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    Arts News For You

    Staff switch-ups and artist opportunities kick off 2024 Dallas-Fort Worth arts news

    Lindsey Wilson
    Jan 3, 2024 | 9:34 am
    Antonio Lechuga's Structures of Softness

    "Structure of Softness" by Antonio Lechuga, displayed at the Oak Cliff Cultural Center in 2023.

    Photo courtesy of City of Dallas Office of Arts and Culture

    We might have just published our look back on 2023's most-read arts stories, as well as the biggest memories of Dallas-Fort Worth theater — but the New Year isn't wasting any time. Theater rebrands, staff changes, and a call for visual artists are all helping 2024 start off big in the arts and culture world.

    Teatro Dallas new staff
    Gustavo Ott joined Teatro Dallas just around this time last year, becoming the company's new artistic executive director. Now he's gone, having joined the Gala Theater in Washington, D.C. on January 1, 2024.

    The board of directors will conduct a regional search for a new artistic executive director for fall 2024. In the interim, an artistic advisory committee comprised of Teatro Dallas co-founder Cora Cardona, resident producer Mac Welch, and NYC based-actress Elena Hurst will craft upcoming summer and fall projects.

    This is a newly created role for Welch, who addition to helping plan the next season, stage 2024's Days of the Dead celebration, and assume all marketing responsibilities, will oversee Teatro Dallas' 21st International Festival and its first ever musical, a collaboration with Chicago-based Aguijon Theater in May.

    Erica Herrera, Teatro Dallas' long time managing director, will expand her role to coordinate the theater's educational programs.

    In 2025, Teatro Dallas will complete forty seasons of professional theater in Dallas, making it one of the longest-running theaters in the city and one of the oldest Latinx theaters in the country.

    Ohlook rebrands
    Ohlook Performing Arts, a cornerstone of Grapevine's arts scene for nearly two decades, announced on December 31, 2023, the departure of founder Jill Lord.

    Jessica Taylor Stubblefield will now lead the mostly youth-based theater, which is also rebranding as Starling Performing Arts. Its board of directors is changing, too, with Steffi Keusch as the newly appointed president.

    All classes, camps, and performances are expected to continue as usual, while Starling becomes the resident theater for the Vine Arts Center.

    ART214 call for entries
    The City of Dallas Office of Arts and Culture (OAC) is calling for entries for the fifth-year ART214 juried exhibition, a multi-venue collaborative project which will be presented during Dallas Arts Month in 2024.

    Entry deadline is January 27, 2024.

    Art in all media created by artists who currently live in the DFW and Greater North Texas region will be reviewed. All the ART214 entries will be reviewed by a panel of five art professionals from the DFW area. The jurors will select the artwork that will be featured in the five participating venues: Latino Cultural Center, the Bath House Cultural Center, the Oak Cliff Cultural Center, Moody Performance Hall, and the South Dallas Cultural Center.

    ART214 provides opportunities for artists to exhibit their work for the first time in one of the four cultural centers found across Dallas. The juried exhibition also gives artists who have previously exhibited at one of the cultural centers an opportunity to display their work at a different location.

    Theatre Frisco new leadership
    Since 2016, Neale Whitmore has served as artistic director of Theatre Frisco, and now that he's retiring the multi-talented Andi Allen is stepping into the role.

    The longtime DFW actor, designer, and director officially takes over with the theater's 2024 season, which runs on the calendar year. The first production is Rodgers & Hammerstein's A Grand Night for Singing, running February 16-March 3 at the Black Box Theater inside the Frisco Discovery Center.

    Oak Cliff Film Festival call for entries
    Do you want to have your film seen on the big screen? The 2024 edition of the Oak Cliff Film Festival, taking place from June 20-23, 2024, is welcoming submissions. Stronger consideration is given to films that have not had significant prior exposure in DFW, particularly in the case of feature-length projects. The final deadline to submit is in April, at filmfreeway.com.

    The Oak Cliff Film Society is a nonprofit dedicated to discovering independent and archival films and sharing them with new audiences via screenings and educational programs. They're committed to cultivating the film community in and promoting the Dallas neighborhood of Oak Cliff and strive to utilize historic theaters and venues for their annual Oak Cliff Film Festival.

    Kimbell acquires significant sculpture
    On December 13, 2023, the Kimbell Art Museum announced the acquisition of one of the most renowned sculptures from ancient Mesoamerica, an unqualified icon of Olmec civilization. Standing Figure Holding a Were-Jaguar Baby (c. 900–300 B.C.), a statuette carved in jadeite, has been at the center of Olmec studies and the subject of scholarly interpretation since the mid-twentieth century.

