Theater Critic Picks

Here are the 12 must-see shows in Dallas-Fort Worth theater for November

Undermain Theatre presents Exit the King

'Exit the King' at Undermain Theatre.

Photo by Paul Semrad

Grocery and department stores might want us to believe it's already the holidays, but at least local theater companies are (mostly) holding off until around Thanksgiving.

November starts with absurdism, moves along to a movie-turned-Broadway musical, and even throws a creepy thriller in the mix before it's time for Grinches, Scrooges, and Charlie Brown's sad Christmas tree.

In order of start date, here are 12 local shows to watch this month:

Exit the King
Undermain Theatre, through November 24
Eugène Ionesco’s absurdist comedy is set in the crumbling throne room of the palace in an unnamed country, where King Berenger the First has only the duration of the play to live. Once, it seemed he ruled over an immense empire and commanded great armies; now his kingdom has shrunk to the confines of his garden wall. Refusing to accept his end, he is attended by his present and former Queens, who must help him face the final inevitable truth of life.

Patti & Theo
Ochre House Theatre, November 2-23
The dark comedy with music that's written and directed by artistic director Matthew Posey returns. Patti and Theo are struggling artists in Brooklyn, New York. They are big boozers, and time will tell if the Drinking Religion outlives them. Song, music, and shadow play highlight this story of two lovers who hold each other passionately at arm’s length.

Mrs. Doubtfire
Broadway at the Bass, November 5-10
Everyone’s favorite Scottish nanny comes to Fort Worth in the musical based on the beloved film, which tells the hysterical and heartfelt story of an out-of-work actor who will do anything for his kids.

The Search for Signs of Intelligent Life in the Universe
WaterTower Theatre, November 6-17
Jane Wagner’s ever-timely one-woman show examines American society, art, and human connectivity, and explores the feminist movement. As one actor transforms into a series of other archetypal characters, they become the play’s guiding conscience for the audience. Under the guidance of the narrator, a role originated by Lily Tomlin, the audience is treated to a mischievously clever observer of the society around her.

A Tuna Christmas
Casa Mañana, November 9-17
It's 24 hours before Christmas and all comic hell is about to break loose. Tuna’s delightfully eccentric characters attempt to cope with seasonal traumas, like a disaster-prone production of A Christmas Carol and a yard-decorating contest that’s being sabotaged by a mysterious Christmas phantom.

Sleuth
Theatre Three, November 14-December 15
A cunning mystery writer, Andrew Wyke, invites his wife's lover, Milo Tindle, to his secluded English manor, setting off a deadly game of manipulation and deceit. As the tension rises, surprising twists keep the audience guessing the dramatic end. Presented in the Theatre Too space.

Dr. Seuss' How The Grinch Stole Christmas! The Musical
Performing Arts Fort Worth, November 19-24
Max the Dog narrates as the mean and scheming Grinch, whose heart is "two sizes too small," decides to steal Christmas away from the holiday-loving Whos.

A Charlie Brown Christmas
Dallas Children's Theater, November 23-December 22
Discover the meaning of Christmas — or experience the nostalgia of childhood — while sharing laughs with the Peanuts Gang along the way. As a live combo fills hearts with music, merriment, and warmth, the story based on the Charles Schulz classic special is here just in time for the holidays.

Forever Plaid: Plaid Tidings
Lyric Stage, November 29-December 22
The holiday classic by Stewart Ross opens Lyric Stage's 31st season. At first, Francis, Jinx, Smudge, and Sparky aren't sure why they've returned to Earth for another posthumous performance, but a phone call from the heavenly Rosemary Clooney lets them know that they're needed to put a little harmony into a discordant world.

The Play That Goes Wrong
Stage West, November 29-December 22
At opening night of The Murder at Haversham Manor, things are quickly going from bad to horrible. With an unconscious leading lady, a corpse that can’t play dead, and actors who trip over everything (including their lines), the whole evening is a disastrous smash.

