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    Season Announcement

    Dallas Theater Center serves up 'Waitress' and a Western for 2024-25 season

    Lindsey Wilson
    Apr 11, 2024 | 11:49 am
    Waitress musical Broadway

    Get your slice of "Waitress" in 2025.

    Photo by Joan Marcus

    If you bet on Dallas Theater Center to be the first DFW theater to secure the rights to Waitress, go claim your celebratory slice of pie.

    The Sara Bareilles musical, which was a hit on Broadway from 2016-2021, joins an eclectic lineup that includes vampires, cowboys, a Biblical fashion icon, and a co-production with Fort Worth's Stage West.

    “Our 2024-25 season will surprise and delight North Texas audiences all season long,” says executive director Kevin Moriarty. “Filled with musicals, comedies, and heartwarming dramas, this is a season with something for everyone. In our increasingly isolated world, theater provides a rare opportunity for people of all backgrounds and experiences to come together in-person to experience the variety and depth of the human experience, often surprising us with how much we have in common as fellow travelers through the journey of life. I’m eager to welcome everyone in Dallas to join us throughout the season to be surprised and moved by the many shared emotions that live theater can inspire.”

    The upcoming season will also be the debut of the newest Diane and Hal Brierley Resident Acting Company member, Esteban Vilchez. His previous DTC credits include A Christmas Carol, Native Gardens, and Into the Woods.

    First up is Dracula: A Comedy of Terrors, a fang-tastic comedy filled with anything-goes pop culture references, written by Gordon Greenberg and Steve Rosen.

    When you take Bram Stoker’s legendary story and put it in a blender with Mel Brooks, Monty Python, and The 39 Steps you’ll get a contemporary, fast-paced, and irreverent production. When her sister Mina falls ill with a mysterious disease of the blood, Lucy Westfeldt and her fiancé, Jonathan Harker, enlist the help of famed vampire hunter Doctor Jean Van Helsing. Their hunt for the elusive and seductive Count Dracula abounds with clever wordplay and quick-change antics. Brierley Resident Acting Company member Blake Hackler directs with Tiffany Solano as assistant director. It runs October 11-November 3, 2024, in the Kalita Humphreys Theater.

    One of the greatest Westerns of all time finds new life on the stage in Shane, based on the classic novel by Jack Schaefer.

    Acclaimed playwright Karen Zacarías brings an exciting, fresh perspective to an extraordinary American genre that follows Shane, a mysterious ex-gunfighter and a man with a dangerous past. Yet, the Starrett family finds kinship with him and Shane helps protect their Wyoming farm. Their story sheds new light on the allure, mythos and values of the Wild West — a chapter in history that still has many tales to tell. It runs January 31-February 23, 2025, in the Kalita Humphreys Theater.

    The Dallas premiere of Primary Trust, in association with Stage West, is a touching story of new beginnings, old friends, and finding the courage to see the world for the first time.

    The award-winning drama by Eboni Booth follows Kenneth, who lives in a small town in upstate New York. For 15 years his life has been the same: by day, he works at a bookstore, in the evening, he drinks Mai Tais with his friend Bert. When the bookstore shuts down, Kenneth is forced out of his comfort zone to face a world he has long avoided — with transformative and heart-warming results. Directed by Sasha May Ada, it runs February 27-March 16, 2025, in Bryant Hall at the Kalita Humphreys Theater.

    Serving satisfaction, one slice at a time is Waitress, produced in collaboration with Lyric Theatre in Oklahoma City, and featuring music and lyrics by Grammy Award winner Sara Bareilles.

    In the beloved musical, Jenna, a waitress and expert pie-maker, is stuck in a small town and a loveless marriage. Faced with an unexpected pregnancy, Jenna fears she may have to abandon the dream of opening her own pie shop, until a baking contest in a nearby county and the town's handsome new doctor offer her a tempting recipe for happiness. It runs March 29-April 27, 2025, in the Potter Rose Performance Hall at the Wyly Theatre.

    Joseph and The Amazing Technicolor Dreamcoat, the classic Broadway musical by Andrew Lloyd Webber and Tim Rice that's based on the Bible’s Book of Genesis, tells the journey of Joseph, son of Jacob, his twelve brothers. and his coat of many colors.

    Filled with catchy songs and dances, Joseph and the Amazing Technicolor Dreamcoat is one of the most enduring shows of all time (DTC last produced it in 2012). It runs June 13-July 20, 2025, in the Potter Rose Performance Hall at the Wyly Theatre.