    It becomes the most significant work of ancient American art in the Kimbell’s collection. The superb figure was acquired in celebration of the tenth anniversary of the Kimbell’s Renzo Piano Pavilion, where it will be the centerpiece of the museum’s ancient American collection from December 15, 2023, onward.

    SheDFW debuts
    The Table Co/Lab formed in 2022 as a theater company led by female-identifying and non-binary people that sought to uplift underrepresented voices. Now it's becoming the nonprofit SheDFW, a part of the SheNYCArts company, and will present its inaugural SheDFW Summer Theater Festival in 2024.

    The festival will be led by producers Rebecca Lowrey (head of MusicalWriters.com) and Sarah Powell (co-founder and executive director of The Table Co/Lab). It will feature three new original works — two plays and one musical —by women, trans, and non-binary writers in DFW.

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    Dance Off

    Texas ballet company turns Timothée Chalamet dig into genius promotion

    Brianna Caleri
    Mar 13, 2026 | 1:12 pm
    Timothée Chalamet
    Courtesy
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    It was a shot fired from Austin that rang out around the art world: In a recent CNN/Variety Town Hall featuring actors Timothée Chalamet and Matthew McConaughey, Chalamet offered an assessment of ballet and opera that immediately went viral.

    During the onstage conversation at the University of Texas at Austin, Chalamet said, "I don't want to be working in ballet or opera, or you know, things where it's like, 'hey, keep this thing alive, even though like no one cares about this anymore.' All respect to the ballet and opera people out there. I just lost 14 cents in viewership."

    Chalamet immediately seemed to experience a twinge of regret, awkwardly adding, "But um...damn, I just took shots for no reason." He also sang a note and hid his face behind the cards he was holding.

    Stars of the art forms, from Andrea Bocelli to Misty Copeland, immediately began to leap (jeté, if you will) to the the defense of opera and ballet.

    In a genius marketing move, Austin's hometown ballet company is taking the unique opportunity to turn a hot topic into a promotion for its next production: Ballet Austin is inviting anyone named Timothée, Timothee, or Timothy to claim a free ticket to its upcoming world premiere of Marie Antoinette: Vampire Queen of Versailles, running March 27-29 at the Long Center for the Performing Arts.

    "Timothée… you were in Austin? We were literally down the street," a Ballet Austin post says. "Austin has brisket. Austin has music. Austin also has ballet."

    All Timothées and folks with similar names will have to do to claim a ticket is send a message to Ballet Austin on social media and show identification. Everyone else who wants to see the supernatural show where "the line between victim and villain blurs" will have to purchase a ticket ($25-$125) at balletaustin.org.

    Ballet Austin Marie Antoinette: Vampire Queen of Versailles Ballet Austin isn't afraid to add some edge to classic stories. Photo courtesy of Ballet Austin

    Even if Chalamet's words were dismissive, he's obviously not wrong about the relative distribution of public interest between the classical arts and major films like Marty Supreme, the late 2025 film he stars in and is busy promoting. The film's commercially successful release set a record for A24, an already renowned studio.

    Chalamet brought up ballet and opera in service of a larger point about pacing in movies. He said he exists in a middle ground as a consumer between wanting to be drawn in early and being more patient as a film progresses. Ultimately, he juxtaposed Barbie and Oppenheimer with the classical arts, pointing out that if the masses want to go see a film, they will "be loud and proud about it" organically, without needing performers to advocate for the seriousness of the art form.

    Coincidentally, there couldn't be a better counterpoint to this argument than Marie Antoinette: Vampire Queen of Versailles.

    As the title suggests, the story follows historical figure Marie Antoinette as she chooses to become a vampire, seeking "power, immortality, and vengeance," according to a press release. It takes a somewhat silly premise and gives it dramatic gravitas, with an original score by Austin composer Graham Reynolds, who is known outside of classical circles and sometimes composes for movie soundtracks.

    "For Ballet Austin, the moment is an opportunity to remind audiences that ballet isn’t fading away," says a release about the new promotion. "It’s evolving, drawing new audiences and continuing to thrive in creative cities like Austin."

    If Chalamet really does fall in the middle of instant and delayed artistic gratification, this sounds like the perfect production to draw him in.

    And perhaps Ballet Austin should add people named Matthew to their promotion, since McConaughey threw the younger star a bone after his momentary walk-back, saying, "That's not a shot — I hear what you're saying."

    ---

    Stephanie Allmon Merry contributed to this story.

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