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Keeping Dallas Fresh

Slice Media shatters Dallas stereotypes to show a younger, sexier side of thecity

Jonathan Rienstra
Oct 16, 2012 | 4:51 pm
  • Cesar Jasso (left) and David Redish (right) make up Slice Media, a Dallas-basedvideo production company.
    Photo courtesy of Slice Media
  • "I wanted to work for myself and be in control of my future," Jasso says. "I wassitting at my office desk and thought, 'I'm too young to be wasting my days inan office doing something I don't enjoy.'"
    Photo courtesy of Slice Media
  • Redish reviews a shot from the Felix Cartal episode of the Chasing Daylightseries with director of photography Jordan Mathis.
    Photo courtesy of Slice Media

Cesar Jasso and David Redish, the duo behind video production company Slice Media, are on a mission to make Dallas look cool.

“Cesar is always stressing that stuff when we shoot,” Redish says. “We want to make Dallas look the way it should, which isn’t always how it’s portrayed by the media.”

Forget high hair and credit card statements the size of a small country’s GDP. Slice Media wants to show how the young and restless operate in Dallas.

One of Slice Media’s weapons in the fight against GCB stereotypes is a new series called Chasing Daylight.

One of their weapons in the fight against GCB stereotypes is a new series called Chasing Daylight. The first episode came out in August, starring Colorado-based DJ Paper Diamond, who explored Dallas while in town for a show. You can see the video above, where he plays at Trees in Deep Ellum and checks out Centre in Mockingbird Station.

“I had been doing some shooting with Bassnectar while he was on tour and got this idea of doing more with video than just shooting B-roll for the tour,” Redish says. “I wanted to see what it was like for someone when they were in town, outside of performing.”

Redish says that his friend Geoff Stupay at Fresh New Tracks put him in touch with Paper Diamond, and they set up a shoot last winter.

“It was a lot of fun,” Jasso says. “Corporate shoots can be stressful, because you have to answer to the client, but with this we met up with Paper Diamond for six hours and just planned the day out, taking him around Dallas. It was me, David and two cameramen. Those shots in the car are in David’s car, and he’s driving and interviewing at the same time.”

Slice Media started in August 2010, but the seed for the company was planted back in 2001, when Redish and Jasso were freshmen at ESD.

[Editor's note: The author attended ESD and was three years behind Redish and Jasso. He knew of them only through sports, where they did not talk to him or pass the ball.]

“We’ve known each other since we were 15,” Redish says. “Toward the end of high school, we started leading a film club and thought it was fun, but didn’t really know about a career in it.”

One of their first jobs, a political ad for State Rep. Cindy Burkett, ended up winning a Pollie Award.

Redish went to SMU to study filmmaking while Jasso attended Texas A&M, where he majored in international business. After college, Redish went off to Los Angeles to make movies and went through the entire process of not making movies, he says.

Meanwhile, Jasso had moved to Austin. In March 2010, Redish crashed with Jasso while attending South by Southwest and mentioned that he wanted to start a video production company back in Texas.

“I went back home, and about two months later, Cesar called and was like, ‘Let’s do it in Dallas.’” Redish says. “By August we had set up a couple of political ads.”

One of those ads — “One of Us,” for State Rep. Cindy Burkett — ended up winning a Pollie Award from the American Association of Political Consultants. That early success has allowed them to grow Slice Media organically.

“So far it’s just the two of us,” Redish says. “We hire out as many freelancers as we need, but we want Slice to stay nimble. We didn’t want to box ourselves in with a general topic, which is where our name comes from.”

Jasso says that although they do the corporate stuff, their passion lies in the original productions.

“We’ve done a few festivals with our stuff,” he says. “We got Best Overall last year at Guts and Glory [part of Dallas VideoFest], which was a lot of fun. We shot on Super 8 in 24 hours, which meant we couldn’t do any editing.”

Redish recently directed a tourism ad for the City of Dallas featuring Larry Hagman. The video captures the duo’s efforts to showcase Dallas as more than Dallas.

Outside of Slice Media, Redish recently directed a tourism ad for the city of Dallas featuring Larry Hagman, and Jasso came on as production manager. They teamed up with Redish’s SMU friend Dan Maitland, who was the executive producer.

It may not have Slice Media’s label, but the video captures the duo’s efforts to showcase Dallas as more than Dallas. And if J.R. Ewing is the one telling you to forget that old image of Dallas, then, well, that’s probably worth something, right?

Redish says that Slice is working on getting out the second episode of Chasing Daylight next month.

