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    Count Your Blessings

    Why we should give thanks for the Dallas-Fort Worth theater scene

    Lindsey Wilson
    Nov 28, 2013 | 12:00 am

    It's not the same as posting daily on Facebook or saying what you're thankful for around the dinner table, but it's no less important that we give thanks this year for DFW's vibrant theater scene.

    Seriously, whenever November/December rolls around and it's time to start making year-end, best-of lists, it's astonishing to realize how much visceral, challenging and beautiful theater this city produces. Let us bow our heads and give thanks for these nine reasons why our theater scene rocks.

    1. We have troupes that delight in taking risks.
    Dead White Zombies performs original plays in former stash houses and abandoned warehouses. Ochre House produces truly unique shows — utilizing everything from flamenco to puppets — that spring from the inimitable mind of Matthew Posey. Second Thought Theatre challenges its audiences with intimate, often dark and controversial works.

    You can only appreciate the lightness of Neil Simon and Rodgers and Hammerstein when you have something to balance them against, and companies like these are doing an excellent job of pushing their audiences to explore and question.

    2. We believe in nourishing the next generation's love of the arts
    Michelle Obama recently presented Dallas Theater Center with the National Arts and Humanities Youth Program Award for its youth theater program, Project Discovery. Since 1986, Project Discovery has helped more than 265,000 students and teachers study and experience live theater (more than half for the first time in their lives).

    Kitchen Dog Theater, as part of the New Works Festival, partners every year with the local youth organization Junior Players to produce PUP Fest, a playwriting workshop and afternoon of staged readings written and performed by DFW high-schoolers.

    We've talked a lot about Fun House Theatre and Film before, and with good reason. By treating its young actors (and designers) like adult professionals, the company emerges with productions that are impressively high-quality. Adorable, of course, but also thought-provoking and resonant.

    WaterTower Theatre's upcoming The Adventures of Tom Sawyer will lead a double life as the Tom Sawyer Project. DISD high-schoolers auditioned for WaterTower's production, and now they will produce their own version of the show while the professional cast and crew act as mentors.

    In addition, organizations like Dallas Children's Theater, Theatre Britain and Pocket Sandwich Theatre all stage performances designed to engage and encourage kids to love live theater. And let’s be honest, throwing popcorn and hissing at the villain is just as much fun for adults as it is for the little ones.

    3. We have a lot of critics.
    Trust us, this is a good thing. With a profession that's shrinking by the minute, Dallas has somehow managed to maintain a healthy number of professional theater critics. This is great for so many reasons, chief among them that educated, experienced opinions are harder and harder to come by in today's Yelp culture.

    We may not all be full-time in pay, but we are full-time in spirit and commitment. To have this many varied voices, all passionate about the vast amount of theater Dallas is producing, is a valuable thing.

    4. We have the largest arts district in America.
    Not only is it big, but it's also gorgeous. Nestled in among world-class museums, the AT&T Performing Art Center is an architectural gem. The visually interesting façade and endlessly moveable interior of the Wyly Theatre encourage artists to have some fun, while the ruby-red prow of the Winspear Opera House juts toward the highway, beckoning passersby to enter and experience something amazing.

    5. We're a big tour stop.
    Between Dallas Summer Musicals, Lexus Broadway Series and Performing Arts Fort Worth at Bass Hall, we get just about every big musical and play that crisscrosses the country. You can't ever say that we're left out of the conversation.

    6. We are finally starting to get national cred.
    Not only are we in the conversation, sometimes we are the conversation. Earlier in the year, Dallas hosted the Theatre Communications Group's national conference. This was a big deal not only to the hardcore arts community, but it was a chance to show big-name companies from across the country the awesome work our own organizations have been doing.

    In addition, shows that have premiered or been workshopped in Dallas have gone on to play in New York (Broadway included!).

