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    Hiring News

    New leadership leads the New Year for 2 Dallas theater companies

    Lindsey Wilson
    Jan 10, 2023 | 9:23 am

    Two Dallas theaters — Second Thought Theatre and Teatro Dallas — are starting the New Year with new leadership. The former has hired an executive director, while the latter has brought on a new executive artistic director.

    Executive director is a new role for Second Thought, which has been helmed solely by artistic director Carson McCain since 2020. Now, Dallas-based actor and playwright Parker Gray takes the managerial lead as part of a multi-pronged rethink of STT’s administrative infrastructure.

    Following Drew Wall’s demission of his role as director of operations — which he held for over 15 pivotal years — the STT board of directors and staff saw an opportunity to reshape its company structure and to build greater synergy between artistic vision and logistical efficiency, explains a release.

    “Parker has been a dear friend and collaborator of mine for almost a decade,” says McCain. “There is no one whose taste and vision I trust more when it comes to the DFW theater landscape. Second Thought Theatre is incredibly lucky to have such a talented and knowledgeable leader joining our team.”

    Gray is a graduate of the acting program at Southern Methodist University and his list of credits includes notable projects for film, television, and practically every theater company in the DFW, including an upcoming production of The Play That Goes Wrong co-produced by Stage West and WaterTower Theatre. That's also him starring in one of 2022's top productions, Stede Bonnet: A F*cking Pirate Musical at Theatre Three.

    “I’m so incredibly excited and honored that I get to help usher this theater into the next era of its existence,” says Gray. “Drew Wall and Alex Organ [STT's previous artistic director] were, and are, two of my inspirations in this town, and the theater they created when I first drew artistic breath here were my favorites. So to now follow in their footsteps and sit beside another inspiration and favored colleague, Carson McCain, and create theater at Second Thought is both humbling and a dream come true.”

    Gray was selected for the position in late October 2022 and now joins the STT staff in the newly developed role in earnest

    Teatro Dallas has announced Gustavo Ott as its new executive artistic director. Ott will succeed Sara Cardona, who will remain on staff as director of development.

    “This 36-year legacy is one I am proud to inherit and build upon as an exclusive asset, an artistic and educational gift that lives and speaks to us because it is also a political legacy: of resistance, beauty, and engagement," says Ott. "Our season is the backbone of our identity. And my artistic vision, of course, starts with my plays."

    Ott was born in Caracas, Venezuela, and is a playwright, theater director, and fiction writer. For 20 years, he was executive artistic director of the San Martin Theater and Fiesta: International Theater Festival in Caracas. As a director, he has staged more than 15 plays of his own and by other contemporary authors. As a playwright, he has written over 50 plays and has been translated into 15 languages.

    Ott also vows to support new work, "in particular plays by BIPOC, LGBTQ+, and women writers. Through the Playwriting Workshop, I will develop new plays and authors, placing priority on world premieres, national premieres, state premieres, and English-language premieres. I will seek to make an impact with beauty that is not superficial, to shake spectators with a season that is beautiful, entertaining, and at the same time political. Beauty with sharp claws."

    He will also focus on strengthening international ties with groups and institutions in Spanish-speaking countries, particularly with Mexican theater.

    "We will translate contemporary Latin American playwrights into English and promote them in the U.S.," Ott says in a release. "Our International Festival — a unique event in the southwest of the country — will also remain a priority. It will continue to grow as a link to Latin America."

    Parker Gray

    Photo by Brent Weber

    Parker Gray is Second Thought Theatre's new executive director.

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    Dance Off

    Texas ballet company turns Timothée Chalamet dig into genius promotion

    Brianna Caleri
    Mar 13, 2026 | 1:12 pm
    Timothée Chalamet
    Courtesy
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    It was a shot fired from Austin that rang out around the art world: In a recent CNN/Variety Town Hall featuring actors Timothée Chalamet and Matthew McConaughey, Chalamet offered an assessment of ballet and opera that immediately went viral.

    During the onstage conversation at the University of Texas at Austin, Chalamet said, "I don't want to be working in ballet or opera, or you know, things where it's like, 'hey, keep this thing alive, even though like no one cares about this anymore.' All respect to the ballet and opera people out there. I just lost 14 cents in viewership."

    Chalamet immediately seemed to experience a twinge of regret, awkwardly adding, "But um...damn, I just took shots for no reason." He also sang a note and hid his face behind the cards he was holding.

    Stars of the art forms, from Andrea Bocelli to Misty Copeland, immediately began to leap (jeté, if you will) to the the defense of opera and ballet.

    In a genius marketing move, Austin's hometown ballet company is taking the unique opportunity to turn a hot topic into a promotion for its next production: Ballet Austin is inviting anyone named Timothée, Timothee, or Timothy to claim a free ticket to its upcoming world premiere of Marie Antoinette: Vampire Queen of Versailles, running March 27-29 at the Long Center for the Performing Arts.

    "Timothée… you were in Austin? We were literally down the street," a Ballet Austin post says. "Austin has brisket. Austin has music. Austin also has ballet."

    All Timothées and folks with similar names will have to do to claim a ticket is send a message to Ballet Austin on social media and show identification. Everyone else who wants to see the supernatural show where "the line between victim and villain blurs" will have to purchase a ticket ($25-$125) at balletaustin.org.

    Ballet Austin Marie Antoinette: Vampire Queen of Versailles Ballet Austin isn't afraid to add some edge to classic stories. Photo courtesy of Ballet Austin

    Even if Chalamet's words were dismissive, he's obviously not wrong about the relative distribution of public interest between the classical arts and major films like Marty Supreme, the late 2025 film he stars in and is busy promoting. The film's commercially successful release set a record for A24, an already renowned studio.

    Chalamet brought up ballet and opera in service of a larger point about pacing in movies. He said he exists in a middle ground as a consumer between wanting to be drawn in early and being more patient as a film progresses. Ultimately, he juxtaposed Barbie and Oppenheimer with the classical arts, pointing out that if the masses want to go see a film, they will "be loud and proud about it" organically, without needing performers to advocate for the seriousness of the art form.

    Coincidentally, there couldn't be a better counterpoint to this argument than Marie Antoinette: Vampire Queen of Versailles.

    As the title suggests, the story follows historical figure Marie Antoinette as she chooses to become a vampire, seeking "power, immortality, and vengeance," according to a press release. It takes a somewhat silly premise and gives it dramatic gravitas, with an original score by Austin composer Graham Reynolds, who is known outside of classical circles and sometimes composes for movie soundtracks.

    "For Ballet Austin, the moment is an opportunity to remind audiences that ballet isn’t fading away," says a release about the new promotion. "It’s evolving, drawing new audiences and continuing to thrive in creative cities like Austin."

    If Chalamet really does fall in the middle of instant and delayed artistic gratification, this sounds like the perfect production to draw him in.

    And perhaps Ballet Austin should add people named Matthew to their promotion, since McConaughey threw the younger star a bone after his momentary walk-back, saying, "That's not a shot — I hear what you're saying."

    ---

    Stephanie Allmon Merry contributed to this story.

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