“We shot this DJ named Felix Cartal last year at South by Southwest,” he says. “He’s this young guy, like 24 or 25, and does this mash-up stuff. He’s on Steve Aoki’s record label.”

Just because the episode takes place in Austin doesn’t mean Chasing Daylight is moving away from Dallas.

“The model of the show is to be on the road and travel with the artist,” Redish says. “But we always love filming with them here to show off Dallas’ rarely highlighted hip and young side.”

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Theater News

Dallas' Kitchen Dog Theater unveils powerful 2026-2027 season lineup

Alex Bentley
Aug 12, 2026 | 10:01 am
Kitchen Dog Theater in Dallas
Photo by Cameron Cobb
Kitchen Dog Theater in Dallas will put on three mainstage productions for their 2026-2027 season.

Kitchen Dog Theater in Dallas has revealed the lineup for the 2026-2027 season, featuring a slate of plays that boasts power players like kings, prime ministers, space force commanders, and would-be presidents.

According to a release, the theater company's 36th season — their "most powerful yet" — will consist of three mainstage productions at its new permanent home in the Design District, as well as the annual New Works Festival, featuring a readings series and the 26th annual D-PAC PUP (Playwrights Under Progress) Fest.

The season will start with The Absentee by Julia Doolittle, running September 10-October 4, 2026. The play was the winner of the 2019-2020 Woodward/Newman Drama Award.

Far out in the Milky Way, “Beacons” serve as lighthouses for warping spaceships around the galaxy. When a U.S. Space Force ship explodes in the galaxy, the Operator finds herself alone in deep space, with only her ship’s AI for companionship. That is, until a persistent canvasser calls, desperate to convince her to vote absentee in the 2088 election.

As the Operator waits for the clean up to be over, she finds she has to come to terms with her isolation, grief, and her political voice.

The season's second production comes four months later, with Equivocation by Bill Cain, running February 4-28, 2027. In 1605 England, a terrorist plots to assassinate King James I and blow Parliament to kingdom come. Shagspeare (after a contemporary spelling of the Bard's name) is commissioned by the prime minister, to write the “true historie” of the plot. And it must have witches — the king wants witches.

But as Shag and the acting company of the Globe investigate the plot, they discover that the king's version of the story might, in fact, be a coverup. Shag and his actors are confronted with the ultimate moral and artistic dilemma. Speak truth to power and perhaps lose their heads? Or take the money and lie? Is there a third option? Equivocation?

A high-stakes political thriller with contemporary resonances, Equivocation gallops from the great Globe to the Tower of London to the halls of Parliament to the heart of Judith, Shag's younger daughter, who finds herself unexpectedly at the very heart of the political, dramatic and — ultimately — human mystery.

The final mainstage production of the season comes at the 2027 New Works Festival with Black Republican by KDT Artistic Company Member Jamal Gibran Sterling, running June 3-27, 2027.

Originally featured as a Staged Reading in the 2026 New Works Festival, the ambitious first play by Sterling centers on a Black Republican candidate on the national stage who finds his campaign threatened by an activist who challenges everything he claims to stand for. Their battle exposes uncomfortable truths about race, politics, and the stories we tell ourselves.

In addition to Black Republican, the 2027 New Works Festival will showcase four staged readings of some of the newest and most exciting Texas-based playwrights. Each reading will feature accomplished Dallas-Fort Worth actors and directors to highlight the breadth of talent in the area.

The final part of the festival is D-PAC PUP (Playwrights Under Progress) Fest, featuring six staged readings of jury-selected plays written by Dallas-Fort Worth high school students and featuring student actors directed by area professionals. PUP Fest is the culmination of Dallas Playwriting Arts Collective (D-PAC), a partnership with Dallas ISD and Junior Players.

Kitchen Dog Theater offers two season subscription packages for their inaugural season in their new facility. The Kitchen Dog package includes a ticket to all three mainstage productions for any performance date for $90+ $8 fees for adults and $75 +$8 fees for students and seniors (ages 65+). The Saver Dog package includes a ticket to all three mainstage productions for Thursdays, Fridays, and Sundays only. It is $60 + $8 fees for adults and $45 + $8 fees for students and seniors.

Both packages grant full access to the Staged Reading Series and PUP Fest. Subscribers also receive premium reserved seating for in-person performances, as well as subscriber-only discounts on additional single tickets, 2026 special events, and KDT merchandise.

Subscription packages are on sale now, and single tickets for each show will go on sale on Monday, August 24, at kitchendogtheater.org.

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