A Christmas Carol
Dallas Theater Center, November 29-December 28
Three spirits have come to visit the miserly Ebenezer Scrooge and take him on a fantastic journey through Christmases past, present, and future. Brimming with joyful songs, magical spirits, and holiday cheer, this holiday classic embodies a story of joy, redemption, and the spirit of Christmas.

Natasha, Pierre & the Great Comet of 1812
Theatre Three, November 29-December 29
The vibrant musical spectacle set in 19th-century Russia, and based on a 70-page segment of Leo Tolstoy's War and Peace, lets romance and intrigue unfold amid glittering ballrooms and tumultuous relationships. Its score features a unique blend of electro-pop and Russian folk-inspired music.

musicals opening plays theater

Elon News

Dallas bookstore and publisher gets federal arts funding axed

Deep Vellum

Stack of books at Deep Vellum

A Dallas arts organization got its budget chopped by the federal government: Deep Vellum, the bookstore and publisher at 3000 Commerce St., lost a National Endowment for the Arts (NEA) grant due to federal government budget cuts.

According to owner Will Evans, the award, which is granted annually, has been terminated as of May 31. The bookstore had received $20,000 for the past six years.

Deep Ellum started as a publisher in 2013 and opened their bookstore in Deep Ellum in 2015. Since then, they have become a center for literature lovers. Evans is a translator whose mission has been to translate the world’s best novels into English for American audiences.

Evans was notified on May 2 via an email that was reportedly sent to grant recipients nationwide. The note read:

"The NEA is updating its grantmaking policy priorities to focus funding on projects that reflect the nation's rich artistic heritage and creativity as prioritized by the President. Consequently, we are terminating awards that fall outside these new priorities."

The new priorities included projects that elevate the Nation's HBCUs and Hispanic Serving Institutions, celebrate the 250th anniversary of American independence, foster AI competency, empower houses of worship to serve communities, assist with disaster recovery, foster skilled trade jobs, make America healthy again, support military and veterans, support Tribal communities, make the District of Columbia safe and beautiful, and support the economic development of Asian American communities.

The Grants and Public Affairs departments at NEA did not respond to a request for comment. On Monday May 5, the Literary Staff was laid off, and the agency is facing possible elimination entirely, as part of the 2026 Discretionary Budget Request presented to Congress on May 2.

This year's grant to Deep Vellum was earmarked to fund the translation, publishing, and marketing costs of four books:

Carapace Dancer by Natalia Toledo, translated from Zapotec, published trilingually with Spanish and English translations alongside the original, translated by Clare Sullivan
Juvenilia by Hera Lindsay Bird of New Zealand, making her US debut, illustrated by Dallas artist Gino Dal Cin
Schattenfroh by Michael Lentz, translated from the German by Max Lawton, a 1001-page masterpiece and English-language debut
The Ruins by Ye Hui, translated from Chinese by Dong Li, the English-language debut from one of China's most distinguished and independent poets

The National Endowment for the Arts is an independent federal agency established by Congress in 1965 as a funder of the arts and arts education in communities nationwide anxd a catalyst of public and private support for the arts with the goal of advancing opportunities for arts participation and practice, according to their website.

In their last stats document updated in November 2024, their FY’24 budget was outlined as $207M (representing 0.03 percent of the total federal budget), with 80 percent of their budget supporting grants and awards to organizations and individuals across the country. They typically offer over 2,000 grants each year.

"It’s been a strange few days for us, and for countless other nonprofit publishers, magazines, and arts organizations," Evans said.

Despite the cut, Deep Vellum plans to continue to promote literacy through unique books translated to the English language.

“This is not going to imperil our future but it’s something we need to consider as we move forward. These books are extraordinary, and they add so much for readers and culture. We just need to find additional revenue to fund them," Evans said.

Evans was first to reveal the funding cut but a number of organizations across Dallas and Texas have seen similar cuts including Ballet North Texas, Flamenco Fever, Dallas Theater Center, and Bishop Arts Theatre Center, as well as a number of groups in Austin.

closings books

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