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    Keeping Dallas Fresh

    Slice Media shatters Dallas stereotypes to show a younger, sexier side of thecity

    Jonathan Rienstra
    Oct 16, 2012 | 4:51 pm
    • Cesar Jasso (left) and David Redish (right) make up Slice Media, a Dallas-basedvideo production company.
      Photo courtesy of Slice Media
    • "I wanted to work for myself and be in control of my future," Jasso says. "I wassitting at my office desk and thought, 'I'm too young to be wasting my days inan office doing something I don't enjoy.'"
      Photo courtesy of Slice Media
    • Redish reviews a shot from the Felix Cartal episode of the Chasing Daylightseries with director of photography Jordan Mathis.
      Photo courtesy of Slice Media

    Cesar Jasso and David Redish, the duo behind video production company Slice Media, are on a mission to make Dallas look cool.

    “Cesar is always stressing that stuff when we shoot,” Redish says. “We want to make Dallas look the way it should, which isn’t always how it’s portrayed by the media.”

    Forget high hair and credit card statements the size of a small country’s GDP. Slice Media wants to show how the young and restless operate in Dallas.

    One of Slice Media’s weapons in the fight against GCB stereotypes is a new series called Chasing Daylight.

    One of their weapons in the fight against GCB stereotypes is a new series called Chasing Daylight. The first episode came out in August, starring Colorado-based DJ Paper Diamond, who explored Dallas while in town for a show. You can see the video above, where he plays at Trees in Deep Ellum and checks out Centre in Mockingbird Station.

    “I had been doing some shooting with Bassnectar while he was on tour and got this idea of doing more with video than just shooting B-roll for the tour,” Redish says. “I wanted to see what it was like for someone when they were in town, outside of performing.”

    Redish says that his friend Geoff Stupay at Fresh New Tracks put him in touch with Paper Diamond, and they set up a shoot last winter.

    “It was a lot of fun,” Jasso says. “Corporate shoots can be stressful, because you have to answer to the client, but with this we met up with Paper Diamond for six hours and just planned the day out, taking him around Dallas. It was me, David and two cameramen. Those shots in the car are in David’s car, and he’s driving and interviewing at the same time.”

    Slice Media started in August 2010, but the seed for the company was planted back in 2001, when Redish and Jasso were freshmen at ESD.

    [Editor's note: The author attended ESD and was three years behind Redish and Jasso. He knew of them only through sports, where they did not talk to him or pass the ball.]

    “We’ve known each other since we were 15,” Redish says. “Toward the end of high school, we started leading a film club and thought it was fun, but didn’t really know about a career in it.”

    One of their first jobs, a political ad for State Rep. Cindy Burkett, ended up winning a Pollie Award.

    Redish went to SMU to study filmmaking while Jasso attended Texas A&M, where he majored in international business. After college, Redish went off to Los Angeles to make movies and went through the entire process of not making movies, he says.

    Meanwhile, Jasso had moved to Austin. In March 2010, Redish crashed with Jasso while attending South by Southwest and mentioned that he wanted to start a video production company back in Texas.

    “I went back home, and about two months later, Cesar called and was like, ‘Let’s do it in Dallas.’” Redish says. “By August we had set up a couple of political ads.”

    One of those ads — “One of Us,” for State Rep. Cindy Burkett — ended up winning a Pollie Award from the American Association of Political Consultants. That early success has allowed them to grow Slice Media organically.

    “So far it’s just the two of us,” Redish says. “We hire out as many freelancers as we need, but we want Slice to stay nimble. We didn’t want to box ourselves in with a general topic, which is where our name comes from.”

    Jasso says that although they do the corporate stuff, their passion lies in the original productions.

    “We’ve done a few festivals with our stuff,” he says. “We got Best Overall last year at Guts and Glory [part of Dallas VideoFest], which was a lot of fun. We shot on Super 8 in 24 hours, which meant we couldn’t do any editing.”

