day with TBT will be June 30, 2025.

    The move will allow Logan to be closer to her family, the organization says. Her new position has not yet been announced.

    "While we will greatly miss Vanessa and her leadership at TBT, we support her decision to do what is best for her and her family and wish her well in her new pursuit," says TBT board of governors chair Anne T. Bass in a May 19 release. "Throughout her tenure at TBT, Vanessa has demonstrated the highest level of professionalism. It has been a delight to have worked closely with Vanessa over the last nine years, and I am most grateful for her unstinting efforts that have advanced TBT in so many respects."

    Logan joined North Texas' largest ballet company before the 2016-17 season; she previously had worked at the American Repertory Ballet in New Jersey and Boston Ballet.

    "Being part of TBT has been an immensely enriching and transformative experience. Partnering with Artistic Director Tim O’Keefe, working alongside such talented artists, and collaborating with a dedicated administrative and school staff has been a true privilege," Logan says in the release. "I am also deeply grateful for the unwavering support of our committed Board Chair and the Board of Governors, whose vision and leadership have been instrumental. Contributing to productions that bring beauty and artistry to our audiences and nurturing ballet education for countless children in Dallas-Fort Worth has been incredibly rewarding."

    During her tenure with TBT, Logan helped the company navigate through the challenges of the COVID-19 pandemic of 2020 followed by a catastrophic winter storm of 2021; she helped smooth the transition of artistic director from Ben Stevenson to Tim O'Keefe in 2023; and she oversaw new school facilities in Richardson and Dallas. TBT has also begun a 65,000-square-foot renovation of its Fort Worth facility to support future growth.

    "Vanessa’s support and partnership during the transition was phenomenal. I cannot imagine another leader better equipped to guide TBT seamlessly through such a transformational change," O’Keefe says. "Her steadfastness instilled confidence and built trust with staff, students and subscribers as she ensured that we held true to TBT’s mission of honoring classical ballet while embracing a new chapter of artistic evolution."

    TBT’s Board of Governors will immediately start searching for Logan’s successor and will quickly name an interim executive director to oversee operations until a permanent leader is in place, they say.

    Texas Ballet Theater, which is a resident company of both Winspear Opera House in Dallas and Bass Performance Hall in Fort Worth, just closed its 2024-25 season with O'Keefe's all-new staging of the beloved ballet Giselle.

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