    As a holiday add-on, A Christmas Carol returns to the Wyly Theatre in a delightfully reimagined take of Charles Dickens’ enduring classic.

    Written by Dickens and adapted by Moriarty, three spirits have come to visit the miserly Ebenezer Scrooge and take him on a fantastic journey through Christmases past, present, and future that annually delights audiences across North Texas. Brimming with joyful songs, magical spirits, and holiday cheer, Dallas Theater Center’s A Christmas Carol features Brierley Resident Acting Company members Alex Organ as director and Christina Austin Lopez as associate choreographer. It runs November 29-December 28, 2024, in the Potter Rose Performance Hall at the Wyly Theatre.

    Current subscribers can renew their subscriptions now at DallasTheaterCenter.org and by phone at 214-522-8499. New subscribers will be able to purchase packages beginning in May. Single tickets are not yet available.

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    news/arts

    Dance Off

    Texas ballet company turns Timothée Chalamet dig into genius promotion

    Brianna Caleri
    Mar 13, 2026 | 1:12 pm
    Timothée Chalamet
    Courtesy
    undefined

    It was a shot fired from Austin that rang out around the art world: In a recent CNN/Variety Town Hall featuring actors Timothée Chalamet and Matthew McConaughey, Chalamet offered an assessment of ballet and opera that immediately went viral.

    During the onstage conversation at the University of Texas at Austin, Chalamet said, "I don't want to be working in ballet or opera, or you know, things where it's like, 'hey, keep this thing alive, even though like no one cares about this anymore.' All respect to the ballet and opera people out there. I just lost 14 cents in viewership."

    Chalamet immediately seemed to experience a twinge of regret, awkwardly adding, "But um...damn, I just took shots for no reason." He also sang a note and hid his face behind the cards he was holding.

    Stars of the art forms, from Andrea Bocelli to Misty Copeland, immediately began to leap (jeté, if you will) to the the defense of opera and ballet.

    In a genius marketing move, Austin's hometown ballet company is taking the unique opportunity to turn a hot topic into a promotion for its next production: Ballet Austin is inviting anyone named Timothée, Timothee, or Timothy to claim a free ticket to its upcoming world premiere of Marie Antoinette: Vampire Queen of Versailles, running March 27-29 at the Long Center for the Performing Arts.

    "Timothée… you were in Austin? We were literally down the street," a Ballet Austin post says. "Austin has brisket. Austin has music. Austin also has ballet."

    All Timothées and folks with similar names will have to do to claim a ticket is send a message to Ballet Austin on social media and show identification. Everyone else who wants to see the supernatural show where "the line between victim and villain blurs" will have to purchase a ticket ($25-$125) at balletaustin.org.

    Ballet Austin Marie Antoinette: Vampire Queen of Versailles Ballet Austin isn't afraid to add some edge to classic stories. Photo courtesy of Ballet Austin

    Even if Chalamet's words were dismissive, he's obviously not wrong about the relative distribution of public interest between the classical arts and major films like Marty Supreme, the late 2025 film he stars in and is busy promoting. The film's commercially successful release set a record for A24, an already renowned studio.

    Chalamet brought up ballet and opera in service of a larger point about pacing in movies. He said he exists in a middle ground as a consumer between wanting to be drawn in early and being more patient as a film progresses. Ultimately, he juxtaposed Barbie and Oppenheimer with the classical arts, pointing out that if the masses want to go see a film, they will "be loud and proud about it" organically, without needing performers to advocate for the seriousness of the art form.

    Coincidentally, there couldn't be a better counterpoint to this argument than Marie Antoinette: Vampire Queen of Versailles.

    As the title suggests, the story follows historical figure Marie Antoinette as she chooses to become a vampire, seeking "power, immortality, and vengeance," according to a press release. It takes a somewhat silly premise and gives it dramatic gravitas, with an original score by Austin composer Graham Reynolds, who is known outside of classical circles and sometimes composes for movie soundtracks.

    "For Ballet Austin, the moment is an opportunity to remind audiences that ballet isn’t fading away," says a release about the new promotion. "It’s evolving, drawing new audiences and continuing to thrive in creative cities like Austin."

    If Chalamet really does fall in the middle of instant and delayed artistic gratification, this sounds like the perfect production to draw him in.

    And perhaps Ballet Austin should add people named Matthew to their promotion, since McConaughey threw the younger star a bone after his momentary walk-back, saying, "That's not a shot — I hear what you're saying."

    ---

    Stephanie Allmon Merry contributed to this story.

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