Theater Critic Picks

Here are the 12 must-see shows in Dallas-Fort Worth theater for November

Undermain Theatre presents Exit the King

'Exit the King' at Undermain Theatre.

Photo by Paul Semrad

Grocery and department stores might want us to believe it's already the holidays, but at least local theater companies are (mostly) holding off until around Thanksgiving.

November starts with absurdism, moves along to a movie-turned-Broadway musical, and even throws a creepy thriller in the mix before it's time for Grinches, Scrooges, and Charlie Brown's sad Christmas tree.

In order of start date, here are 12 local shows to watch this month:

Exit the King
Undermain Theatre, through November 24
Eugène Ionesco’s absurdist comedy is set in the crumbling throne room of the palace in an unnamed country, where King Berenger the First has only the duration of the play to live. Once, it seemed he ruled over an immense empire and commanded great armies; now his kingdom has shrunk to the confines of his garden wall. Refusing to accept his end, he is attended by his present and former Queens, who must help him face the final inevitable truth of life.

Patti & Theo
Ochre House Theatre, November 2-23
The dark comedy with music that's written and directed by artistic director Matthew Posey returns. Patti and Theo are struggling artists in Brooklyn, New York. They are big boozers, and time will tell if the Drinking Religion outlives them. Song, music, and shadow play highlight this story of two lovers who hold each other passionately at arm’s length.

Mrs. Doubtfire
Broadway at the Bass, November 5-10
Everyone’s favorite Scottish nanny comes to Fort Worth in the musical based on the beloved film, which tells the hysterical and heartfelt story of an out-of-work actor who will do anything for his kids.

The Search for Signs of Intelligent Life in the Universe
WaterTower Theatre, November 6-17
Jane Wagner’s ever-timely one-woman show examines American society, art, and human connectivity, and explores the feminist movement. As one actor transforms into a series of other archetypal characters, they become the play’s guiding conscience for the audience. Under the guidance of the narrator, a role originated by Lily Tomlin, the audience is treated to a mischievously clever observer of the society around her.

A Tuna Christmas
Casa Mañana, November 9-17
It's 24 hours before Christmas and all comic hell is about to break loose. Tuna’s delightfully eccentric characters attempt to cope with seasonal traumas, like a disaster-prone production of A Christmas Carol and a yard-decorating contest that’s being sabotaged by a mysterious Christmas phantom.

Sleuth
Theatre Three, November 14-December 15
A cunning mystery writer, Andrew Wyke, invites his wife's lover, Milo Tindle, to his secluded English manor, setting off a deadly game of manipulation and deceit. As the tension rises, surprising twists keep the audience guessing the dramatic end. Presented in the Theatre Too space.

Dr. Seuss' How The Grinch Stole Christmas! The Musical
Performing Arts Fort Worth, November 19-24
Max the Dog narrates as the mean and scheming Grinch, whose heart is "two sizes too small," decides to steal Christmas away from the holiday-loving Whos.

A Charlie Brown Christmas
Dallas Children's Theater, November 23-December 22
Discover the meaning of Christmas — or experience the nostalgia of childhood — while sharing laughs with the Peanuts Gang along the way. As a live combo fills hearts with music, merriment, and warmth, the story based on the Charles Schulz classic special is here just in time for the holidays.

Forever Plaid: Plaid Tidings
Lyric Stage, November 29-December 22
The holiday classic by Stewart Ross opens Lyric Stage's 31st season. At first, Francis, Jinx, Smudge, and Sparky aren't sure why they've returned to Earth for another posthumous performance, but a phone call from the heavenly Rosemary Clooney lets them know that they're needed to put a little harmony into a discordant world.

The Play That Goes Wrong
Stage West, November 29-December 22
At opening night of The Murder at Haversham Manor, things are quickly going from bad to horrible. With an unconscious leading lady, a corpse that can’t play dead, and actors who trip over everything (including their lines), the whole evening is a disastrous smash.