    Redish recently directed a tourism ad for the City of Dallas featuring Larry Hagman. The video captures the duo’s efforts to showcase Dallas as more than Dallas.

    Outside of Slice Media, Redish recently directed a tourism ad for the city of Dallas featuring Larry Hagman, and Jasso came on as production manager. They teamed up with Redish’s SMU friend Dan Maitland, who was the executive producer.

    It may not have Slice Media’s label, but the video captures the duo’s efforts to showcase Dallas as more than Dallas. And if J.R. Ewing is the one telling you to forget that old image of Dallas, then, well, that’s probably worth something, right?

    Redish says that Slice is working on getting out the second episode of Chasing Daylight next month.

    “We shot this DJ named Felix Cartal last year at South by Southwest,” he says. “He’s this young guy, like 24 or 25, and does this mash-up stuff. He’s on Steve Aoki’s record label.”

    Just because the episode takes place in Austin doesn’t mean Chasing Daylight is moving away from Dallas.

    “The model of the show is to be on the road and travel with the artist,” Redish says. “But we always love filming with them here to show off Dallas’ rarely highlighted hip and young side.”

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    Theater News

    Addison's WaterTower Theatre to stage U.S. premiere on 2026-27 season

    Alex Bentley
    Feb 27, 2026 | 3:30 pm
    Miriam Teak Lee
    Photo courtesy of Miriam Teak Lee
    Actress Miriam Teak Lee will open the 26-27 WaterTower Theatre season with a special concert of Broadway songs.

    WaterTower Theatre in Addison has mapped out a relatively small slate for its 31st season, but it's one that features works by some big names and a national premiere.

    None of the events/productions taking place in WaterTower's 2026-2027 season have official dates yet, but the company has revealed the full details about each of them.

    Starting things off will be Broadway by North Texas, featuring Olivier Award-winning actress Miriam Teak Lee, which is scheduled for sometime in Fall 2026.

    The special concert event by Lee, who starred in & Juliet on the West End in London, will feature the English actress performing Broadway favorites and contemporary musical theater highlights.

    The first play of the season will be Neil Simon's Biloxi Blues, taking place at some point in Winter 2027. It's a semi-autobiographical play, the second chapter in what is known as Simon's Eugene trilogy following Brighton Beach Memoirs.

    It follows the next chapter of Eugene Morris Jerome’s journey as he leaves Brooklyn behind for basic training in Biloxi, Mississippi, during World War II. The play captures the bonds formed among a group of young soldiers as they navigate the pressures of military life, first loves, and the uncertainty of the future.

    WaterTower Theatre will next host the U.S. premiere of Jeeves Takes Charge, based on a short story by P.G. Wodehouse. It will run in Spring 2027.

    In the play, the brilliant and unflappable valet Jeeves returns to rescue his well-meaning but hapless employer, Bertie Wooster, from a tangle of romantic entanglements and social disasters. The fast-paced comedy sparkles with clever wordplay, charming characters, and delightfully absurd situations.

    The season will wrap up in Summer 2027 with Honky Tonk Angels, which features songs by Dolly Parton, Loretta Lynn, and Tammy Wynette.

    The spirited, feel-good musical celebration follows three women who set out for Nashville in search of their dreams. Packed with humor, heart, and hits, the revue is a joyful tribute to friendship, perseverance, and the enduring power of country music.

    Season tickets will go on sale on March 15, starting at $169 per person until June 1, when prices will increase to $189 per person.

    New or renewed season tickets are available for purchase by visiting watertowertheatre.org, calling 972-450-6232, or by email at boxoffice@watertowertheatre.org.

    Single tickets will go on sale for non-subscribers in late summer 2026.

    WaterTower Theatre still has three productions remaining in its 2025-2026 season, including Good Night, Oscar (March 24-April 12), School of Rock (May 19-31), and Wonderland (September 15-27).

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