    7. We love our festivals.
    Festivals are great not only for allowing smaller, newer works to be seen, but also because they also bring with them a sense of camaraderie. From Uptown Players Pride Festival to WaterTower Theatre's Out of the Loop Fringe Festival to the Festival of Independent Theatres, there's plenty to choose from.

    8. We have a lot of big companies. We also have a lot of small and mid-sized companies.
    There seems to be room for everyone in Dallas. From established, long-running theaters like Theatre Three (founded in 1961) and Dallas Theater Center (going since 1959) to newer, more compact troupes like Dallas Actors Lab (behind the intense ensemble play Jailbait) and Upstart Productions (its production of The Aliens was pitch-perfect), everyone is allowed to flourish.

    9. We have some incredible talent.
    Onstage and off, Dallas is home to a wildly talented bunch of actors, directors, designers and producers. In 2014, we can't wait to see what you guys will come up with next.

    David Jeremiah and Rhianna Mack in Dead White Zombies' T.N.B.

    David Jeremiah and Rhianna Mack in T.N.B.
    Photo courtesy of Dead White Zombies
    David Jeremiah and Rhianna Mack in Dead White Zombies' T.N.B.
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    Mural News

    Netflix House will debut in Dallas with murals from acclaimed artist

    Desiree Gutierrez
    Dec 8, 2025 | 12:51 pm
    ​Jeremy Biggers at Netflix House
    Netflix House
    Jeremy Biggers at Netflix House

    A long-awaited immersive venue is opening in Dallas, and it will debut with local art on its walls: Netflix House, a year-round exhibit revolving around Netflix shows and movies, will open at Galleria Dallas on December 11, with two murals from award-winning Dallas multi-medium artist Jeremy Biggers.

    Netflix House is an immersive dive complete with merchandise store, film house, arcade, and restaurant-bar. When it opens, Dallas will be the second location in the U.S., following Philadelphia, where it debuted in November 2025, also with murals from a local artist.

    A graduate of Booker T. Washington High School for Performing and Visual Arts, Biggers is a renowned artist whose murals can be found spashed on walls across Dallas. Many, such as the Selena portrait on the wall outside Top Ten Records at 306 S. Bishop Ave., have become local landmarks.

    He's a logical choice, having worked with a number of corporations including Nike, Adidas, the Dallas Mavericks, and IBM, for whom he created the "THINK" mural in their Dallas corporate office. His works have also been exhibited nationally, including a 2024 solo exhibition "be safe out there bro" at Band of Vices, a gallery in Los Angeles.

    "Being chosen to be the artist to paint this mural, it would have been a disservice to myself, as well as the art scene in the city, not to try to infuse myself into it," he says.

    \u200bJeremy Biggers at Netflix House Jeremy Biggers at Netflix HouseNetflix House

    Biggers did two murals featuring his interpretation of Netflix figures including the Squid Game Young-hee doll, characters from KPop Demon Hunters and megahit series Stranger Things, plus Pandy and DJ Catnip, the best friends in the interactive series Gabby’s Dollhouse.

    Both murals are intensely colored works that incorporate Biggers' signature motif: a grid of polka dots spread across the image.

    • One is on the exterior of Netflix House, at the parking entrance, a colorful collage of characters, measuring 38 feet x 50 feet — the tallest mural Biggers has tackled. He painted it with aerosol; it took him two months to complete.
    • The other is on the interior, on the mall side entrance of Netflix House, measuring 57 feet x 12 feet — a study in moody blacks and blues, with accents of neon-red that give it a 3D effect.

    “I'm trying to tell the story of Netflix, and the story of where Netflix has been historically, where Netflix is headed in the future, and then also infusing my own narrative and my own language visually into that story,” he says.

    “They could have opened this anywhere, so for Dallas to be one of the very first locations — that’s a testament to us as a market, as consumers of arts and consumers in general," he says.

    Jeremy Biggers at Netflix House Jeremy Biggers at Netflix HouseNetflix House

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