A Christmas Carol
Dallas Theater Center, November 29-December 28
Three spirits have come to visit the miserly Ebenezer Scrooge and take him on a fantastic journey through Christmases past, present, and future. Brimming with joyful songs, magical spirits, and holiday cheer, this holiday classic embodies a story of joy, redemption, and the spirit of Christmas.

Natasha, Pierre & the Great Comet of 1812
Theatre Three, November 29-December 29
The vibrant musical spectacle set in 19th-century Russia, and based on a 70-page segment of Leo Tolstoy's War and Peace, lets romance and intrigue unfold amid glittering ballrooms and tumultuous relationships. Its score features a unique blend of electro-pop and Russian folk-inspired music.

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Season Announcement

'Come find your people' in Echo Theatre Dallas' 2025 season

Photo by Joan Marcus

A scene from the Off-Broadway production of Catch As Catch Can.

The theme for Echo Theatre's 2025 season is family, with the tagline "Come find your people." Echo, if you need a reminder, is the Dallas-based company that solely produces plays written by women-plus.

"We recognize the limiting nature of the binary use of the word 'woman,'" the company explains on its website. "We use the term 'women-plus' to include an expansive and diverse array of people, including those born female, those who identify as women, and those who are gender non-conforming."

“This season, my thoughts have turned to family in all its forms,” says artistic director Kateri Cale. “Every person experiences generations of family expectations, judgements, competitions, celebrations, and disappointments, over and over again. If we're lucky, we experience the fierce love of family too.”

First up is the regional premiere of Catch as Catch Can by Mia Chung.

Double-cast across gender, generation, and race and set in a blue-collar New England town, the drama follows two families — the Irish-American Phelans and the Italian-American Lavecchias — as the prodigal son returns home for a holiday gathering. Two off-stage characters, who are Korean and Korean-American, impact the families as they face the weight of generational expectations.

“With Catch as Catch Can, I wanted the audience’s experience of what they’re watching to mirror that felt by the characters; the character doubling articulates and enhances the propulsion of the play," says Chung in a release about the play's Off-Broadway debut in 2022. "I believe in performance, I believe in the actor’s capacity to inhabit a character to the extent that an audience may stop seeing that the actor is a man, or is Asian, or is 30 years younger than the role they’re playing. The cognitive dissonance is by design.”

It runs February 3-March 8, 2025, at the Bath House Cultural Center.

Next is OPEN by Crystal Skillman, a queer love story told by an amateur magician, presented during Pride Month.

A woman called the Magician presents myriad tricks for our entertainment, yet her performance seems to be attempting the impossible: to save the life of her partner, Jenny. But is our faith in her illusions enough to rewrite the past? The clock is ticking, the show must go on, and, as impossible as it may seem, this Magician’s act may be our last hope against a world filled with intolerance and hate.

It runs June 6-21, 2025, at the Bath House Cultural Center.

Last is El Rey del Pollo, a world-premiere "nuevo comedy" by Anna Skidis Vargas that the playwright describes as "a Shakespearean telenovela that’s loosely based on King Lear, but it’s a lot shorter and a lot sillier."

Reymundo Lear is about to retire from his fried chicken empire, and he is leaving everything to his three daughters. But things aren’t as easy as they seem. Cordelia gets disinherited, and Gisela and Raquel hike the prices. El Rey del Pollo features a hungry old man, essential oils, a giant chicken suit, and all the family drama you can eat.

It runs September 11-27, 2025, at the Bath House Cultural Center.

The Echo Reads free play readings will continue next year, and are scheduled for the months of March, April, May and September, October, November.

Season tickets are on sale now at echotheatre.org. Single tickets will be available at a later date.

A fun fact about Echo Theatre productions: Up to 10 free tickets are set aside for every performance and given out on a first-come, first-served basis. Patrons must email the box office directly at reservations@echotheatre.org to participate.

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