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    Movie Review

    Sex Appeal looks for actual chemistry in teen sex comedy genre

    Alex Bentley
    Jan 12, 2022 | 9:25 am
    Sex Appeal looks for actual chemistry in teen sex comedy genre
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    While the genre of teen sex comedies has been around since the 1980s, making the characters in those films actually respect themselves and the objects of their lust affection is a relatively new phenomenon. It’s no small coincidence that some of the recent successes in that regard, including Blockers, Booksmart, and Yes, God, Yes, are ones where women take the lead both on-screen and off.

    While not as polished as those films, the new Hulu film Sex Appeal has much the same goal. Its lead is high school senior Avery Henson-White (Mika Abdalla), who brings a scientific and perfectionist mind to everything in her life, even sex. With an almost singular focus on academics and getting into M.I.T., Avery has no time for relationships, and she wears her status as a virgin not so much as a badge of honor, but with blasé indifference.

    But when Stemcon, an academic competition for which she is the reigning champion, calls for contestants to create an app that solves a problem in their personal lives, the best she can come up with is one that would make having sex for the first time less awkward. She enlists longtime friend Larson (Jake Short) to help her with “experiments” so that she has firsthand knowledge of things that she has never experienced.

    Directed by Talia Osteen and written by Tate Hanyok, the film walks a fine line in terms of how explicit it gets. When it comes to dialogue, the sky is the limit, with Avery and her fellow students unafraid to talk openly about everything they know – or don’t know – about sex. To say that Avery is repressed would be a misstatement. She has no problem talking about sex; the problem is that she has no sense of the appropriate time or place to bring it up, much to the chagrin of Larson, who has a crush on another student.

    But the filmmakers draw the line at actually showing anything graphic. Any moments between Avery and Larson that go beyond kissing are represented by fantasy sequences that explain every movement without showing it, making the scenes both funnier and somehow more vivid in the process. The closest the film comes to nudity is showing Avery in her bra and a funny scene where her head blocks out an adult film on a TV behind her, which seems appropriate since the film is dealing with teenagers.

    In spite of the film’s strengths, Osteen and Hanyok struggle a bit with their characterization. The film remains heightened throughout, with few characters acting like real-life people. There’s a difference between a scene being funny because of something organic that happens, and filmmakers trying to force the humor with characters acting like caricatures. This film never crosses the line between broad comedy and relatable comedy.

    Abdalla, who grew up in Plano and has a growing filmography, inhabits the role well. She has the charm and intelligence the role requires without coming across as false. Short has the personality that fits his part, but he doesn’t elevate it at all. Fortune Feimster and Margaret Cho play Avery’s two mothers, but the progressive pairing doesn’t add much to the film as a whole. The best supporting character is one played by Paris Jackson (yes, Michael’s daughter), who comes off as extremely confident and charismatic.

    Sex Appeal is the latest film to honor the female perspective when it comes to sexuality, although it’s ultimately merely a pleasant watch instead of one that inspires repeat viewings. With its nice balance in addressing teenage sex issues, it should be welcomed by its target audience.

    ---

    Sex Appeal debuts on Hulu on January 14.

    Mika Abdalla in Sex Appeal.

    Mika Abdalla in Sex Appeal
    Photo by Brett Roedel/Hulu
    Mika Abdalla in Sex Appeal.
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    Movie Review

    Safe cracking is a snap for White Lotus alum Leo Woodall in Tuner

    Alex Bentley
    May 29, 2026 | 2:55 pm
    Leo Woodall in Tuner
    Photo courtesy of Black Bear
    Leo Woodall in Tuner.

    Of all the ways that movies depict people trying to steal money and other valuables, safe cracking is among the least exciting. By design, it’s a laborious process that only those with a very certain set of skills can do. While clever editing and the right music can enhance scenes of safes being cracked, there’s a reason that the method is among the least used in heist films.

    In the new film Tuner, Niki (Leo Woodall) has a job and a condition that just happens to lend itself well to committing that specific crime. He works as an apprentice piano tuner for Harry (Dustin Hoffman), usually doing the hard work while Harry schmoozes the client. Niki is well-suited for the job because he has a rare condition called hyperacusis, which makes him both sensitive to loud noises and able to hear subtle things that others cannot.

    When he runs across a trio of criminals trying to break open a safe at a house where he’s tuning a piano, he helps them more out of frustration than avarice. But when Harry goes into the hospital and racks up huge bills, Niki decides to join the group to make some quick money. They soon want more than he’s willing to give, and he must find a way to extricate himself from them without losing himself completely.

    Written and directed by documentary filmmaker Daniel Roher (making his narrative feature debut) and co-written by Robert Ramsey, the film has a nice pace to it despite there being relatively little action. Roher and Ramsey spend the first third or so establishing Niki, Harry, and Harry’s wife Marla (Tovah Feldshuh) as characters, letting the audience understand their relationships and how they interact with each other.

    The time they devote to the personal storytelling pays dividends when Niki starts to descend into crime, as his divided loyalties - not to mention the danger of the thefts - insert tension into the plot. That stress is heightened even more when Niki starts a relationship with piano student Ruthie (Havana Rose Liu), as getting closer to her necessitates a series of lies.

    There comes a point, though, where the plot stagnates to a degree. Niki’s end goal, if he has one, is never clear, and it’s obvious that it’s only a matter of time before things start to fall apart. After starting strong in their character development, Roher and Ramsey take shortcuts as the film rushes toward its conclusion. This is most notable in a weird argument scene between Niki and Ruthie that comes out of nowhere and seems to serve no purpose in the story.

    Woodall, who had a memorable turn in season 2 of The White Lotus, is on the cusp of breaking out, and this understated-but-compelling lead role should help him become an even bigger name in Hollywood. Hoffman has a small role, but he remains as interesting as ever despite the lack of screentime. Liu (Bottoms) is also an up-and-coming actor who should become a star with more roles like this one.

    Tuner is a low-key thriller that succeeds because of the way the filmmakers approach the under-used method of robbery. Even if it doesn’t quite reach its potential, the film maintains a high quality throughout thanks to its storytelling and acting.

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    Tuner is now playing in theaters.

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