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Dad's Got Game

This actor dad has enough onstage spunk to play Matilda's villain

Lindsey Wilson
Sep 23, 2015 | 10:36 am

When Bryce Ryness' friends first saw Matilda the Musical on Broadway in 2013, they told the then-33-year-old that he had to audition for it. At the time, Ryness was performing in First Date, a short-lived musical starring Zachary Levi and Krysta Rodriguez, and before that he'd made a splash in Leap of Faith and the 2009 revival of Hair.

"I was playing a douchey alpha male, which is completely the wrong type and wrong energy for Matilda," says Ryness. "My agent thought I'd maybe be good for an understudy for the dad at some point, but I wanted to play Miss Trunchbull. As the youngest of four children and competitive by nature, tell me 'no' and I go 'Oh no, she will be mine.'"

Miss Trunchbull is the tyrannical, terrifying headmistress — a role played by men in the musical — who makes life a nightmare for her young students, all except the cheerful bookworm Matilda. The Tony-winning musical by Tim Minchin and Dennis Kelly, based on the book by Roald Dahl, is bringing its first national tour to the Winspear Opera House September 23-October 4. Ryness was in Denver before Dallas, and he took the time to chat over the phone about the role and his experience.

As originated in London by Bertie Carvel, the role is a surprisingly physical showcase for the actor who plays it. After Carvel departed the show, his replacement actors have been plagued by injuries.

"It helps that I'm 34," Ryness notes. "The creative team was realizing how intensely physical the role is, and having a young strapping guy who won't get injured that much is worth its weight in gold.

"There's jumping, leaping, hitching your leg over head — I'm young and it's exhausting. I can't imagine doing this role in 20 years. Now they've recalibrated their thinking that my young age is a plus."

The father of three young children, Ryness jokes that his whole life is physical. He'd had the good fortune of previously playing what he calls "daddy tracks": supporting roles that have one or two juicy songs but still leave plenty of time to be with his kids.

His favorite role of that type was the playwright Joey Storms in the New York production of Fly By Night, which originally premiered at Dallas Theater Center in 2013 (with resident acting company member Alex Organ in the role).

"Fly By Night is one of my most favorite things I've been a part of," he says. "It's a beautiful gem of a show, a story crafted so well with silliness and nonsense and physical exertion. It's really a tragedy for modern theater that it wasn't received in New York the way it should have been."

And his experience with Matilda, even though he's onstage for a considerable amount of time, has kept his "daddy track" somewhat intact. Three young actresses alternate in the lead role, and the ensemble of children do some impressive singing, dancing, and acting.

"Royal Shakespeare Company [which originally developed the show] and [director] Matthew Warchus are doing a really good job of making sure these kids stay kids," Ryness says. "They are supposed to be portraying 5-year-olds, so there are height requirements, but they are placed back on the ground with both feet after their work is done.

"While they're here though, it's a whole community effort to get these kids to the level of executing a world-class show eight times a week. We all reap the rewards every night, and I get to be a part of telling this really exceptional story."

Bryce Ryness as Miss Trunchbull.

Matilda the Musical national tour
Photo by Joan Marcus
Bryce Ryness as Miss Trunchbull.
theater qa interview
news/arts

Theater News

Dallas' Kitchen Dog Theater unveils powerful 2026-2027 season lineup

Alex Bentley
Aug 12, 2026 | 10:01 am
Kitchen Dog Theater in Dallas
Photo by Cameron Cobb
Kitchen Dog Theater in Dallas will put on three mainstage productions for their 2026-2027 season.

Kitchen Dog Theater in Dallas has revealed the lineup for the 2026-2027 season, featuring a slate of plays that boasts power players like kings, prime ministers, space force commanders, and would-be presidents.

According to a release, the theater company's 36th season — their "most powerful yet" — will consist of three mainstage productions at its new permanent home in the Design District, as well as the annual New Works Festival, featuring a readings series and the 26th annual D-PAC PUP (Playwrights Under Progress) Fest.

The season will start with The Absentee by Julia Doolittle, running September 10-October 4, 2026. The play was the winner of the 2019-2020 Woodward/Newman Drama Award.

Far out in the Milky Way, “Beacons” serve as lighthouses for warping spaceships around the galaxy. When a U.S. Space Force ship explodes in the galaxy, the Operator finds herself alone in deep space, with only her ship’s AI for companionship. That is, until a persistent canvasser calls, desperate to convince her to vote absentee in the 2088 election.

As the Operator waits for the clean up to be over, she finds she has to come to terms with her isolation, grief, and her political voice.

The season's second production comes four months later, with Equivocation by Bill Cain, running February 4-28, 2027. In 1605 England, a terrorist plots to assassinate King James I and blow Parliament to kingdom come. Shagspeare (after a contemporary spelling of the Bard's name) is commissioned by the prime minister, to write the “true historie” of the plot. And it must have witches — the king wants witches.

But as Shag and the acting company of the Globe investigate the plot, they discover that the king's version of the story might, in fact, be a coverup. Shag and his actors are confronted with the ultimate moral and artistic dilemma. Speak truth to power and perhaps lose their heads? Or take the money and lie? Is there a third option? Equivocation?

A high-stakes political thriller with contemporary resonances, Equivocation gallops from the great Globe to the Tower of London to the halls of Parliament to the heart of Judith, Shag's younger daughter, who finds herself unexpectedly at the very heart of the political, dramatic and — ultimately — human mystery.

The final mainstage production of the season comes at the 2027 New Works Festival with Black Republican by KDT Artistic Company Member Jamal Gibran Sterling, running June 3-27, 2027.

Originally featured as a Staged Reading in the 2026 New Works Festival, the ambitious first play by Sterling centers on a Black Republican candidate on the national stage who finds his campaign threatened by an activist who challenges everything he claims to stand for. Their battle exposes uncomfortable truths about race, politics, and the stories we tell ourselves.

In addition to Black Republican, the 2027 New Works Festival will showcase four staged readings of some of the newest and most exciting Texas-based playwrights. Each reading will feature accomplished Dallas-Fort Worth actors and directors to highlight the breadth of talent in the area.

The final part of the festival is D-PAC PUP (Playwrights Under Progress) Fest, featuring six staged readings of jury-selected plays written by Dallas-Fort Worth high school students and featuring student actors directed by area professionals. PUP Fest is the culmination of Dallas Playwriting Arts Collective (D-PAC), a partnership with Dallas ISD and Junior Players.

Kitchen Dog Theater offers two season subscription packages for their inaugural season in their new facility. The Kitchen Dog package includes a ticket to all three mainstage productions for any performance date for $90+ $8 fees for adults and $75 +$8 fees for students and seniors (ages 65+). The Saver Dog package includes a ticket to all three mainstage productions for Thursdays, Fridays, and Sundays only. It is $60 + $8 fees for adults and $45 + $8 fees for students and seniors.

Both packages grant full access to the Staged Reading Series and PUP Fest. Subscribers also receive premium reserved seating for in-person performances, as well as subscriber-only discounts on additional single tickets, 2026 special events, and KDT merchandise.

Subscription packages are on sale now, and single tickets for each show will go on sale on Monday, August 24, at kitchendogtheater.org.

design district kitchen dog theater new works festival performing-arts plays theater
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