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    CINEMATIC SOUNDSCAPES

    Dallas Chamber Symphony debuts ambitious mash-up of modern music and silentmovies

    Kendall Morgan
    Nov 12, 2012 | 11:15 am
    • Composer Brian Satterwhite wrote the score for A Sailor-Made Man, the premiereof the Dallas Chamber Symphony Film Score Series.
      Photo courtesy of Dallas Chamber Symphony
    • A promotional image for Harold Lloyd's A Sailor-Made Man.
      Orange County Archives/Flickr

    Film and classical music fans alike will find something to love in Dallas Chamber Symphony’s ambitious new Film Score Series, launching Tuesday, November 13, at the Dallas City Performance Hall with a screening of Harold Lloyd’s A Sailor-Made Man.

    With the recent art house success of George Méliès’ restored Le Voyage dans la Lune (A Trip to the Moon) — complete with a score from the French electronica band Air — the time is most definitely right for a mash-up of modern music with silent movies.

    Artistic director and conductor Richard McKay added the series to the Dallas Chamber Symphony’s inaugural season as a way to change up the product.

    “[Classical music] can be a little stuffy, and we’re a lean and nimble organization that can take risks,” says artistic director Richard McKay.

    “[Classical music] can be a little stuffy, and we’re a lean and nimble organization that can take risks,” he says. “Seeing as nothing like this was done in Dallas, we thought it was a great opportunity.”

    For the first score, McKay approached friend and colleague Brian Satterwhite, best known for his soundtracks for the documentary Man on a Mission and the IMAX film Ride Around the World.

    “You need a composer who is very thorough and writes a clean and clear score that musicians understand,” McKay says. “Brian is easy to work with and could hold our hand through the process of synchronizing music and film.”

    With a composition deadline of six months and a requirement of working only with the symphony’s string section, Satterwhite originally selected the surrealist classicThe Cabinet of Dr. Caligarifor his first film.

    Then came the twist — McKay decided Satterwhite should score two performances, the first one using 16 players with a premiere date of just about two months away.

    Composer Brian Satterwhite calls A Sailor-Made Man “the perfect film to introduce the audience to the experience.”

    “The only thing more exciting than one commissioned score is two,” recalls the unflappable Satterwhite. “I’m gung-ho that way, and as a film composer, I’m used to doing things in a time crunch.”

    In a matter of days, Satterwhite had selected A Sailor-Made Man for the series’ debut November 13, calling it “the perfect film to introduce the audience to the experience.” At 46 minutes long, Sailor’s story of a young playboy attempting to win the approval of his beloved’s father is considered comedian Harold Lloyd’s first feature. Satterwhite’s original choice of Caligari will be performed February 26.

    Both films are just the first step in what both McKay and Satterwhite hope will be a long-running fixture in the chamber symphony’s yearly program. The duo plans to enlist the help of other composers as they expand the series in 2013.

    “It’s definitely something we want to continue and keep up as a tradition,” Satterwhite says. “I’m such a huge fan of the silent film era, and this is an opportunity that opens a whole new world to audiences.”

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    Season Announcement

    Big spenders + bigger voices fill Lyric Stage's 2025-26 Dallas season

    Lindsey Wilson
    Jun 18, 2025 | 12:29 pm
    Rocky Horror Picture Show with Tim Curry
    The Rocky Horror Picture Show.
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    For its 2025-26 season, Lyric Stage is pairing a sweet transvestite with Civil War-era sisters, a dance hall hostess with harmonizing ghosts, and a whole bunch of divas with their much-deserved spotlight.

    Now in its 32nd season, the nonprofit Lyric Stage is dedicated to the development and preservation of musicals, having produced more than 125 productions, which include 21 world-premiere musicals and two Off-Broadway shows.

    Under the helm of newish artistic directors Tricia Guenther and Scott Guenther, four of its current shows will take place in its Lyric Studio Space near the Trinity River, with one at Moody Performance Hall in the Dallas Arts District.

    First up (and just in time for Halloween) is The Rocky Horror Show — note the missing "Picture." This is the stage version on which the cult classic movie was later based, but don't worry, audiences are still encouraged to shout at the performers and throw toilet paper and other props.

    Sweethearts Brad and Janet, stuck with a flat tire during a storm, discover the eerie mansion of Dr. Frank-N-Furter. As their innocence is lost, Brad and Janet meet a houseful of wild characters, including a rocking biker and a creepy butler. Through elaborate dances and rock songs, Frank-N-Furter unveils his latest creation: a muscular man named “Rocky.” It runs October 10-26, 2025 at Lyric Stage Studio and is not family-friendly.

    For the holiday season, Forever Plaid - Plaid Tidings brings Francis, Jinx, Smudge, and Sparky back to Earth on the orders of Rosemary Clooney to put a little harmony into a discordant world.

    Stewart Ross' musical is sprinkled with Christmas offerings and audience favorites, like the riotous three-minute-and-eleven-second version of The Ed Sullivan Show, this time, featuring the Rockettes, the Chipmunks, and The Vienna Boys Choir. It runs December 5-21, 2025, at Lyric Stage Studio.

    For one night only, the Dallas Divas return just in time for Valentine’s Day.

    Showcasing some of the most talented voices in Dallas, singing songs ranging from Broadway to pop, the performance is a Lyric Stage tradition. It is February 11, 2026, at Moody Performance Hall.

    Inspired by Federico Fellini’s Night of Cabiria, Sweet Charity explores the turbulent love life of Charity Hope Valentine, a hopelessly romantic but comically unfortunate dance hall hostess in New York City.

    With a tuneful, groovy, mid-1960s score by Cy Coleman, sparkling lyrics by Dorothy Fields, and a hilarious book by Neil Simon, Sweet Charity captures all the energy, humor, and heartbreak of Life in the Big City for an unfortunate but irrepressible optimist. The production is the original 1966 Broadway (not the movie version) with such hit songs as “Big Spender,” “If My Friends Could See Me Now,” “I’m a Brass Band,” and “Baby, Dream Your Dream.” It runs April 17-May 3, 2026, at Lyric Stage Studio.

    Closing out the season is Louisa May Alcott's timeless Little Women, with a book by Allan Knee, lyrics by Mindi Dickstein, and music by Jason Howland.

    The musical follows the adventures of sisters Jo, Meg, Beth, and Amy March. Jo is trying to sell her stories for publication, but the publishers are not interested in a woman's creativity. Her friend, Professor Bhaer, tells her that she has to do better and write more from herself. Begrudgingly taking this advice, Jo weaves the story of herself and her sisters and their experience growing up in Civil War America. It runs July 17-August 2, 2026, at Lyric Stage Studio.

    Season tickets, which range from $40-$60, are available beginning July 1. Lyric Stage is located at 1170 Quaker St. in Dallas.

    dallas divasfederico felliniforever plaidlittle womenlyric stagemoody performance hallnight of cabiriarockettesrocky horror showsweet charitysweet transvestitetheatertime warpvienna boys choirmusical theatremusicals
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