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Let's All Go To The Movies

Movie theater chain does Dallas debut with galaxy of luxury amenities

Teresa Gubbins
Jan 25, 2017 | 12:12 pm
Galaxy Theatre, rendering
A new theater chain promising a luxury experience is coming to the DFW area.
Courtesy of the Galaxy Theatre

A new luxury theater operator is joining the DFW movie landscape. Galaxy Theatres will open a location at the $1.5 billion Grandscape development in The Colony.

This is the first Galaxy theater in Dallas-Fort Worth, but the second in Texas; a branch has been open in Austin for more than 10 years.

Galaxy is a privately owned movie theater company based in Sherman Oaks, California, with a focus on developing and operating state-of-the-art theaters in the Western United States. It was founded in 1998 and has theaters in California, Nevada, Texas, and Washington.

Galaxy joins a small wave of luxury theater concepts that have opened around Dallas, such as iPic, LOOK, Cinepolis, and even Alamo Drafthouse, where movies are one part of a bigger entertainment experience.

The Colony branch will break ground in 2017, and is projected to open in spring 2019. Keeping to their vision, the development team at Grandscape is excited about the unique offering that Galaxy has. Jeff Lind, president of Grandscape, says that Galaxy has a strong focus on visitor experience that fits Grandscape. "It will be the finest theater experience in the DFW area," he says.

Grandscape is the mixed-use development that's west of the Nebraska Furniture Mart, its corporate sibling.

The Galaxy theater will have 16 state-of-the-art screens, with digital sound and projection, and luxury stadium seating with full-power recliners.

Along with these amenities, there will be a full-service bar and restaurant and two large-format auditoriums featuring their exclusive DFX projection and sound.

"Our goal is simple, we aim to create and bring the finest movie theater experience to the DFW metro," says Rafe Cohen, president of Galaxy Theatres, LLC.

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Movie Review

Revived Coyote vs. Acme shows Looney Tunes’ enduring appeal

Alex Bentley
Aug 28, 2026 | 12:00 pm
Wile E. Coyote in Coyote vs. Acme
Photo courtesy of Ketchup Entertainment
Wile E. Coyote in Coyote vs. Acme.

No movie studio has gone through more ups and downs in the past few years than Warner Bros. In 2022, they oddly shelved two mostly-completed movies, Batgirl and Scoob! Holiday Haunt. But the next few years brought major movies like Barbie, Dune Part Two, Sinners, Superman, Weapons, and One Battle After Another, giving them a huge boost. Strangely, that led directly into a proposed sale to Paramount that is now going through legal battles.

Another previously-shelved Warner Bros. movie, Coyote vs. Acme, is now seeing the light of day thanks to a deal with a small company called Ketchup Entertainment. Taking its cue from the classic Looney Tunes cartoons, the film creates a world in which Wile E. Coyote - sick of constantly being thwarted in his pursuit of Road Runner by faulty Acme products - decides to sue the company.

To do so, he approaches the law firm of Avery, Jones & Maltese, led by Kevin Avery (Will Forte). The firm typically takes on small cases that are easy to settle, but - with a little subterfuge from Wile E. Coyote - they are soon presenting Acme and its lead attorney, Buddy Crane (John Cena), with a lawsuit that could be worth millions of dollars. Naturally, the big corporation won’t give in without a fight, leading to all sorts of shenanigans on both sides.

Directed by Dave Green and written by Samy Burch from a story by Burch, James Gunn, and Jeremy Slater, the film is a fun mixture of nostalgia and clever storytelling. Most of Looney Tunes’ classic characters make an appearance in the film, including Bugs Bunny, Daffy Duck, Porky Pig, Elmer Fudd, and Sylvester. The two, other than Wile E. Coyote and Road Runner, who get the most play are Tweety, who appears in some of the movie’s funniest scenes, and Foghorn Leghorn, reimagined as the CEO of Acme.

The blend of live action and animation is not quite on the level of something like Who Framed Roger Rabbit, but it is still effective. It also affords the film plenty of opportunities to employ Looney Tunes’ signature brand of cartoon violence that doesn’t actually leave lasting damage. The gags are very familiar for those who grew up on the studio’s short films, but combined with the inventive ways in which they’re used and the pointed jabs at corporate culture, they become somewhat fresh again.

Naturally, there are plenty of references in the film, starting with the name of the law firm, which pays homage to legendary directors Chuck Avery and Chuck Jones, as well as writer/animator Michael Maltese. Sly jokes that could turn the film from PG to PG-13 sneak their way in, although they steer clear of elements that haven’t aged well (documented in a recent viral comedy clip). But the film is at its best when it leans into the well-earned traits of its favorite characters and just lets them cook.

Forte is a great scene partner for Wile E. Coyote, as he can turn even minor slights into comedy gold. His deadpan reactions are the ideal way to counter the insanity going on around him. Cena has proven in other films that he has great comic timing, and he demonstrates that skill well here, too, especially in a fantastic scene opposite Tweety. The voice talent does a good job with the iconic characters, although the legendary Mel Blanc remains the gold standard.

Coyote vs. Acme is not a world-changing movie by any means, but it is a fun twist on the characters many know and love that deserved to be seen by moviegoers. Wile E. Coyote may never actually catch Road Runner, but this movie shows that his unceasing attempts remain entertaining after all these years.

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Coyote vs. Acme is now playing in theaters.

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